‘Jaw-Droppingly Weird’ Dinosaur from Morocco Was Studded with Spikes

An artistic reconstruction of the ankylosaur Spicomellus afer, based on fossils found in the Atlas Mountains of Morocco, shows the animal with the most extensive armor of any known dinosaur. Spicomellus lived about 165 million years ago during the Jurassic Period. The image was released on August 27, 2025. (Matt Dempsey/Handout via Reuters)
An artistic reconstruction of the ankylosaur Spicomellus afer, based on fossils found in the Atlas Mountains of Morocco, shows the animal with the most extensive armor of any known dinosaur. Spicomellus lived about 165 million years ago during the Jurassic Period. The image was released on August 27, 2025. (Matt Dempsey/Handout via Reuters)
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‘Jaw-Droppingly Weird’ Dinosaur from Morocco Was Studded with Spikes

An artistic reconstruction of the ankylosaur Spicomellus afer, based on fossils found in the Atlas Mountains of Morocco, shows the animal with the most extensive armor of any known dinosaur. Spicomellus lived about 165 million years ago during the Jurassic Period. The image was released on August 27, 2025. (Matt Dempsey/Handout via Reuters)
An artistic reconstruction of the ankylosaur Spicomellus afer, based on fossils found in the Atlas Mountains of Morocco, shows the animal with the most extensive armor of any known dinosaur. Spicomellus lived about 165 million years ago during the Jurassic Period. The image was released on August 27, 2025. (Matt Dempsey/Handout via Reuters)

Around 165 million years ago on a coastal floodplain in what is now Morocco lived one of the most extreme dinosaurs on record, lavishly adorned with armor and spikes - some about three feet (one meter) long - unlike that of any other known creature.

Researchers on Wednesday described extensive fossilized remains discovered in the Atlas Mountains near the Moroccan town of Boulemane of a Jurassic Period dinosaur named Spicomellus.

Roughly 13 feet (four meters) long and weighing perhaps one to two tons, Spicomellus is the oldest-known member of a group of tank-like armored dinosaurs called ankylosaurs, squat and slow-moving plant-eaters that walked on four legs.

"The armor of Spicomellus is jaw-droppingly weird, unlike that of any other dinosaur - or any other animal alive or dead - that we've ever discovered," said vertebrate paleontologist Richard Butler of the University of Birmingham in England, co-leader of the research published in the journal Nature.

"Not only did it have a series of sharp, long spikes on each of its ribs - unknown elsewhere among animals - but it had spines the length of golf clubs sticking out in a collar around its neck," Butler added.

The extravagant armor may have served dual roles - as defense against large meat-eating dinosaurs and as display to attract mates.

"The armor surely had some defensive function, but it's difficult to imagine how the meter-long spikes around the neck were used for defense. They seem like enormous overkill," Butler said.

In living animals, structures that tend to have no obvious function and look like they might be a bit annoying to carry about - like a deer's antlers or a peacock's tail - are usually associated with sex, according to vertebrate paleontologist and study lead author Susannah Maidment of the Natural History Museum in London.

"They could be used in courtship or territorial displays, or to fight against members of the same species during competitions for mates. Spicomellus' armor is totally impractical, and would have been a bit annoying in dense vegetation, for example. So we think that it is possible the animal evolved such elaborate armor for some sort of display, perhaps to do with mating," Maidment added.

While the fossils did not represent a complete skeleton - the head was among the missing parts - the partial remains provided a good understanding of Spicomellus. This dinosaur previously was known only from a single rib fragment described in 2021 before these fossils were found in 2022 and 2023.

Its back was covered in short spikes, owing to ribs with spikes on their top surfaces. It had a bony collar with plates and two pairs of spikes projecting outward above the neck, including one 2.85 feet (87 cm) long that probably was even lengthier when the animal was alive. It also had a pelvic shield and two large outward-projecting spikes above its hips.

Distinctive fused tail vertebrae suggested that Spicomellus possessed a weapon at the end of its tail to fight off predators - perhaps a club or spikes of some sort - though one was not recovered among the remains.

Such fused tail vertebrae previously have been found only in ankylosaurs with tail weapons. This would indicate that tail weapons appeared in ankylosaurs about 30 million years earlier than previously known.

Ankylosaurs were among the most successful herbivorous dinosaurs. They are closely related to another group of plant-eaters called stegosaurs that boasted bony plates on the back and a spiky tail weapon.

Both groups arose during the Jurassic. But the ankylosaurs outlasted the stegosaurs, thriving until an asteroid struck Earth 66 million years ago at the end of the Cretaceous Period, ending the age of dinosaurs.

The best-known member of the group, Ankylosaurus, was larger than Spicomellus, at roughly 26 feet (8 meters) long, and inhabited western North America during the twilight of the dinosaurs. Its armor, including a formidable tail club, protected against predators including Tyrannosaurus.

Early members of dinosaur groups often have fairly plain body plans compared to later counterparts. Spicomellus shows that was not the case with ankylosaurs.

"The armor of Spicomellus is much more elaborate than that of later ankylosaurs, and no later ankylosaurs have spiky ribs. What is surprising to us is that the most elaborate ankylosaur armor of all time is present in the oldest member of the group. Perhaps the simpler armor in later species reflects a shift towards the armor having a primarily defensive function due to increased predation pressure in the Cretaceous," when predators grew exceptionally large, Butler said.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”