Asteroid Impact on Moon Blasted Two Grand Canyons in 10 Minutes

 This image provided by NASA shows a view from orbit looking obliquely across the surface of the moon, where an ancient asteroid strike carved out a pair of grand canyons on the moon’s far side. (Ernie T. Wright/NASA via AP)
This image provided by NASA shows a view from orbit looking obliquely across the surface of the moon, where an ancient asteroid strike carved out a pair of grand canyons on the moon’s far side. (Ernie T. Wright/NASA via AP)
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Asteroid Impact on Moon Blasted Two Grand Canyons in 10 Minutes

 This image provided by NASA shows a view from orbit looking obliquely across the surface of the moon, where an ancient asteroid strike carved out a pair of grand canyons on the moon’s far side. (Ernie T. Wright/NASA via AP)
This image provided by NASA shows a view from orbit looking obliquely across the surface of the moon, where an ancient asteroid strike carved out a pair of grand canyons on the moon’s far side. (Ernie T. Wright/NASA via AP)

The Grand Canyon in Arizona is one of Earth's natural wonders, carved out over millions of years by the gradual erosion power of the Colorado River. Close to the moon's south pole are two canyons each comparable in size to the Grand Canyon that were born in a much different process.

New research indicates that these canyons, in an area called the Schrödinger impact basin on the side of the moon perpetually facing away from Earth, were dug out in a matter of less than 10 minutes by rocky debris sent violently aloft when an asteroid or comet struck the lunar surface roughly 3.8 billion years ago.

This impact unleashed about 130 times the energy of the current global inventory of nuclear weapons, according to geologist David Kring of the Lunar and Planetary Institute of the Universities Space Research Association in Houston, lead author of the study published on Tuesday in the journal Nature Communications.

The scientists mapped the canyons using data obtained by NASA's robotic Lunar Reconnaissance Orbiter spacecraft and then employed computer modeling to determine the flow directions and speed of the flying debris. The rubble would have traveled at up to about 2,200 miles (3,600 km) per hour, they found.

One of the canyons, called Vallis Planck, measures about 174 miles (280 km) long and 2.2 miles (3.5 km) deep. The other, called Vallis Schrödinger, is about 168 miles (270 km) long and 1.7 miles (2.7 km) deep.

The impact occurred during a period of heavy bombardment in the inner solar system by space rocks thought to have been dislodged following a change in the orbits of the solar system's giant planets - Jupiter, Saturn, Uranus and Neptune - that is thought to have happened at the time.

The object that struck the moon is estimated to have been about 15 miles (25 km) in diameter, larger than the asteroid that struck Earth 66 million years ago and doomed the dinosaurs.

"When the impacting asteroid or comet hit the lunar surface, it excavated a tremendous volume of rock that was launched into space above the lunar surface before it came crashing back down. Knots of rock within that curtain of debris hit the surface in a series of smaller impact events, effectively carving the canyons. Adjacent to the canyons, the debris would have covered the landscape," Kring said.

The canyons are straight-line scars on the lunar surface, extending outward from a large and round impact crater, with smaller craters from unrelated impacts also in the vicinity.

This marked one of the last of the large impacts on the surfaces of the moon and Earth during this bombardment period in the early solar system. The moon still bears these scars on its surface while Earth does not.

That is because Earth recycles its surface as part of a geological process called plate tectonics. The outer part of our planet is comprised of continent-sized plates of rock that move very slowly. At points where they meet, one plate dives beneath the other, sending rock that had been at the surface deep below. The moon, a less dynamic body, lacks plate tectonics.

The new findings have relevance for lunar exploration in the coming years. The Schrödinger impact basin is located near the exploration zone for NASA's planned Artemis mission, intended to place astronauts on the moon for the first time since the Apollo landings of the 1970s.

"Because debris from the Schrödinger impact was jettisoned away from the lunar south pole, ancient rocks in the polar region will be at or close to the surface, where Artemis astronauts will be able to collect them. Thus, it will be easier for astronauts to collect samples from the earliest epoch of lunar history," Kring said.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”