Ancient 'Power' Palazzo on Rome's Palatine Hill Reopens to Tourists

Visitors admire the newly restored domus Tiberiana, one of the main imperial palaces, during the press preview on Rome's Palatine Hill, in Rome, Italy, Wednesday, Sept. 20, 2023. (AP Photo/Gregorio Borgia)
Visitors admire the newly restored domus Tiberiana, one of the main imperial palaces, during the press preview on Rome's Palatine Hill, in Rome, Italy, Wednesday, Sept. 20, 2023. (AP Photo/Gregorio Borgia)
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Ancient 'Power' Palazzo on Rome's Palatine Hill Reopens to Tourists

Visitors admire the newly restored domus Tiberiana, one of the main imperial palaces, during the press preview on Rome's Palatine Hill, in Rome, Italy, Wednesday, Sept. 20, 2023. (AP Photo/Gregorio Borgia)
Visitors admire the newly restored domus Tiberiana, one of the main imperial palaces, during the press preview on Rome's Palatine Hill, in Rome, Italy, Wednesday, Sept. 20, 2023. (AP Photo/Gregorio Borgia)

An ancient Roman imperial palazzo atop the city's Palatine Hill was reopened to tourists on Thursday, nearly 50 years after its closure for restoration.

The nearly 2,000-year-old Domus Tiberiana was home to rulers in the ancient city’s Imperial period. The sprawling palace allows for sweeping views of the Roman Forum below.

The public is now able to tour it, following decades of structural restoration work to shore the palace up for safety reasons. Excavations uncovered artifacts from centuries of Roman life following the decline of the empire.

The director of the Colosseum Archeological Park, which includes the Palatine Hill, in a written description of the restored palazzo, dubbed it “the power palace par excellence.”
On the eve of the reopening, the official, Alfonsina Russo, quoted a first-century Roman poet as saying the sprawling palace seemed “infinite” and that "its grandiosity was just like the grandiosity of the sky.”

Although the domus, or residence, is named after Tiberius, who ruled the empire after the death of Augustus, archaeological studies indicated that the palace's foundations date from the era of Nero, shortly after the fire of 64 A.D that devastated much of the city.

After the demise of the Roman Empire, the residence suffered centuries of abandonment, until when, in the 1500s, the Farnese noble family developed an extensive garden around the ruins.

Thanks to the palazzo's reopening to the public, visitors today can get a better idea of the path ancient emperors and their courts enjoyed en route to the domus.

The English word “palatial” is inspired by the sumptuous imperial residence atop the Palatine, one of ancient Rome's seven hills, The Associated Press reported.

The domus, built on the northwest slope of the hill, is considered to be the first true imperial palace. Besides the emperor's residence, the complex included gardens, places of worship, quarters for the Praetorian Guard that protected the ruler and a service district for workers that overlooked the Roman Forum.

Excavation and restoration work, carried out also during the coronavirus pandemic when for months tourism was at a minimum, helped archeologists piece together what Russo calls centuries of history in a place that “somehow went forgotten.”



Jazan Festival 2026 Kicks Off Thursday with Grand Parade

his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
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Jazan Festival 2026 Kicks Off Thursday with Grand Parade

his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA

The Jazan Festival 2026 will launch on Thursday in a carnival anticipated by thousands of visitors from within the region and beyond.

The festival will open with a grand celebratory parade starting at 3:45 p.m. along the Jazan city waterfront, signaling the start of an entertainment and cultural season that will extend for several months, according to SPA.

This year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity, from its towering green mountains and golden beaches to its picturesque islands, alongside the authenticity of its rich heritage, complemented by modern touches in entertainment programs designed to meet the aspirations of all age groups.

Performing arts inspired by local folklore will add an authentic dimension, while moving installations will flow in harmonious rhythm.

Completing the visual spectacle, integrated light and sound shows will create an enchanting atmosphere before the festivities conclude with a dazzling fireworks display lighting up the Jazan sky in vibrant colors.


UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
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UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA

The United Nations Educational, Scientific and Cultural Organization (UNESCO) Chair in Translating Cultures at the King Faisal Center for Research and Islamic Studies (KFCRIS), with support from the Literature, Publishing, and Translation Commission, organized a training course and a series of specialized lectures on the translation and safeguarding of intangible cultural heritage, SPA reported.

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application, opening space for in-depth discussion of the challenges of translating intangible heritage as a living, evolving form of culture closely tied to its cultural, social, and performative contexts.

The course and lectures adopted a comprehensive approach that views translation as a cultural tool for preserving oral memory and building bridges between local specificity and the global sphere.

This approach was reflected through applied models, field experiences, and contemporary conceptual frameworks.


Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
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Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.

A boat belonging to an Egyptian pharaoh is being assembled in full view at the Grand Egyptian Museum’s exhibition hall.

Staff began piecing together the cedarwood boat, one of two that were found that belong to King Khufu, Tuesday morning as dozens of visitors watched.

The assembly of the 42-meter (137-foot) -long vessel, which sits next to its already-assembled twin that has been on display, is expected to take around four years, according to Issa Zeidan, head of restoration at the Grand Egyptian Museum. It contains 1,650 wooden pieces.

King Khufu ruled ancient Egypt more than 4,500 years ago and built the Great Pyramid of Giza.

“You’re witnessing today one of the most important restoration projects in the 21st century,” said Tourism and Antiquities Minister Sherif Fathy, who attended the event.

The $1 billion museum, also known as GEM, was touted as the world’s largest when it was lavishly inaugurated last month. It's home to nearly 50,000 artifacts, including the collection of treasures from the tomb of the famed King Tutankhamun, which was discovered in 1922. The museum, located near the pyramids at the edge of Cairo, is expected to boost Egypt’s tourism revenues and help bolster its economy.

The boat was one of two discovered in 1954, opposite the southern side of the Great Pyramid. The excavation of its wooden parts began in 2014, according to the museum’s website.

The exact purpose of the boats remains unclear, but experts believe they were either used to transport King Khufu’s body during his funeral or were meant to be used for his afterlife journey with the sun god Ra, according to the museum.