Hochstein: US Wants to Avoid 'Greater War' along Tense Lebanon-Israel Border

Israeli firefighters work following rocket attacks from Lebanon, amid ongoing cross-border hostilities between Hezbollah and Israeli forces, near the border on its Israeli side, June 13, 2024. REUTERS/Avi Ohayon
Israeli firefighters work following rocket attacks from Lebanon, amid ongoing cross-border hostilities between Hezbollah and Israeli forces, near the border on its Israeli side, June 13, 2024. REUTERS/Avi Ohayon
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Hochstein: US Wants to Avoid 'Greater War' along Tense Lebanon-Israel Border

Israeli firefighters work following rocket attacks from Lebanon, amid ongoing cross-border hostilities between Hezbollah and Israeli forces, near the border on its Israeli side, June 13, 2024. REUTERS/Avi Ohayon
Israeli firefighters work following rocket attacks from Lebanon, amid ongoing cross-border hostilities between Hezbollah and Israeli forces, near the border on its Israeli side, June 13, 2024. REUTERS/Avi Ohayon

The United States is trying to avert a greater war between Israel and Lebanon's Hezbollah movement, US envoy Amos Hochstein said on Tuesday, following an escalation in cross-border fire between the foes along Lebanon's southern frontier.

Iran-backed Hezbollah has been trading fire with Israel for the last eight months in parallel with the Gaza war. Last week, the group fired the largest volleys of rockets and drones of the hostilities so far at Israeli military sites, after an Israeli strike killed the most senior commander yet.

Hochstein, special envoy to US President Joe Biden, said he had been dispatched to Lebanon immediately following a brief trip to Israel because the situation was "serious".

"We have seen an escalation over the last few weeks. And what President Biden wants to do is avoid a further escalation to a greater war," Hochstein said on Tuesday.

He had met the head of Lebanon's army earlier on Tuesday and spoke to reporters following a meeting with parliament speaker Nabih Berri, who heads the armed Amal movement, which is allied to Hezbollah and has also fired rockets on Israel.

The US and France are engaged in diplomatic efforts to secure a negotiated end to the hostilities along Lebanon's border. Hezbollah says it will not halt its attacks unless there is a ceasefire in the Gaza Strip.

"Whether diplomatically or militarily one way or another, we will ensure the safe and secure return of Israelis to their homes in northern Israel. That is not up for negotiation. Oct. 7 cannot happen again anywhere in Israel or on any of Israel's borders," Israeli government spokesman David Mencer said.

He added that Israel was "impeding Hezbollah's military buildup and their stockpiling of weapons for terror against Israelis".

Hezbollah began trading fire with Israel on Oct. 8, a day after its Palestinian ally Hamas attacked southern Israel, sparking the Gaza war. Tens of thousands of people have fled both sides of the border.

DRONE ATTACK

Hochstein urged Hamas to accept a US-backed proposal for a ceasefire in Gaza, which he said "also provides an opportunity to end the conflict across the Blue Line", a reference to a demarcation line between Lebanon and Israel where parts of the international border are disputed.

Hochstein met caretaker Lebanese Prime Minister Najib Mikati, who told him that "Lebanon does not seek escalation", according to comments issued by Mikati's office.

The increase in attacks last week was followed by a brief respite during the Eid al-Adha Muslim holiday, which concludes on Tuesday. Hezbollah announced a drone attack against an Israeli tank on Tuesday afternoon - its first announced attack since Saturday.

The group used more of its extensive arsenal against Israel last week, prompting United Nations officials in Lebanon to warn over the weekend that the "danger of miscalculation leading to a sudden and wider conflict is very real".

UN human rights chief Volker Turk said on Tuesday that he too was worried about the escalation, and called "for a cessation of hostilities and for actors with influence to take all possible measures to avert a full-scale war".



Remembering Quincy Jones: 10 Career-Spanning Songs to Celebrate His Legacy

Michael Jackson, left, holds eight awards as he poses with Quincy Jones at the Grammy Awards in Los Angeles, Feb. 28, 1984. (AP)
Michael Jackson, left, holds eight awards as he poses with Quincy Jones at the Grammy Awards in Los Angeles, Feb. 28, 1984. (AP)
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Remembering Quincy Jones: 10 Career-Spanning Songs to Celebrate His Legacy

Michael Jackson, left, holds eight awards as he poses with Quincy Jones at the Grammy Awards in Los Angeles, Feb. 28, 1984. (AP)
Michael Jackson, left, holds eight awards as he poses with Quincy Jones at the Grammy Awards in Los Angeles, Feb. 28, 1984. (AP)

Few artists have legacies so mammoth their very name could be considered synonymous with the music industry, but then again, most musicians are not the prodigious producer Quincy Jones.

The larger-than-life figure died Sunday night at his Los Angeles home, surrounded by his family. He was 91 and scheduled to receive an honorary Academy Award later this month.

Across his career, the 28-time Grammy Award winning Jones worked with everyone from Ray Charles and Frank Sinatra to Michael Jackson with hundreds in-between. The best way to celebrate his legacy, of course, is to listen to the music he made.

1963: Ella Fitzgerald and Count Basie's orchestra, “Honeysuckle Rose”

Those looking to kickstart their Jones listening journey at the very beginning of his career could do so with “Liza,” from his first album, “Jazz Abroad,” a joint release with Roy Haynes. For everyone else, look to his arrangements on 1963's “Ella and Basie!,” an album by Fitzgerald with Count Basie's orchestra. Moving from just vocals and bass before building into its own grandness — not to mention, a delightful scat solo from Fitzgerald — “Honeysuckle Rose” from the album is an exemplar of Jones' jazz brilliance.

1963: Lesley Gore, “It’s My Party”

Teenage heartbreak met its match on Lesley Gore's “It's My Party,” recorded when its pop singer was still in her own adolescence. Jones produced the record, with its addictive melodies, percussion and cheerful horn section — emotionally and diametrically opposed to its narrative tale of a girl getting dumped by her boyfriend for her best friend on her birthday. You'd cry, too, if it happened to you.

1964: Frank Sinatra, “Fly Me to the Moon”

Jones' legacy is defined by an idiosyncratic ability to master various American musical forms with an apparent ease. That is the case of this canonized cover by Frank Sinatra, “Fly Me to the Moon,” from Sinatra's 1964 album, “It Might as Well Be Swing,” arranged by Jones. The producer set the song to a punchy, swinging rhythm and wistful flute, and the rest is history. You can also thank Jones for “The Best Is Yet to Come.”

1967: Ray Charles, “In the Heat of the Night”

Jones scored the 1967 film “In the Heat of the Night,” which includes its R&B-gospel title track, “In the Heat of the Night,” performed by his good friend Ray Charles. It is soul committed to wax, amplified by the inclusion of a lusty tenor sax solo.

1979: Michael Jackson, “Don’t Stop 'Til You Get Enough”

Perhaps Jones' best-known production partnership is the one he had with Michael Jackson, working with the King of Pop on his culture-shifting albums, 1979's “Off the Wall," 1982's “Thriller” and 1987's “Bad.” The pair met while working on the 1978 movie “The Wiz" — Jones worked on its soundtrack, and Jackson was its star. “Don't Stop ‘Til You Get Enough," with its inventive disco-funk, ambitious production and Jackson's signature falsetto set the stage for the massive career to come.

1981: Quincy Jones, “Just Once”

Put it in the pantheon of great piano ballads: On Jones' 1981 album “The Dude,” James Ingram takes over lead vocal duties for “Just Once,” the big-hearted and bigger-feelings track.

1982: Michael Jackson, “Billie Jean”

What songs are more immediately recognizable? An elongated drum and bass lick introduce “Billie Jean,” one of the great genre-averse pop songs of all time, from Jackson's record-breaking “Thriller" album. Here, Jones' production is post-disco, but still funky, still prescient. And time tells the greatest tale: “Thriller” sold more than 20 million copies in 1983 alone and has contended with the Eagles’ “Greatest Hits 1971-1975” among others as the best-selling album of all time.

1982: Donna Summer, “Love Is in Control (Finger on the Trigger)”

And now for something completely different: In 1982, Jones worked with Donna Summer on her self-titled album, a dance-forward record that includes the synth-y pop single “Love Is in Control (Finger on the Trigger)," which earned a Grammy nomination for best R&B vocal performance, female.

1985: USA for Africa, “We Are the World”

Nearly four decades ago, some of the biggest stars on the planet — Jackson, Bob Dylan, Tina Turner, Dionne Warwick, Billy Joel, Stevie Wonder, Willie Nelson and Bruce Springsteen among them — came together for an all-night recording session. The result was “We Are the World,” a pop superhit overseen by Jones, the 1985 charity record for famine relief in Africa.

Lionel Richie, who co-wrote “We Are the World” and was among the featured singers, would call Jones “the master orchestrator.”

1989: Quincy Jones with Ray Charles and Chaka Khan, “I'll Be Good to You”

Back in 1976, Jones produced the Brothers Johnson's R&B hit, “I'll Be Good to You,” and then re-recorded the track with Ray Charles and Chaka Khan — an ebullient number with contemporary production, completely transforming the classic.