Lebanon’s Historic Pines Are Dying, One Cone at a Time 

A car passes by a pine tree forest, where a pine crisis is unfolding, caused by an invasive insect that feeds on the cones that produce Lebanon's prized pine nuts, in Bkassine, Lebanon, October 21, 2025. (Reuters)
A car passes by a pine tree forest, where a pine crisis is unfolding, caused by an invasive insect that feeds on the cones that produce Lebanon's prized pine nuts, in Bkassine, Lebanon, October 21, 2025. (Reuters)
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Lebanon’s Historic Pines Are Dying, One Cone at a Time 

A car passes by a pine tree forest, where a pine crisis is unfolding, caused by an invasive insect that feeds on the cones that produce Lebanon's prized pine nuts, in Bkassine, Lebanon, October 21, 2025. (Reuters)
A car passes by a pine tree forest, where a pine crisis is unfolding, caused by an invasive insect that feeds on the cones that produce Lebanon's prized pine nuts, in Bkassine, Lebanon, October 21, 2025. (Reuters)

In the heart of southern Lebanon, where pine trees once stood tall and abundant, a quiet crisis is unfolding. The cones are barren, the trees are drying and a forest that was a lifeline for entire communities is under siege.

Farmers in Bkassine forest have watched their pine yields dwindle for years. At first, they blamed seasonal weather changes. Then, in 2015, scientists confirmed what many feared: an invasive insect had taken hold, one that feeds on the cones that produce Lebanon's prized pine nuts.

"It's not just the nuts," said Dr. Nabil Nemer, a forest health expert at the Holy Spirit University of Kaslik (USEK). "This insect attacks the cones over three years. It doesn't just reduce productivity, it wipes it out."

In some cases, up to 82% of a cone's seed pods are left as empty shells, according to Nemer. Trees weakened by the ravages of climate change are particularly vulnerable.

The insect, Leptoglossus occidentalis, is originally from North America and likely arrived in Lebanon via untreated wooden shipping pallets.

It has since spread across the Mediterranean to Türkiye, and other areas, according to his research.

Livelihoods are under threat in the Bkassine reserve, the Middle East's largest productive pine forest. The trees grow in other parts of Lebanon, but largely not commercially.

For decades, Miled Hareb's family survived on the forest's bounty. That is no longer the case.

"This work was passed down to me. I built my house with it and raised my family with it. But then the trees started dying, and so did our way of life," Hareb told Reuters.

Harvesting pine cones is grueling work. Workers climb towering trees with narrow ladders, balancing on narrow branches without safety gear to collect cones nestled high in the canopy.

Injuries are common and pay has dwindled along with the yields. Nabil Assad, a Syrian laborer who has harvested pine cones in Lebanon for more than a decade, still remembers when up to 250 pine-pickers worked simultaneously in Bkassine.

"Now it's just around 20 or 30 people. There's no work anymore," he said.

A DWINDLING ECOSYSTEM

Most of Lebanon's pine forests were planted hundreds of years ago. These older trees are still within their productive lifespans, but droughts, erratic rainfall and rising temperatures triggered by climate change have made them more vulnerable to the pests.

"A healthy tree can fight back," Nemer said. "But when it's thirsty and starved, it has no defense."

Ahead of this month's COP-30 climate summit in Belem, Brazil, UN officials stressed the importance of shielding forests from pest infestations and other risks, describing forests as "the planet's most powerful natural defense".

Bkassine forest was once home to around 100,000 productive pine trees, according to the UN Development Program.

The number has fluctuated: years of climate stress and pest infestations decreased them and efforts at replanting aimed to offset those losses, but no recent studies offer accurate new figures, Nemer said.

In addition to the cone-eating insect, wood-boring beetles are also killing pines. Dead trees litter the forest floor, attracting more pests and accelerating the decline.

Decades of political and economic turmoil in Lebanon have also taken a toll. After the country's brutal 1975-1990 civil war, state-led forest management fell by the wayside.

Illegal logging has surged since an economic meltdown in 2019.

As productivity drops, market prices have gone up - but few Lebanese can afford them. A kilogram of pine nuts now sells for nearly $100, from around $65 five years ago. Families and even restaurants have swapped out pine nuts for cheaper sliced almonds for Lebanese dishes that call for a crunch.

Efforts to fight back have been slow. Spraying pesticides requires helicopters, which are controlled by the Lebanese army. Logistical delays mean treatments often miss the critical window when insects lay their eggs.

Lebanon's agriculture ministry announced a national spraying campaign for this past August. But Nemer warns that without a broader strategy that involves farmers themselves, it won't be enough.

In Bkassine, farmers are learning to identify pests, report outbreaks and participate in forest management, through training programs led by USEK, the Lebanese Ministry of Agriculture, FAO and the United Nations Environment Program.

"We need to manage the forest as a whole," Nemer said. "This isn't a garden. It's not a farm. It's a living ecosystem."



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”