Versailles Palace Celebrates 400th Anniversary, Hosts King Charles III for State Dinner 

People visit the Hall of Mirrors inside the Palace of Versailles during a press visit on the occasion of the opening of the space dedicated to the history of the construction of the Chateau of Versailles, in Versailles, near Paris, France, 14 September 2023. (EPA)
People visit the Hall of Mirrors inside the Palace of Versailles during a press visit on the occasion of the opening of the space dedicated to the history of the construction of the Chateau of Versailles, in Versailles, near Paris, France, 14 September 2023. (EPA)
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Versailles Palace Celebrates 400th Anniversary, Hosts King Charles III for State Dinner 

People visit the Hall of Mirrors inside the Palace of Versailles during a press visit on the occasion of the opening of the space dedicated to the history of the construction of the Chateau of Versailles, in Versailles, near Paris, France, 14 September 2023. (EPA)
People visit the Hall of Mirrors inside the Palace of Versailles during a press visit on the occasion of the opening of the space dedicated to the history of the construction of the Chateau of Versailles, in Versailles, near Paris, France, 14 September 2023. (EPA)

France is rolling out the red carpet for King Charles III's state visit at one of its most magnificent and emblematic monuments: the Palace of Versailles, which celebrates its 400th anniversary.

Charles and Queen Camilla's three-day trip to Paris and Bordeaux, starting Wednesday, includes a grand dinner at Versailles in the presence of over 150 guests in the Hall of Mirrors.

It comes as the Palace of Versailles just opened to the public the gallery that retraces its history, from its creation as a modest hunting lodge in 1623 to last century's key diplomatic events — including the visits of Charles’ predecessors.

French President Emmanuel Macron’s office said Wednesday's dinner echoes the state visit of Queen Elizabeth II in 1972, when she was greeted at the Palace by President Georges Pompidou. King Charles liked the idea of following in his mother’s footsteps, according to Macron's office.

Elizabeth II also visited the palace in 1958 and 10 years before, when she was not yet a Queen.

Catherine Pégard, president of the Palace of Versailles, praised the "never-ending story" of the palace that "includes visits from French children who come to Versailles with their classes, as well as visits from His Majesty the King of England or tourists who arrive from Asia and are less familiar with the history."

"And we have a story to tell each one of them," she told the Associated Press.

Usually filled with a chaotic crowd of photo-snapping tourists from across the world, the Hall of Mirrors will be closed to visitors Wednesday to get prepared for the royal banquet. No details have been provided about the menu yet, but the French presidency said it will be an opportunity to showcase France's cultural and gastronomical excellence.

Charles' visit will make one more date in the Palace's long history starting from King Louis XIII, to the French revolution and all the way to modern times that is being presented on its ground floor into the newly opened Gallery of the History of the Palace.

The gallery has 11 rooms, each thematic and largely chronological, presenting over 120 works aimed at providing visitors from across the world an immediate understanding of the complex history of the palace.

It brings together recently acquired works alongside paintings and art pieces that for many years had gone unseen as they’d been in reserve and others that are now repositioned and better enhanced.

Laurent Salomé, director of the National Museum of the Palace of Versailles and Trianon, said the exhibit features a number of masterpieces.

"Our intention was to create a first great moment of pleasure for visitors. First of all, because they’ve traveled a lot. For a long time, they’ve dreamed of Versailles. We didn’t want to give them a boring lesson to start their visit," he said.

Some pieces of work come from the original version of the palace and its gardens under its great builder Louis XIV, who decided to expand his father’s hunting lodge.

It's "a history made by not just one monarch, it’s also an enormous team of artists — and the greatest artists. A good thing about absolute monarchy is to be able to gather all the best people at the same place," Salomé stressed.

Today the Palace contains 2,300 rooms spread over 63,154 square meters (679,784 square feet).

The gallery of history also provides an occasion to discover anecdotes about the Palace’s life — like some panels of the "Chinese chamber" of Queen Marie Leszczynska, Louis XV's wife, that she in part painted herself.

In the last rooms, visitors can see the famous desk where the 1919 Treaty of Versailles was signed that formally ended World War I, as well as photos and video archives of heads of states and royalties honored at the Palace during the 20th century.

"The idea is also to show that there is a gradual transformation of the Chateau de Versailles, which has always remained alive through the centuries, from its creation to the present day," Salomé said.



Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
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Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP

Kosovo's oldest cinema has been dark and silent for years as the famous theater slowly disintegrates under a leaky roof.

Signs warn passers-by in the historic city of Prizren that parts of the Lumbardhi's crumbling facade could fall while it waits for its long-promised refurbishment.

"The city deserves to have the cinema renovated and preserved. Only junkies gathering there benefit from it now," nextdoor neighbor butcher Arsim Futko, 62, told AFP.

For seven years, it waited for a European Union-funded revamp, only for the money to be suddenly withdrawn with little explanation.

Now it awaits similar repairs promised by the national government that has since been paralyzed by inconclusive elections in February.

And it is anyone's guess whether the new government that will come out of Sunday's snap election will keep the promise.

'Collateral damage'

Cinema director Ares Shporta said the cinema has become "collateral damage" in a broader geopolitical game after the EU hit his country with sanctions in 2023.

The delayed repairs "affected our morale, it affected our lives, it affected the trust of the community in us," Shporta said.

Brussels slapped Kosovo with sanctions over heightened tensions between the government and the ethnic Serb minority that live in parts of the country as Pristina pushed to exert more control over areas still tightly linked to Belgrade.

Cultural institutions have been among the hardest-hit sectors, as international funding dried up and local decisions were stalled by the parliamentary crisis.

According to an analysis by the Kosovo think tank, the GAP Institute for Advanced Studies, sanctions have resulted in around 613 million euros ($719 million) being suspended or paused, with the cultural sector taking a hit of 15-million-euro hit.

'Ground zero'

With political stalemate threatening to drag on into another year, there are warnings that further funding from abroad could also be in jeopardy.

Since February's election when outgoing premier Albin Kurti topped the polls but failed to win a majority, his caretaker government has been deadlocked with opposition lawmakers.

Months of delays, spent mostly without a parliament, meant little legislative work could be done.

Ahead of the snap election on Sunday, the government said that more than 200 million euros ($235 million) will be lost forever due to a failure to ratify international agreements.

Once the top beneficiary of the EU Growth Plan in the Balkans, Europe's youngest country now trails most of its neighburs, the NGO Group for Legal and Political Studies' executive director Njomza Arifi told AFP.

"While some of the countries in the region have already received the second tranches, Kosovo still remains at ground zero."

Although there have been some enthusiastic signs of easing a half of EU sanctions by January, Kurti's continued push against Serbian institutions and influence in the country's north continues to draw criticism from both Washington and Brussels.

'On the edge'

Across the river from the Lumbardhi, the funding cuts have also been felt at Dokufest, a documentary and short film festival that draws people to the region.

"The festival has had to make staff cuts. Unfortunately, there is a risk of further cuts if things don't change," Dokufest artistic director Veton Nurkollari said.

"Fortunately, we don't depend on just one source because we could end up in a situation where, when the tap is turned off, everything is turned off."

He said that many in the cultural sector were desperate for the upcoming government to get the sanctions lifted by ratification of the agreements that would allow EU funds to flow again.

"Kosovo is the only one left on the edge and without these funds."


Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa
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Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

The Saudi Ministry of Culture concluded the project to survey, document, and archive intangible cultural heritage in Al-Ahsa Governorate by holding a workshop in the governorate, attended by stakeholders and relevant entities, as part of the ministry’s efforts to preserve national cultural heritage and strengthen Saudi cultural identity, reported the Saudi Press Agency on Thursday.

The project included a field survey covering various cities and villages across Al-Ahsa, during which diverse elements of intangible cultural heritage were identified and documented. These included oral traditions, performing arts, skills associated with traditional cultural crafts, social practices, and knowledge related to nature and the local environment.

The work was carried out in cooperation with concerned entities, specialized experts, and local practitioners.

The workshop reviewed the project’s final outcomes and presented reports on documentation and digital archiving activities.

It discussed mechanisms to ensure the sustainability of these efforts and the transmission of this cultural legacy to future generations, contributing to greater community awareness of the value and importance of intangible cultural heritage.


Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA
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Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA

Hail Region pavilion at the Ministry of Interior’s Security Oasis exhibition, part of the 10th King Abdulaziz Camel Festival in Al-Sayahid, features heritage artifacts that reflect the region's renowned hospitality.

The display includes ancient trays and copperware from nearly seventy years ago.

According to SPA, these traditional food preparation and serving vessels have garnered significant interest from visitors. They document daily life in old Hail and its deep-rooted social traditions, particularly in gatherings and special occasions.

The pavilion aims to connect visitors to Hail's history and social legacy, fostering appreciation for national heritage and ensuring cultural preservation for future generations.