4 Exceptionally Preserved Roman Swords Discovered in Dead Sea Cave in Israel

Israeli archaeologists show four Roman-era swords and a javelin head found during a recent excavation in a cave near the Dead Sea, in Jerusalem, Wednesday, Sep. 6, 2023. (AP Photo/Ohad Zwigenberg)
Israeli archaeologists show four Roman-era swords and a javelin head found during a recent excavation in a cave near the Dead Sea, in Jerusalem, Wednesday, Sep. 6, 2023. (AP Photo/Ohad Zwigenberg)
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4 Exceptionally Preserved Roman Swords Discovered in Dead Sea Cave in Israel

Israeli archaeologists show four Roman-era swords and a javelin head found during a recent excavation in a cave near the Dead Sea, in Jerusalem, Wednesday, Sep. 6, 2023. (AP Photo/Ohad Zwigenberg)
Israeli archaeologists show four Roman-era swords and a javelin head found during a recent excavation in a cave near the Dead Sea, in Jerusalem, Wednesday, Sep. 6, 2023. (AP Photo/Ohad Zwigenberg)

Four Roman-era swords, their wooden and leather hilts and scabbards and steel blades exquisitely preserved after 1,900 years in a desert cave, surfaced in a recent excavation by Israeli archaeologists near the Dead Sea, the Israel Antiquities Authority announced Wednesday.
The cache of exceptionally intact artifacts was found about two months ago and tells a story of empire and rebellion, of long-distance conquest and local insurrection, The Associated Press reported.
Researchers, who published the preliminary findings in a newly released book, propose that the arms — four swords and the head of a javelin, known as a pilum — were stashed in the remote cavern by Jewish rebels during an uprising against the Roman Empire in the 130s.
The swords were dated based on their typology, and have not yet undergone radiocarbon dating.
The find was part of the antiquities authority's Judean Desert Survey, which aims to document and excavate caves near the Dead Sea and secure scrolls and other precious artifacts before looters have a chance to plunder them.
The cool, arid and stable climate of the desert caves has allowed exceptional preservation of organic remains, including hundreds of ancient parchment fragments known as the Dead Sea Scrolls.
Those Jewish texts, discovered last century and dated to the first centuries BCE and CE, contain the earliest known versions of the Hebrew Bible, as well an assortment of esoteric writings.
Archaeologists returned to this particular cave near the desert oasis of Ein Gedi to document an inscription found decades earlier.
“At the back of the cave, in one of the deepest part of it, inside a niche, I was able to retrieve that artifact — the Roman pilum head, which came out almost in mint condition,” said Asaf Gayer, an archaeologist with Ariel University.
But though the swords were found on the eastern edge of the Roman Empire, they were likely crafted in a distant European province and brought to the province of Judaea by soldiers in the military, said Guy Stiebel, a Tel Aviv University archaeologist specializing in Roman military history.
He said the quality of their preservation was exceptionally rare for Roman weapons, with only a small handful of examples from elsewhere in the empire and beyond its borders.
“Each one of them can tell you an entire story,” he said. Future research will focus on studying its manufacture and the origin of the materials in order to tease out the history of the objects and the people it belonged to — Roman soldiers and Jewish rebels.
“They also reflect a much grander narrative of the entire Roman Empire and the fact that from a small cave in a very remote place on the edge of the empire, we can actually shed light about those mechanisms is the greatest joy that the scientist can have,” he said.



Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
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Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)

As Iran faces increasing tensions with the West and turmoil at home, a new exhibition at the Tehran Museum of Contemporary Art is displaying Western artwork including pieces not seen by the public in at least a decade.
The unveiling of the exhibition “Eye to Eye” has drawn numerous women, their hair uncovered, to the underground galleries of the museum in Tehran's Laleh Park. Their presence, while unacknowledged by authorities, shows the way life has changed inside Iran just in the last few years even as the country's theocracy presses forward with enriching uranium to near-weapons grade levels and launching attacks on Israel during the ongoing Mideast wars, The Associated Press said.
“The first feeling that came to me, and I told my parents, was that I can’t believe I’m seeing these works, which have always been kept far from our eyes,” said Aida Zarrin, a young woman at the museum.
“If such events are held here and we can see artworks like the rest of the world, it’s enough. They are really precious.”
The government of Iran’s Western-backed shah, Mohammad Reza Pahlavi, and his wife, the former Empress Farah Pahlavi, built the museum and acquired the vast collection in the late 1970s, when oil boomed and Western economies stagnated. Upon opening, it showed sensational works by Pablo Picasso, Mark Rothko, Claude Monet, Jackson Pollock and other heavyweights, enhancing Iran’s cultural standing on the world stage.
But just two years later, in 1979, Shiite clerics ousted the shah and packed away the art in the museum’s vault. Some paintings — cubist, surrealist, impressionist and even pop art — sat untouched for decades to avoid offending Islamic values and the appearance of catering to Western sensibilities. Nearly everything is believed still to be there, though an Andy Warhol print of the empress was slashed during the revolution.
Today, the collection is likely worth billions of dollars. Even with Iran now cash-strapped under Western sanctions, officials with the museum have been able to advocate for keeping the collection, though there have been occasional trades in the past for items from Persian history. Those sanctions may increase under the next administration of US President-elect Donald Trump.
As Iranian politics have thawed, re-frozen and thawed again, the collection resurfaces along with those changes.
Among the over 120 works being shown are ones from Picasso, Andy Warhol and Francis Bacon, along with celebrated Iranian artists. One of the Warhols, “Jacqueline Kennedy II,” is a silkscreen double image of the former US first lady in mourning after the 1963 assassination of her husband, President John Kennedy. Another Warhol portrait of Rolling Stones frontman Mick Jagger also garnered attention from the cellphone photo snappers.
“A lot of these works are important works in the history of art, and that’s why this show distinguishes itself from others,” said Jamal Arabzadeh, the exhibition's curator. ”A lot of people with less exposure to art have discovered the museum for the first time. ... We are seeing a part of the community that are discovering art and the museum and see the potential of this place, and this is something to be proud of.”
The presence of Western art comes as Iran's government has long fought against items like Barbie dolls and depictions of cartoon characters from “The Simpsons.” Such Western influences have been deemed un-Islamic in the past and have been seen as part of a “soft” cultural war against Iran.
With a ticket costing the equivalent of 14 US cents, the exhibition offers a rare government-sanctioned event not involving the country's politics or Shiite religion.
Among the visitors were many women defying the country's mandatory headscarf, or hijab, law. Crackdowns over the hijab have slowed down after Iran's presidential election in July that elected reformist President Masoud Pezeshkian, though individual cases of arrest continue to draw anger.
And for many, the cost of tickets to travel abroad given Iran's collapsing rial currency keep foreign museums out of reach.
“This is very attractive for art enthusiasts because not everyone can go and see museums abroad. It’s extremely exciting to see the works here,” said a woman who only gave her last name, Dolatshahi. “I had no idea I could see works by van Gogh and Picasso here.”