Ruins of Ancient Nero’s Theater Discovered under Garden of Future Four Seasons near Vatican

A fresco is seen on a wall in the excavation site of the ancient Roman emperor Nero's theater, 1st century AD, during a press preview, in Rome, Wednesday, July 26, 2023. (AP)
A fresco is seen on a wall in the excavation site of the ancient Roman emperor Nero's theater, 1st century AD, during a press preview, in Rome, Wednesday, July 26, 2023. (AP)
TT

Ruins of Ancient Nero’s Theater Discovered under Garden of Future Four Seasons near Vatican

A fresco is seen on a wall in the excavation site of the ancient Roman emperor Nero's theater, 1st century AD, during a press preview, in Rome, Wednesday, July 26, 2023. (AP)
A fresco is seen on a wall in the excavation site of the ancient Roman emperor Nero's theater, 1st century AD, during a press preview, in Rome, Wednesday, July 26, 2023. (AP)

Rome’s next luxury hotel has some very good bones: Archaeologists said Wednesday that the ruins of Nero’s Theater, an imperial theater referred to in ancient Roman texts but never found, have been discovered under the garden of a future Four Seasons Hotel steps from the Vatican.

Archaeologists have excavated deep under the walled garden of the Palazzo della Rovere since 2020 as part of planned renovations on the frescoed Renaissance building.

The palazzo, which takes up a city block along the broad Via della Conciliazione leading to St. Peter’s Square, is home to an ancient Vatican chivalric order that leases the space to a hotel to raise money for Christians in the Holy Land.

The governor general of the Order of the Holy Sepulcher of Jerusalem, Leonardo Visconti di Modrone, confirmed during a news conference announcing the archaeological discovery that the incoming hotel chain was the Four Seasons.

News reports have said the hotel is expected to be open in time for the Vatican’s 2025 Jubilee, when an estimated 30 million people and pilgrims are expected to flock to Rome.

Officials hailed the findings from the excavation as “exceptional,” given they provide a rare look at a stratum of Roman history from the Roman Empire through to the 15th century. Among the discoveries: 10th century glass colored goblets and pottery pieces that are unusual because so little is known about this period in Rome.

Marzia Di Mento, the site's chief archaeologist, noted that previously only seven glass chalices of the era had been found, and that the excavations of this one site turned up seven more.

In addition, archaeologists found marble columns and gold-leaf decorated plaster, leading them to conclude that the Nero's Theater referred to in texts by Pliny the Elder, an ancient Roman author and philosopher, was indeed there, located at the site just off the Tiber River.

Officials said the portable antiquities would be moved to a museum, while the ruins of the theater structure itself would be covered again after all studies are completed.



Italy Displays Paintings from an Ancient Etruscan Tomb, Its Latest Cultural Acquisition

 People look at the newly acquired Tomb of Francois, a 4th-century BC masterpiece bought last month by Italy's Culture Ministry for 15 million euros, at the National Etruscan Museum of Villa Giulia in Rome, Italy, June 30, 2026. (Reuters)
People look at the newly acquired Tomb of Francois, a 4th-century BC masterpiece bought last month by Italy's Culture Ministry for 15 million euros, at the National Etruscan Museum of Villa Giulia in Rome, Italy, June 30, 2026. (Reuters)
TT

Italy Displays Paintings from an Ancient Etruscan Tomb, Its Latest Cultural Acquisition

 People look at the newly acquired Tomb of Francois, a 4th-century BC masterpiece bought last month by Italy's Culture Ministry for 15 million euros, at the National Etruscan Museum of Villa Giulia in Rome, Italy, June 30, 2026. (Reuters)
People look at the newly acquired Tomb of Francois, a 4th-century BC masterpiece bought last month by Italy's Culture Ministry for 15 million euros, at the National Etruscan Museum of Villa Giulia in Rome, Italy, June 30, 2026. (Reuters)

Italy on Tuesday put on display one of the best-known examples of Etruscan painting, panels from a tomb that it acquired for 15 million euros ($17 million) in the Culture Ministry’s buying spree of big-ticket pieces of the country's cultural heritage.

The ministry announced in May that it had acquired the fresco panels, dating from the 4th century, from members of the Torlonia family, one of Italy’s ancient noble families whose vast collection of antiquity has long been kept out of the public domain.

The Francois Tomb was discovered in 1857 by the French archaeologist Alessandro Francois in Vulci, on land owned by the Torlonia family. The frescoes were detached from the necropolis in 1863 and became part of the Torlonia private collection, while the contents of the tomb were divided up among Francois, colleagues and the family.

The Italian government has been trying to get possession of the tomb since 1921, as part of its effort to bring back into the Italian public patrimony artifacts and antiquities that were acquired or looted during the boom of archaeological excavations in the 1800s and beyond.

The Etruscan Civilization occupied swaths of what is today central Italy for centuries was a major Mediterranean trading power. Much of it was destroyed by the subsequent Roman Empire.

The tomb is opening to the public Wednesday at Rome’s Villa Giulia National Etruscan Museum. Alongside the fresco panels are jewels, Etruscan vases and other items that were discovered inside the tomb, now belong in museum collections around the world and were loaned to Italy for the exhibition.

The tomb marks the Culture Ministry’s third major acquisition this year of expensive, culturally important artworks. It paid $14.9 million for Antonello da Messina’s “Ecce Homo” and around $35 million for a rare portrait by Caravaggio depicting Maffeo Barberini, the future Pope Urban VIII.

The funds have come from the ministry’s annual budget for acquisitions, but Culture Minister Alessandro Giuli has prioritized buying fewer, bigger-ticket items of cultural importance rather than smaller, lesser artworks and antiquities, officials said.

“In recent months, the Ministry of Culture has invested a great deal of money in acquiring masterpieces,” said Massimo Osanna, director general of Italian museums in the ministry.

Giuli has said the tomb is a “fundamental” part of Italian history that was now being returned to the Italian public to enjoy.

Luana Toniolo, director of the Villa Giulia museum, called the tomb one of the greatest masterpieces of antiquity and Etruscan painting, and one of the best preserved. Among other things, the paintings depict the sacrifice of Trojan prisoners and battles of Etruscan heroes.


Sunken Treasures Exhibition Showcases Historic Maps of the Red Sea

Historic maps of the Red Sea on display at the "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition. (SPA)
Historic maps of the Red Sea on display at the "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition. (SPA)
TT

Sunken Treasures Exhibition Showcases Historic Maps of the Red Sea

Historic maps of the Red Sea on display at the "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition. (SPA)
Historic maps of the Red Sea on display at the "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition. (SPA)

Historic maps of the Red Sea on display at the "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition document the strategic importance of this vital maritime corridor and reflect how geographers, travelers, and cartographers viewed the region over the centuries.

More than geographical illustrations, the maps serve as historical records of the Red Sea's role as a gateway for trade, pilgrimage, and cultural exchange linking Asia, Africa, and Europe, the Saudi Press Agency said on Tuesday.

Among the exhibits at the Red Sea Museum is a 17th-century map that provides an early depiction of the region. It highlights mapmakers' understanding of the Red Sea's importance as a major maritime route connecting the Mediterranean Sea with the Indian Ocean, while illustrating the ports and shipping routes that played a central role in global commerce.

The maps demonstrate how the Red Sea's strategic location made it a hub for economic and cultural exchange. Merchant vessels carrying spices, incense, textiles, and minerals sailed its waters alongside ships transporting pilgrims from across the Islamic world, establishing the Red Sea as one of history's busiest and most influential maritime routes.

The collection also reflects the evolution of geographical and navigational knowledge. Compiled using the expertise of sailors, captains, and travelers, the maps documented coastlines, islands, and ports, serving as essential references for maritime navigation before the advent of modern navigational technologies. They also illustrate the accumulation of scientific knowledge that deepened understanding of the Red Sea's geography and maritime environment.


Historic Jeddah Enriches Visitor Experience with Traditional Crafts and Cultural Activities

Historic Jeddah offers immersive cultural experiences through interactive programs that combine learning with hands-on participation. (SPA)
Historic Jeddah offers immersive cultural experiences through interactive programs that combine learning with hands-on participation. (SPA)
TT

Historic Jeddah Enriches Visitor Experience with Traditional Crafts and Cultural Activities

Historic Jeddah offers immersive cultural experiences through interactive programs that combine learning with hands-on participation. (SPA)
Historic Jeddah offers immersive cultural experiences through interactive programs that combine learning with hands-on participation. (SPA)

Historic Jeddah offers immersive cultural experiences through interactive programs that combine learning with hands-on participation, enabling visitors to explore local heritage and discover traditional crafts in an environment that blends creativity and education, further strengthening its position as a vibrant cultural destination, the Saudi Press Agency said on Tuesday.

The activities featured a variety of workshops, including handmade bookbinding, mosaic art for children, painting on canvas bags, and crafting perfumes from natural ingredients, providing participants with opportunities to explore diverse artistic materials and techniques.

These activities reflect the concept of a comprehensive cultural experience by going beyond showcasing handicrafts to allowing visitors to observe production processes, interact with artisans, and participate in workshops, educational tours, and community programs, thereby deepening their understanding of traditional crafts and their historical and cultural significance.

The experience presents a model that uses culture to discover both place and people, transforming a visit to Historic Jeddah into an educational journey that extends beyond sightseeing by bringing together heritage, creativity, and community engagement, reinforcing the Kingdom’s cultural identity.