A Raptor with No Qualms About Eating Its Opponents Wins New Zealand’s Annual Bird Election 

A kārearea or New Zealand falcon is pictured in Fiordland National Park in New Zealand, on Jan. 4, 2011. (Craig McKenzie via AP)
A kārearea or New Zealand falcon is pictured in Fiordland National Park in New Zealand, on Jan. 4, 2011. (Craig McKenzie via AP)
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A Raptor with No Qualms About Eating Its Opponents Wins New Zealand’s Annual Bird Election 

A kārearea or New Zealand falcon is pictured in Fiordland National Park in New Zealand, on Jan. 4, 2011. (Craig McKenzie via AP)
A kārearea or New Zealand falcon is pictured in Fiordland National Park in New Zealand, on Jan. 4, 2011. (Craig McKenzie via AP)

New Zealand ’s annual bird election is contested by cheeky parrots, sweet songbirds and cute, puffball robins. This year’s winner was a mysterious falcon that wouldn’t think twice about eating them.

Kārearea, the Indigenous Māori name for the New Zealand falcon, was crowned Bird of the Year on Monday. But the annual poll, run by conservation group Forest & Bird, is no ordinary online vote.

The fiercely fought election sees volunteer (human) campaign managers apply to stump for their favorite bird. Feathers fly as avian enthusiasts seek to sway the public through meme battles, trash-talking poster campaigns and dance routines performed in bird costumes.

“Bird of the Year has grown from a simple email poll in 2005 to a hotly contested cultural moment,” said Forest & Bird Chief Executive Nicola Toki. “Behind the memes and mayhem is a serious message.”

The contest draws attention to New Zealand’s native bird species, with 80% designated as being in trouble to some degree. But it attracts passionate fandom because New Zealanders are bird-obsessed.

In a country with no native land mammals except for two species of bat, birds reign supreme. They appear in art, on jewelry, in schoolchildren’s songs, and in the name New Zealanders are known by abroad, “kiwis.”

Beloved birds include alpine parrots that harass tourists and pigeons which get so drunk on berries that they sometimes fall out of trees.

“This is not a land of lions, tigers and bears,” said Toki. “The birds here are weird and wonderful and not what you would expect to see perhaps in other countries.”

The first contest two decades ago attracted fewer than 900 votes. More than 75,000 people in the country of 5 million cast ballots this year.

It was the highest-ever voter turnout apart from an episode when Last Week Tonight host John Oliver volunteered as a campaign manager in 2023, prompting mostly joking accusations from New Zealanders of American interference. Perhaps inevitably, Oliver’s bird, the pūteketeke or Australasian crested grebe, won in a 290,000-vote landslide.

Other controversies have struck the poll. In 2021, there was mild uproar when a bat won the title, despite not being a bird.

The vote was ruffled by a foreign influence scandal in 2018 when self-styled comedians in Australia cast hundreds of fraudulent votes for a bird that shares its name with an Antipodean slang term for sex. Voters must now verify the email addresses used to cast their votes.

Forest & Bird said 87% of the votes in this year’s poll came from New Zealand. The falcon’s more than 14,500 votes appeared to have been won fair and square.

The majestic kārearea can fly at speeds of more than 200 km (124 miles) per hour and swoops to capture its prey, often smaller birds. The endemic species is threatened in New Zealand, vulnerable to electrocution on wires and loss of their forest habitats.

“They’re a mysterious bird and that’s partly because they’re cryptic, they’re often well-hidden,” said Phil Bradfield, a trustee of Kārearea Falcon Trust in Marlborough, on New Zealand’s South Island.

Official figures suggest between 5,000 and 8,000 New Zealand falcons remaining, although the true number is unknown. Bradfield said the “fast and sneaky and very special” raptor was a deserving Bird of the Year winner.

Other campaigns knew victory on Monday would take a miracle. Birds that are ugly — but not ugly enough to be funny — unknown or perceived as boring face an uphill slog.

That doesn’t deter bird lovers. The year 2025 was the first that all 73 bird competitors attracted campaign managers, with some electing to stump for contenders they knew would lose.

One was Marc Daalder whose scrappy, grassroots campaign for the tākapu, or Australasian gannet, drew 962 votes — about a 15th of the falcon’s.

“Running a campaign for one of the less popular birds is a more satisfying experience because you know the votes your bird received are a result of your hard work,” said Daalder, who is a (human) political journalist and three-time (bird) campaign manager.

Despite the near-record voter turnout, Toki from Forest & Bird said she feared New Zealanders would give up on some of the most threatened species as they grew more costly to protect, particularly from predators such as cats, rats and stoats.

“Successive governments in New Zealand have cumulatively reduced investment in conservation, which is the cornerstone of New Zealand’s economic prosperity,” she said, referring to tourism campaigns promoting the country’s scenic landscapes.

“People come here to see our native birds and the places they live in,” she said. “They’re not coming here to see shopping malls.”



Row Deepens Over Vanished River Wave in Munich

(FILES) Surfers ride the Eisbach (ice creek) wave during freezing conditions on the Isar River in the English Garden in Munich, southern Germany on January 4, 2017. (Photo by Mark RALSTON / AFP)
(FILES) Surfers ride the Eisbach (ice creek) wave during freezing conditions on the Isar River in the English Garden in Munich, southern Germany on January 4, 2017. (Photo by Mark RALSTON / AFP)
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Row Deepens Over Vanished River Wave in Munich

(FILES) Surfers ride the Eisbach (ice creek) wave during freezing conditions on the Isar River in the English Garden in Munich, southern Germany on January 4, 2017. (Photo by Mark RALSTON / AFP)
(FILES) Surfers ride the Eisbach (ice creek) wave during freezing conditions on the Isar River in the English Garden in Munich, southern Germany on January 4, 2017. (Photo by Mark RALSTON / AFP)

A row over the disappearance of a famous river surfing wave in Munich escalated on Sunday as authorities removed a beam inserted over Christmas to recreate the attraction.

The Eisbach wave on a side branch of the Isar River had been a landmark in the Bavarian city since the 1980s but it vanished in October after annual cleanup work along the riverbed.

Activists had placed a beam in the water early on December 25 to partially recreate the wave, according to German media reports, and hung a banner above the water that read "Merry Christmas".

But a spokesman for the Munich fire service told AFP the "installation was removed" on Sunday at the request of city authorities.

Activists have made several attempts to reinstate the wave in the city's Englischer Garten park since October -- only to see them reversed.

The local surfers' association IGSM on Thursday posted a statement on its website saying it had abandoned its campaign to save the wave, accusing city authorities of dragging their feet.

The Eisbach wave was considered the largest and most consistent river wave in the heart of a major city and had become a tourist attraction in Bavaria's state capital.

Franz Fasel, head of the IGSM, told AFP in July that 3,000 to 5,000 local surfers were using it.

Access to the wave was cut off for several months earlier this year after the death of a 33-year-old Munich woman who became trapped under the surface while surfing at night.


New York Subway Ends its MetroCard Era and Switches Fully to Tap-and-go Fares

Lev Radin, a MetroCard collector, shows his collection of Inaugural Limited Edition MetroCards, Dec. 10, 2025, in New York. (AP Photo/Yuki Iwamura)
Lev Radin, a MetroCard collector, shows his collection of Inaugural Limited Edition MetroCards, Dec. 10, 2025, in New York. (AP Photo/Yuki Iwamura)
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New York Subway Ends its MetroCard Era and Switches Fully to Tap-and-go Fares

Lev Radin, a MetroCard collector, shows his collection of Inaugural Limited Edition MetroCards, Dec. 10, 2025, in New York. (AP Photo/Yuki Iwamura)
Lev Radin, a MetroCard collector, shows his collection of Inaugural Limited Edition MetroCards, Dec. 10, 2025, in New York. (AP Photo/Yuki Iwamura)

When the MetroCard replaced the New York City subway token in 1994, the swipeable plastic card infused much-needed modernity into one of the world’s oldest and largest transit systems.

Now, more than three decades later, the gold-hued fare card and its notoriously finicky magnetic strip are following the token into retirement, The Associated Press reported.

The last day to buy or refill a MetroCard is Dec. 31, 2025, as the transit system fully transitions to OMNY, a contactless payment system that allows riders to tap their credit card, phone or other smart device to pay fares, much like they do for other everyday purchases.

Transit officials say more than 90% of subway and bus trips are now paid using the tap-and-go system, introduced in 2019.

Major cities around the world, including London and Singapore, have long used similar contactless systems. In the US, San Francisco launched a pay-go system earlier this year, joining Chicago and others.

MetroCards upended how New Yorkers commute The humble MetroCard may have outlasted its useful life, but in its day it was revolutionary, says Jodi Shapiro, curator at the New York Transit Museum in Brooklyn, which opened an exhibit earlier this month reflecting on the MetroCard’s legacy.

Before MetroCards, bus and subway riders relied on tokens, the brass-colored coins introduced in 1953 that were purchased from station booths. When the subway opened in 1904, paper tickets cost just a nickel, or about $1.82 in today’s dollars.

“There was a resistance to change from tokens to something else because tokens work,” Shapiro said on a recent visit to the museum, housed underground in a decommissioned subway station. “MetroCards introduced a whole other level of thinking for New Yorkers.”

The Metropolitan Transportation Authority launched public campaigns to teach commuters how to swipe the originally blue-colored cards correctly, hoping to avoid the dreaded error message or lost fares. Officials even briefly toyed with the idea of a quirky mascot, the Cardvaark, before coming to their senses.

The cards quickly became collectors items as the transit system rolled out special commemorative editions marking major events, such as the “Subway Series” between baseball’s New York Mets and the New York Yankees in the 2000 World Series. At the time, a fare cost $1.50.

Artists from David Bowie and Olivia Rodrigo to seminal New York hip hop acts, such as the Wu-Tang Clan, the Notorious B.I.G. and LL Cool J, have also graced the plastic card over the years, as have iconic New York shows like Seinfeld and Law & Order.

“For me, the most special cards are cards which present New York City to the world,” said Lev Radin, a collector in the Bronx. “Not only photos of landmarks, skylines, but also about people who live and make New York special.”

Perfecting the correct angle and velocity of the MetroCard swipe also became something of a point of pride separating real New Yorkers from those just visiting.

During her failed 2016 presidential campaign, Hillary Clinton, a former US Senator from New York, took an excruciating five swipes at a Bronx turnstile. In fairness, her chief Democratic opponent at the time, US Sen. Bernie Sanders of Vermont, a native Brooklynite, didn't even appear to realize tokens had been discontinued.

Cost savings and lingering concerns Unlike the MetroCard rollout, OMNY has required little adjustment.

Riders reluctant to use a credit card or smart device can purchase an OMNY card they can reload, similar to a MetroCard. Existing MetroCards will also continue to work into 2026, allowing riders to use remaining balances.

MTA spokespersons declined to comment, pointing instead to their many public statements as the deadline approaches.

The agency has said the changeover saves at least $20 million annually in MetroCard-related costs.

The new system also allows unlimited free rides within a seven-day period because the fare is capped after 12 rides. It'll max out at $35 a week once the fare rises to $3 in January.

Still, new changes come with tradeoffs, with some critics raising concerns about data collection and surveillance.

Near Times Square on a recent morning, Ronald Minor was among the dwindling group of "straphangers" still swiping MetroCards.

The 70-year-old Manhattan resident said he's sad to see them go. He has an OMNY card but found the vending machines to reload it more cumbersome.

“It’s hard for the elders,” Minor said as he caught a train to Brooklyn. “Don’t push us aside and make it like we don’t count. You push these machines away, you push us away.”

John Sacchetti, another MetroCard user at the Port Authority stop, said he likes being able to see his balance as he swipes through a turnstile so he knows how much he’s been spending on rides.

“It’s just like everything else, just something to get used to," he said as he headed uptown. "Once I get used to it, I think it’ll be okay.”


French Legend Brigitte Bardot Dead at 91

FILED - 01 April 1956, France, Cannes: Then French actress and singer Brigitte Bardot is photographed with a parrot in her hand on the beach during the Cannes Film Festival. Photo: -/AFP Intercontinentale/dpa
FILED - 01 April 1956, France, Cannes: Then French actress and singer Brigitte Bardot is photographed with a parrot in her hand on the beach during the Cannes Film Festival. Photo: -/AFP Intercontinentale/dpa
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French Legend Brigitte Bardot Dead at 91

FILED - 01 April 1956, France, Cannes: Then French actress and singer Brigitte Bardot is photographed with a parrot in her hand on the beach during the Cannes Film Festival. Photo: -/AFP Intercontinentale/dpa
FILED - 01 April 1956, France, Cannes: Then French actress and singer Brigitte Bardot is photographed with a parrot in her hand on the beach during the Cannes Film Festival. Photo: -/AFP Intercontinentale/dpa

French film legend Brigitte Bardot, a cinema icon of the 1950s and sixties who walked away from global stardom to become an animal rights protector, has died aged 91, her foundation said Sunday.

Bardot had rarely been seen in public in recent months but was hospitalized in October and in November released a statement denying rumors that she had died. The foundation did not say when or where she died.

"The Brigitte Bardot Foundation announces with immense sadness the death of its founder and president, Madame Brigitte Bardot, a world-renowned actress and singer, who chose to abandon her prestigious career to dedicate her life and energy to animal welfare and her foundation," it said in a statement sent to AFP.

Bardot became a global star after appearing in "And God created Woman" in 1956, and went on to appear in about 50 more movies before giving up acting.

She retired from film to settle permanently near the Riviera resort of Saint-Tropez where she devoted herself to fighting for animals.

Her calling apparently came when she encountered a goat on the set of her final film, "The Edifying and Joyous Story of Colinot.”

To save it from being killed, she bought the animal and kept it in her hotel room.