Renowned Artist Confronts Destruction of African Wildlife in Latest Art Show

"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)
"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)
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Renowned Artist Confronts Destruction of African Wildlife in Latest Art Show

"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)
"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)

Often depicted as an integral feature of the continent, African wildlife, from iconic big beasts to its vast array of species, continues to attract millions of foreign travelers every year.
But a new art exhibition in the heart of Johannesburg is questioning the relationship between humans and animals on the continent, which spans centuries and is often marked by the destruction and exploitation of African wildlife for commercial gain and recreational purposes.
From the killing of elephants in the 18th century to feed the ivory trade to decimating the rhino population through hunting, artist and photographer Roger Ballen argues — through provocative installations and multimedia works — that humans have been at the forefront of destroying African wildlife for around 200 years.
The exhibition, which opened in March this year, is titled ‘End of The Game.’ It explores how depictions of African wildlife, including in Hollywood films, were used to instill stereotypes about the continent that led to the ruin of its environment.
“Most people in the West had never been to Africa, so all they knew was what they saw in the movie posters and the films which portrayed Africa as a dark continent with savages and wild animals,” said Ballen.
Although hunting was practiced on the continent before the arrival of European colonists, the practice took on a different form, with the introduction of firearms, the commercial trade of materials like ivory and animal skins and the beginning of ‘trophy hunting’ of big game for sport.
The continent's wildlife continues to face threats today, as land is cleared for development or forests are cut down for fuel, squeezing natural habitats. Human-made climate change is also damaging the landscape, with parts of the continent suffering long periods of drought and other erratic weather including cyclones, heavy rainfall and dust storms.
Ballen used artefacts collected from metal scrap yards, hunting farms, pawn shops and roadsides on his local and international travels over a career of more than four decades to put together a collection of photographs, artworks and creative installations.
“It is about putting it together in an imaginative and creative way that still has an impact and challenges the viewer in all sorts of ways,” said Ballen.
The 73-year-old American-born photographer has lived and worked in Africa for more than 40 years and has developed a reputation for dark and abstract artworks, a consistency he appears to have kept with this most recent body of work.
One of the centerpieces of the exhibition is the documentary section which includes objects, texts, photographs and books documenting early years of hunting expeditions in Africa.
“That gives people sort of the objectification of the period that we are dealing with and when the destruction of game started in Africa," he said. “This is for the audience to discover and to come to terms with.”
Another display of early versions of weapons and ammunition used to kill bigger animals leads into the “Hunter’s Room” — a staged installation depicting archival photographs and items in a staged safari setting.
A hunter figure made from wax is the main character in the room, surrounded by his hunting memorabilia and collectibles.
Some of the photographs include archived pictures of former US president Theodore Roosevelt’s much publicized hunting expeditions in Kenya and Winston Churchill’s east African safari, both in the early 1900s.
A short film shown inside a curated cinema compiles clips from old Western movies depicting African wildlife, including video shot by European tourists who came to the continent for trophy hunting. Hunters can be seen on films towering victoriously over their trophies, mostly dead giraffes, elephants and rhino.
Others depict Indigenous Africans having conquered elephants, lions and leopards.
Trophy hunting is still legal in many countries across the continent, although it's typically regulated to ensure population numbers of animals can be sustained.
The exhibition continues to draw crowds to the Inside Out Center for the Arts in Johannesburg since it opened, and it will remain on display indefinitely, according to Ballen.



Alwan: Riyadh Int’l Book Fair is a Cultural Icon, Top Arab Book Seller

Over ten days, the book fair events will adorn the Saudi capital (Literature Commission)
Over ten days, the book fair events will adorn the Saudi capital (Literature Commission)
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Alwan: Riyadh Int’l Book Fair is a Cultural Icon, Top Arab Book Seller

Over ten days, the book fair events will adorn the Saudi capital (Literature Commission)
Over ten days, the book fair events will adorn the Saudi capital (Literature Commission)

The Riyadh International Book Fair kicked off this year with over 2,000 local, Arab, and international publishers, offering a rich cultural program.

The event continues to be a major platform for top thinkers, authors, and publishers, showcasing Saudi Arabia’s cultural heritage and leadership in the publishing world.

Dr. Mohammed Hassan Alwan, CEO of the Literature, Publishing, and Translation Commission, said the fair has been a symbol of Saudi Arabia's cultural leadership for nearly five decades.

He noted that it consistently achieves the highest book sales among Arab fairs and draws large crowds from inside and outside the Kingdom.

Speaking to Asharq Al-Awsat, Alwan emphasized that the Riyadh fair, along with other book events in the Kingdom, supports the Ministry of Culture’s goal to grow the cultural sector’s contribution to 3% of the GDP by 2030.

Five Decades of Cultural Leadership in Saudi Arabia

Alwan highlighted that Saudi Arabia has been a cradle of civilizations and a center for scientific, literary, and artistic revival, attracting scholars and students from around the globe.

“Today, Saudi Arabia is rich in cultural elements, historical treasures, and a legacy that strengthens its status as a leading hub of Arab and international culture. This is supported by various initiatives and major cultural and artistic events,” affirmed Alwan.

He also acknowledged the continuous support from Saudi leadership for the cultural sector, noting the close attention from top authorities and the Ministry of Culture’s ongoing development efforts.

Alwan stressed that this commitment underscores the Kingdom’s belief in the vital role of culture in national progress, enhancing quality of life, and supporting economic and social development.

The CEO said that the Ministry of Culture, led by Prince Badr bin Abdullah bin Farhan Al Saud, is essential in shaping Saudi Arabia's cultural landscape.

The ministry is focused on building a comprehensive cultural system to achieve several goals: promoting culture as a lifestyle, using culture to boost economic growth, enhancing the Kingdom's global standing, and strengthening national identity through cultural initiatives. It also aims to develop a vibrant cultural sector that showcases Saudi Arabia’s rich heritage and traditions to the world.

Alwan highlighted a notable increase in cultural activities in recent years. He pointed to a 150% rise in the establishment of amateur cultural clubs last year, which indicates a thriving cultural scene among creatives and cultural entrepreneurs.

This growth reflects the ongoing support for the cultural sector and aligns with various positive cultural indicators.

Cultural Leadership in Saudi Arabia

Alwan discussed the importance of cultural events in Saudi Arabia and the region, highlighting the Riyadh International Book Fair.

Since its launch nearly 50 years ago, the fair has become a symbol of the Kingdom’s cultural leadership.

It is also a part of an initiative aimed at empowering the publishing industry, raising cultural awareness, improving quality of life, and supporting national economic growth in line with Saudi Vision 2030.

He noted that the fair is economically significant, generating the highest book sales among Arab book fairs and attracting large numbers of visitors from within and outside the Kingdom.

Alwan concluded that the commission, with support from the Minister of Culture, is committed to enriching the cultural scene in Saudi Arabia and encouraging community engagement.

He emphasized that supporting culture is a shared responsibility among individuals and institutions, and through collaboration, challenges can be addressed to achieve cultural sustainability and enhance Saudi Arabia's cultural leadership in the region and the world.