Ruins of Ancient Nero’s Theater Discovered under Garden of Future Four Seasons near Vatican

A fresco is seen on a wall in the excavation site of the ancient Roman emperor Nero's theater, 1st century AD, during a press preview, in Rome, Wednesday, July 26, 2023. (AP)
A fresco is seen on a wall in the excavation site of the ancient Roman emperor Nero's theater, 1st century AD, during a press preview, in Rome, Wednesday, July 26, 2023. (AP)
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Ruins of Ancient Nero’s Theater Discovered under Garden of Future Four Seasons near Vatican

A fresco is seen on a wall in the excavation site of the ancient Roman emperor Nero's theater, 1st century AD, during a press preview, in Rome, Wednesday, July 26, 2023. (AP)
A fresco is seen on a wall in the excavation site of the ancient Roman emperor Nero's theater, 1st century AD, during a press preview, in Rome, Wednesday, July 26, 2023. (AP)

Rome’s next luxury hotel has some very good bones: Archaeologists said Wednesday that the ruins of Nero’s Theater, an imperial theater referred to in ancient Roman texts but never found, have been discovered under the garden of a future Four Seasons Hotel steps from the Vatican.

Archaeologists have excavated deep under the walled garden of the Palazzo della Rovere since 2020 as part of planned renovations on the frescoed Renaissance building.

The palazzo, which takes up a city block along the broad Via della Conciliazione leading to St. Peter’s Square, is home to an ancient Vatican chivalric order that leases the space to a hotel to raise money for Christians in the Holy Land.

The governor general of the Order of the Holy Sepulcher of Jerusalem, Leonardo Visconti di Modrone, confirmed during a news conference announcing the archaeological discovery that the incoming hotel chain was the Four Seasons.

News reports have said the hotel is expected to be open in time for the Vatican’s 2025 Jubilee, when an estimated 30 million people and pilgrims are expected to flock to Rome.

Officials hailed the findings from the excavation as “exceptional,” given they provide a rare look at a stratum of Roman history from the Roman Empire through to the 15th century. Among the discoveries: 10th century glass colored goblets and pottery pieces that are unusual because so little is known about this period in Rome.

Marzia Di Mento, the site's chief archaeologist, noted that previously only seven glass chalices of the era had been found, and that the excavations of this one site turned up seven more.

In addition, archaeologists found marble columns and gold-leaf decorated plaster, leading them to conclude that the Nero's Theater referred to in texts by Pliny the Elder, an ancient Roman author and philosopher, was indeed there, located at the site just off the Tiber River.

Officials said the portable antiquities would be moved to a museum, while the ruins of the theater structure itself would be covered again after all studies are completed.



Saudi Ministry of Culture Appoints Douglas Gautier as CEO of Royal Arts Complex at King Salman Park

Saudi Ministry of Culture Appoints Douglas Gautier as CEO of Royal Arts Complex at King Salman Park
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Saudi Ministry of Culture Appoints Douglas Gautier as CEO of Royal Arts Complex at King Salman Park

Saudi Ministry of Culture Appoints Douglas Gautier as CEO of Royal Arts Complex at King Salman Park

The Saudi Ministry of Culture announced on Wednesday the appointment of Douglas Gautier as CEO of the Royal Arts Complex at King Salman Park in Riyadh Region. Gautier will assume responsibilities for managing and operating the complex and developing its cultural programs, drawing upon his extensive global experience in managing cultural assets.

This appointment aligns with the ongoing development of the Royal Arts Complex in King Salman Park, at the heart of Riyadh. Designed as a dynamic cultural landmark, the complex fosters creativity, unites diverse artistic expressions, and promotes cultural dialogue. It aims to provide exceptional experiences in an engaging environment that reflects the Kingdom's cultural aspirations while attracting local and international audiences.

The complex spans an area exceeding 500,000 square meters and includes seven key cultural assets: the Museum of World Cultures, the National Theater, the Arts Library, the Arts Cinema, the Sculpture Pavilion, the Dome, and the Royal Institute of Traditional Arts. These assets are designed to offer a comprehensive cultural experience that embraces diverse art forms and enriches the Kingdom's cultural landscape.

Gautier will oversee the next phase of the complex's development, focusing on finalizing operational plans and managing its programs and cultural content. He brings over four decades of experience in managing cultural institutions, during which he led projects that have contributed to the development of the global artistic landscape throughout his professional career in Asia and Australia. He has played a significant role in launching innovative initiatives that foster cross-cultural dialogue and contribute to the expansion of artistic exchange.

Gautier has served as CEO and Artistic Director of the Adelaide Festival Centre in Australia, where he founded the OzAsia Festival, now recognized as a leading platform for cultural exchange between Australia and Asia. He is recognized for his dedication to broadening access to the arts through innovative cultural programs rooted in diversity and creativity, and for his efforts to strengthen international partnerships that foster global cultural exchange. He has chaired the Association of Asia Pacific Performing Arts Centers (AAPPAC) since 2013.

Gautier expressed his pride in being appointed Chief Executive Officer of the Royal Arts Complex, stating: "I am honored to join the Royal Arts Complex at this pivotal stage of cultural development in the Kingdom. This project represents a unique opportunity to contribute to a global cultural dialogue celebrating Saudi heritage and international artistic achievements. I look forward to collaborating with esteemed artists, curators, and cultural leaders from the Kingdom and across the globe to realize this ambitious vision."

The Royal Arts Complex comes as part of the objectives of Saudi Vision 2030, serving as a key pillar in advancing the artistic landscape, supporting the creative economy, and fostering new opportunities for artists and cultural enthusiasts. It will play a vital role in establishing a comprehensive and globally connected cultural ecosystem. It will also mark a significant milestone in the Saudi cultural landscape and encourage local and international creativity.