Author Haruki Murakami Says Pandemic, War in Ukraine Create Walls That Divide People 

Japanese novelist Haruki Murakami poses for media during a press conference on the university's new international house of literature, The Haruki Murakami Library, opening at the Waseda University in Tokyo, on Sept. 22, 2021. (AP)
Japanese novelist Haruki Murakami poses for media during a press conference on the university's new international house of literature, The Haruki Murakami Library, opening at the Waseda University in Tokyo, on Sept. 22, 2021. (AP)
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Author Haruki Murakami Says Pandemic, War in Ukraine Create Walls That Divide People 

Japanese novelist Haruki Murakami poses for media during a press conference on the university's new international house of literature, The Haruki Murakami Library, opening at the Waseda University in Tokyo, on Sept. 22, 2021. (AP)
Japanese novelist Haruki Murakami poses for media during a press conference on the university's new international house of literature, The Haruki Murakami Library, opening at the Waseda University in Tokyo, on Sept. 22, 2021. (AP)

Japanese writer Haruki Murakami says walls are increasingly built and dividing people and countries after Russia’s invasion of Ukraine and the COVID-19 pandemic fueled fear and skepticism.

“With feelings of suspicion replacing mutual trust, walls are continually being erected around us,” Murakami said in late April at Wellesley College. That speech, “Writing Fiction in the Time of Pandemic and War,” was released Wednesday in The Shincho Monthly literary magazine published by Shinchosha Co.

“Everybody seems to be confronted with a choice — to hide behind the walls, preserving safety and the status quo or, knowing the risks, to emerge beyond the walls in search of a freer value system,” he said.

Like the protagonist in his new novel.

“The City and Its Uncertain Walls” was released in April in Japan and an English translation is expected in 2024. The protagonist, as Murakami described, faces a tough choice between two worlds: an isolated walled city of tranquility with no desire or suffering, and the real world beyond the walls filled with pain and desire and contradictions.

The novel is based on a story he wrote for a magazine soon after becoming a novelist but was never published in book form. He said he knew it had important ideas and put it aside because he wanted to rewrite it.

Some 40 years later, he discovered “this tale fits perfectly with the age we live in now.”

Murakami started rewriting the book in March 2020, soon after COVID-19 began spreading around the world, and finished it two years later, as the war in Ukraine passed its one-year mark.

“The two big events combined and changed the world in dramatic ways,” he said.

The sense of safety that came with a common belief in globalism and mutual economic and cultural dependency “crumbled with Russia’s sudden invasion of Ukraine,” Murakami said, spreading fear of similar invasions elsewhere. Many countries, including his home Japan, have since bolstered their military preparedness and budgets.

As the war continues without an end in sight, so do the high walls being built around people, between countries and individuals, Murakami said. “It seems to me that the psychic condition — if someone isn’t your ally, he is your enemy — continues to spread.”

“Can our trust in each other once more overcome our suspicions? Can wisdom conquer fear? The answers to these questions are entrusted to our hands. And rather than an instant answer, we are being required to undergo a deep investigation that will take time,” Murakami said.

He says that, while there’s not much a novelist can do, “I sincerely hope that novels and stories can lend their power to such an investigation. It’s something that we novelists dearly hope for.”

Murakami has made other efforts to encourage people to think, combat fear or tear down walls. He hosted the radio show “Music to put an end to war” a month after Russia’ invaded Ukraine. His Japanese translation of “The Last Flower,” former New Yorker cartoonist James Thurber’s 1939 anti-war picture book, will be released later this month from Poplar Sha.

Did the protagonist stay inside the walls? “Please try reading the book yourselves,” Murakami said.



Monumental Art Displayed in Shade of Egypt's Pyramids

An art installation, "The Shen" by Mert Ege Kose, is displayed near the Giza pyramid complex, in Giza, Egypt, 11 November 2025. (EPA)
An art installation, "The Shen" by Mert Ege Kose, is displayed near the Giza pyramid complex, in Giza, Egypt, 11 November 2025. (EPA)
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Monumental Art Displayed in Shade of Egypt's Pyramids

An art installation, "The Shen" by Mert Ege Kose, is displayed near the Giza pyramid complex, in Giza, Egypt, 11 November 2025. (EPA)
An art installation, "The Shen" by Mert Ege Kose, is displayed near the Giza pyramid complex, in Giza, Egypt, 11 November 2025. (EPA)

Installations by renowned international artists including Italy's Michelangelo Pistoletto and Portugal's Alexandre Farto have been erected in the sand under the great pyramids of Giza outside Cairo.

The fifth edition of the contemporary art exhibition "Forever is Now" is due to run to December 6.

The 92-year-old Pistoletto's most famous work, Il Terzo Paradiso, comprises a three-meter-tall mirrored obelisk and a series of blocks tracing out the mathematical symbol for infinity in the sand.

"We have done more than 2,000 events all around the world, on five continents, in 60 nations," said Francesco Saverio Teruzzi, construction coordinator in Pistoletto's team.

"There is an estimate that it's more or less five million people reached by the message of the Third Paradise."

The Franco-Beninese artist King Houndekpinkou presented "White Totem of Light", a column composed of ceramic fragments recovered from a factory in Cairo.

"It's an incredible opportunity to converse with 4,500 years -- or even more -- of history," he told AFP.

South Korean artist Jongkyu Park used the measurements of the Great Pyramid of Giza to create the geometric structures of his installation "Code of the Eternal".

A thousand small cylindrical acrylic mirrors planted in the sand compose a Morse code poem imagining a dialogue between Tangun, the legendary founder of the first Korean kingdom, and an Egyptian pharaoh.

Farto, better known as Vhils, collected doors in Cairo and elsewhere in the world for a bricolage intended to evoke the archaeological process.

Six other artists, including Turkey's Mert Ege Kose, Lebanon's Nadim Karam, Brazil's Ana Ferrari, Egypt's Salha Al-Masry and the Russian collective "Recycle Group", are also taking part.


Saudi Culture Ministry Announces Third Edition of Common Ground Festival

Saudi Culture Ministry Announces Third Edition of Common Ground Festival
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Saudi Culture Ministry Announces Third Edition of Common Ground Festival

Saudi Culture Ministry Announces Third Edition of Common Ground Festival

The Saudi Ministry of Culture announced the third edition of the Common Ground Festival, which will be a celebration of Saudi and Chinese cultures.

The 2025 edition will be held at the Malfa Hall in Misk City, Riyadh from December 24, 2025, to January 6, 2026, and will highlight shared artistic traditions and creative expressions between the two countries.

The Common Ground Festival is a multi-sensory cultural event that explores the universal languages of art, cuisine, performance, and design, said the Ministry in a statement on Tuesday.

This year’s edition will celebrate the depth of Saudi and Chinese heritage through art exhibitions, live performances, and collaborative showcases that invite visitors to experience culture through sight, sound, and emotion.

The program will feature activities inspired by historical exchange routes, where artisans and cultural vendors present traditional crafts, handmade goods, tea and coffee offerings, and cultural souvenirs from both countries.

The festival will also include culinary activities that explore shared hospitality traditions, allowing visitors to experience the symbolic role of hospitality in both cultures and more.

Through this event, the Kingdom underlines its commitment to creating platforms that foster artistic dialogue, strengthen cultural understanding, and celebrate creativity as a bridge between people and nations.


In Japan's Ancient Capital, TeamLab Aims to Redefine Art with New Immersive Exhibition

Visitors watch digital artwork at teamLab Biovortex in Kyoto, Japan, November 9, 2025. REUTERS/Kim Kyung-Hoon
Visitors watch digital artwork at teamLab Biovortex in Kyoto, Japan, November 9, 2025. REUTERS/Kim Kyung-Hoon
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In Japan's Ancient Capital, TeamLab Aims to Redefine Art with New Immersive Exhibition

Visitors watch digital artwork at teamLab Biovortex in Kyoto, Japan, November 9, 2025. REUTERS/Kim Kyung-Hoon
Visitors watch digital artwork at teamLab Biovortex in Kyoto, Japan, November 9, 2025. REUTERS/Kim Kyung-Hoon

An immersive art space in the ancient Japanese capital of Kyoto is offering a novel experience to visitors from around the world, aiming to dissolve the boundary between observer and art.

Titled “Biovortex”, the exhibition is the latest and largest permanent installation in Japan created by teamLab, an art collective that has risen to global fame for its pioneering approach blending art, technology and nature, said Reuters.

Biovortex, which opened on October 7, presents more than 50 immersive digital artworks spanning 10,000 square meters (107,639 square feet) and is attracting a broad spectrum of visitors from toddlers to the elderly.

In one of the installations, called "Morphing Continuum”, countless glowing spheres float in space as a monumental sculpture emerges from the ground and drifts in midair, constantly shifting and reshaping in response to visitors' movements.

"Viewers become one with the sculpture, while the boundaries between themselves and artwork grow indistinct and float in air," said teamLab founder Toshiyuki Inoko. "It creates an experience unlike anything humanity has ever made in terms of material objects - something that defies ordinary expectations. I think the artworks offer an experience which expands human perceptions."

Visitors expressed surprise at the intensity of emotion and physical immersion that the experience offered.

"Just wonderful," said Dimitri VanCorstanje, a 25-year-old tourist from the Netherlands. “It immersed me more than just with my eyes.”

Founded in 2001 by a group of artists, engineers, and architects, teamLab has expanded its collections beyond Japan, from New York to Singapore and Jeddah, attracting millions of visitors each year. One of its permanent exhibitions, teamLab Planets in Tokyo, set the Guinness World Record for the world’s most visited museum dedicated to a single art group with 2,504,264 visitors in the fiscal year of 2023.