Japan’s Aging Atomic Bomb Survivors Speak Out Against Nuclear Weapons 

The A-Bomb Dome is reflected on the Motoyasu river at the Peace Memorial Park in Hiroshima, western Japan, early 05 August 2025. (EPA)
The A-Bomb Dome is reflected on the Motoyasu river at the Peace Memorial Park in Hiroshima, western Japan, early 05 August 2025. (EPA)
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Japan’s Aging Atomic Bomb Survivors Speak Out Against Nuclear Weapons 

The A-Bomb Dome is reflected on the Motoyasu river at the Peace Memorial Park in Hiroshima, western Japan, early 05 August 2025. (EPA)
The A-Bomb Dome is reflected on the Motoyasu river at the Peace Memorial Park in Hiroshima, western Japan, early 05 August 2025. (EPA)

Eighty years after the atomic bombings of Hiroshima and Nagasaki, many of the remaining Japanese survivors are increasingly frustrated by growing nuclear threats and the acceptance of nuclear weapons by global leaders.

The US attacks on Hiroshima on Aug. 6, 1945, and three days later on Nagasaki killed more than 200,000 people by the end of that year. Others survived but with radiation illness.

About 100,000 survivors are still alive. Many hid their experiences to protect themselves and their families from discrimination that still exists. Others couldn’t talk about what happened because of the trauma they suffered.

Some of the aging survivors have begun to speak out late in their lives, hoping to encourage others to push for the end of nuclear weapons.

An English-speaking guide at Hiroshima's peace park

Despite numerous health issues, survivor Kunihiko Iida, 83, has devoted his retirement years to telling his story as a way to advocate for nuclear disarmament.

He volunteers as a guide at Hiroshima's Peace Memorial Park. He wants to raise awareness among foreigners because he feels their understanding of the bombings is lacking.

It took him 60 years to be able to talk about his ordeal in public.

When the US dropped a uranium bomb on Hiroshima, Iida was 900 meters (yards) away from the hypocenter, at a house where his mother grew up.

He was 3 years old. He remembers the intensity of the blast. It was as if he was thrown out of a building. He found himself alone underneath the debris, bleeding from shards of broken glass all over his body.

“Mommy, help!” he tried to scream, but his voice didn’t come out. Eventually he was rescued by his grandfather.

Within a month, his 25-year-old mother and 4-year-old sister died after developing nosebleeds, skin problems and fatigue. Iida had similar radiation effects through elementary school, though he gradually regained his health.

He was almost 60 when he finally visited the peace park at the hypocenter, the first time since the bombing, asked by his aging aunt to keep her company.

After he decided to start telling his story, it wasn’t easy. Overwhelmed by emotion, it took him a few years before he could speak in public.

In June, he met with students in Paris, London and Warsaw on a government-commissioned peace program. Despite his worries about how his calls for nuclear abolishment would be perceived in nuclear-armed states like Britain and France, he received applause and handshakes.

Iida says he tries to get students to imagine the aftermath of a nuclear attack, how it would destroy both sides and leave behind highly radioactive contamination.

“The only path to peace is nuclear weapons' abolishment. There is no other way,” Iida said.

A regular at anti-war protests

Fumiko Doi, 86, would not have survived the atomic bombing on Nagasaki if a train she was on had been on time. The train was scheduled to arrive at Urakami station around 11 a.m., just when the bomb was dropped above a nearby cathedral.

With the delay, the train was 5 kilometers (3 miles) away. Through the windows, Doi, then 6, saw the flash. She covered her eyes and bent over as shards of broken windows rained down. Nearby passengers covered her for protection.

People on the street had their hair burnt. Their faces were charcoal black and their clothes were in pieces, she said.

Doi told her children of the experience in writing, but long hid her status as a survivor because of fear of discrimination.

Doi married another survivor. She worried their four children would suffer from radiation effects. Her mother and two of her three brothers died of cancer, and two sisters have struggled with their health.

Her father, a local official, was mobilized to collect bodies and soon developed radiation symptoms. He later became a teacher and described what he'd seen, his sorrow and pain in poetry, a teary Doi explained.

Doi began speaking out after seeing the 2011 Fukushima Daiichi nuclear disaster following a strong earthquake and tsunami, which caused radioactive contamination.

She travels from her home in Fukuoka to join anti-war rallies, and speaks out against atomic weapons.

“Some people have forgotten about the atomic bombings ... That’s sad,” she said, noting that some countries still possess and develop nuclear weapons more powerful than those used 80 years ago.

“If one hits Japan, we will be destroyed. If more are used around the world, that’s the end of the Earth,” she said. “That’s why I grab every chance to speak out.”

At Hiroshima, learning from survivors

After the 2023 Hiroshima G7 meeting of global leaders and the Nobel Peace Prize awarded to the grassroots survivors’ group Nihon Hidankyo last year, visitors to Hiroshima and Nagasaki peace museums have soared, with about one third of them coming from abroad.

On a recent day, most of the visitors at the Hiroshima peace park were non-Japanese. Samantha Anne, an American, said she wanted her children to understand the bombing.

“It’s a reminder of how much devastation one decision can make,” Anne said.

Katsumi Takahashi, a 74-year-old volunteer specializing in guided walks of the area, welcomes foreign visitors but worries about Japanese youth ignoring their own history.

On his way home, Iida, the survivor and guide, stopped by a monument dedicated to the children killed. Millions of colorful paper cranes, known as the symbol of peace, hung nearby, sent from around the world.

Even a brief encounter with a survivor made the tragedy more real, Melanie Gringoire, a French visitor, said after Iida's visit. “It’s like sharing a little piece of history.”



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”