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RCRC Shares Kingdom’s World Expo Vision with UNESCO World Heritage Committee

The logo of the Royal Commission for Riyadh City (RCRC)
The logo of the Royal Commission for Riyadh City (RCRC)
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RCRC Shares Kingdom’s World Expo Vision with UNESCO World Heritage Committee

The logo of the Royal Commission for Riyadh City (RCRC)
The logo of the Royal Commission for Riyadh City (RCRC)

Saudi Arabia’s Royal Commission for Riyadh City (RCRC) has held a reception for members of the UN Educational, Scientific, and Cultural Organization (UNESCO) World Heritage Committee and briefed them on the Kingdom’s bid to host World Expo 2030 in the capital Riyadh.

“Riyadh Expo 2030 is part of the Kingdom’s endeavor to enable all countries to make an impact on the international scale, with the aim of creating a bright future for the planet under the theme ‘Together for a Foresighted Tomorrow’,” said Eng. Abdulaziz Alghannam, the Technical Director of the Riyadh Expo 2030 bid, at the reception on Friday.

“The three sub-themes of Riyadh Expo 2030 represent the Kingdom’s vision to present the most impactful World Expo ever, collaborating for a better future, where ‘Prosperity for All’ seeks to achieve a prosperous and a peaceful planet in which science and innovation are accessible to all. Also, ‘Climate Action’ promotes creative solutions to climate change by uniting international efforts, and ‘A Different Tomorrow’ seeks to harness science, innovations, and technologies to develop new tools for individuals and societies,” he said.

Alghannam added: “Inspired by Saudi Vision 2030, Riyadh Expo 2030 pays great attention to the Kingdom’s civilization, rich heritage, ancient traditions, and cultural treasures, which we would be proud to showcase to the Riyadh Expo 2030 visitors through immersive experiences.”

He stressed that the capital city is fully prepared to host this international exhibition and present the most impactful and unprecedented edition in the history of World Expo.

The members of the UNESCO World Heritage Committee were briefed about the Kingdom's ambitious goals for Riyadh Expo 2030 and the major ongoing development projects which will be ready by 2030.

They were also briefed on Riyadh Expo 2030’s sustainability plans, including clean energy, high standards of resource efficiencies and detailed strategies to enhance and conserve biodiversity, eliminate food wastage, and green waste management and recycling.

The reception by RCRC was held on the sidelines of the Kingdom’s hosting of the meeting of the World Heritage Committee in Riyadh from September 10 to 25, in its capacity as the current chair of the UNESCO World Heritage Committee.

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From Orange Peels to Bottle Caps: Thousands of Artists Create Their Own ‘Girl with a Pearl Earring’

Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)
Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)
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From Orange Peels to Bottle Caps: Thousands of Artists Create Their Own ‘Girl with a Pearl Earring’

Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)
Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)

After sending its most famous work to be featured in Amsterdam’s blockbuster 2023 exhibition of nearly every work by Johannes Vermeer, the Mauritshuis museum found itself with a blank space where the iconic “Girl with a Pearl Earring” had been displayed.

The Hague-based institution turned to more than 2,700 artists, from Texas to Ukraine, from age 7 to 70, who created their own interpretations of the 17th-century masterpiece.

A selection of 60 works using materials ranging from orange peels to bottle caps to sweatshirts were exhibited in the museum while the painting was on loan 40 miles (64 kilometers) to the north.

“The submissions continue to come, it will never end with her,” Martine Gosselink, director of the Mauritshuis museum, told The Associated Press, pointing to the ongoing popularity of works featuring the mystery girl.

A 2020 investigation into the painting using a battery of modern imaging techniques uncovered details about Vermeer's methods and the makeup of his pigments, but not the young woman’s identity.

“I bring together the original The Girl with a Pearl and the face of a Wayang puppet,” artist Rob de Heer told the AP, standing in front of a screen in the museum’s foyer where all of the winning submissions are displayed.

De Heer, who primarily works with mixed media, wanted to take an image from the Golden Age history of the Netherlands and combine it with one evoking its colonial legacy. Wayang puppets are a traditional form of theater in parts of Indonesia, which was ruled by the Netherlands until 1949.

His surrealist work is followed in the rolling display by a piece featuring the original girl’s face superimposed on an antique tea tin.

Other submissions include works by South Korean artist Nanan Kang, who used an ear of corn for the face; Georgian artist Nino Kavazauri, who reimagined a modern girl waiting at a bus stop with a cup of coffee; and Simon Chong, a Welsh animator, who works on the popular television series “Bob’s Burgers” and created a girl in the show’s cartoon style.

The winners were displayed in a replica frame in the exact spot where “Girl with a Pearl Earring” usually hangs, between two portraits by Dutch Baroque painter Gerard ter Borch.

The popularity of the first competition prompted a second round and those submissions are now on display at the Fabrique des Lumières in Amsterdam. The museum continues to feature submitted works of art on its Instagram page.

Gosselink, who has been the museum’s director since 2020, said the breadth and depth of the works made it difficult to select who would be featured in the exhibition.

“I would dare to say that some of the ones we selected are new pieces of art, and they would be served very well in a new surrounding, like a museum," Gosselink said.