Pakistani Biryani: A Spicy Recipe for Delectable Debate 

In this photograph taken on September 19, 2023, a staff carries plates of biryani at a restaurant in Karachi. (AFP)
In this photograph taken on September 19, 2023, a staff carries plates of biryani at a restaurant in Karachi. (AFP)
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Pakistani Biryani: A Spicy Recipe for Delectable Debate 

In this photograph taken on September 19, 2023, a staff carries plates of biryani at a restaurant in Karachi. (AFP)
In this photograph taken on September 19, 2023, a staff carries plates of biryani at a restaurant in Karachi. (AFP)

Eying each other across a stream of traffic, rival Pakistani biryani joints vie for customers, serving a fiery medley of meat, rice and spice that unites and divides South Asian appetites.

Both sell a niche version of the dish, steeped in the same vats, with matching prices and trophies commending their quality.

But in Karachi, where a biryani craze boomed after the creation of Pakistan, it is the subtle differences that inspire devotion.

"Our biryani is not only different from theirs but unique in the world," says restaurateur Muhammad Saqib, who layers his "bone marrow biryani" with herbs.

"When a person bites into it he drowns in a world of flavors," the 36-year-old says.

Across the road, Muhammad Zain sees it differently.

"We were the ones who started the biryani business here first," the 27-year-old claims, as staff scoop out sharing platters with a gut-punch of masala.

"It's our own personal and secret recipe."

Both agree on one thing.

"You can't find biryani like Pakistan's anywhere in the world," says Saqib.

"Whether it's a celebration or any other occasion, biryani always comes first," according to Zain.

International cuisine

British colonial rule in South Asia ended in 1947 with a violent rupture of the region along religious lines.

Hindus and Sikhs in newly created Pakistan fled to India while Muslim "Mohajirs" -- refugees -- went the other way.

India and Pakistan have been arch-rivals since, fighting wars and locked in endless diplomatic strife. Trade and travel have been largely choked off.

Many Mohajirs settled in Karachi, home to just 400,000 people in 1947 but one of the world's largest cities today with a population of 20 million.

For Indian food historian Pushpesh Pant, biryani served in South Asia's melting-pot cities such as Karachi is a reminder of shared heritage.

"Hindus ate differently, Nanakpanthis (Sikhs) ate differently, and Muslims ate differently, but it was not as if their food did not influence each other," he told AFP from the city of Gurugram outside Delhi.

"In certain parts of Pakistan and certain parts of India, the differences in flavors and foods are not as great as man-made borders would make us think."

Every Karachi neighborhood has its own canteens fronted by vendors clanking a spatula against the inside of biryani pots.

The recipe has endless variations.

The one with beef is a favorite in Islamic Pakistan, while vegetarian variants are more popular in largely Hindu India.

Chicken is universal. Along coastlines, seafood is in the mix.

And purists debate if adding potatoes is heresy.

"Other than that, there is Pulao Biryani which is purely from Delhi," says 27-year-old pharmacist Muhammad Al Aaqib, describing a broth-stewed variation.

"My roots lead back to Delhi too so it's like the mother of biryanis for us."

"Perhaps every person has a different way of cooking it, and their way is better," says 36-year-old landlord Mehran Khoso.

'No secret ingredient'

The origins of biryani are hotly contested.

However, it is generally accepted the word has Persian roots and it is argued the dish was popularized in the elite kitchens of the Mughal Empire, which spanned South Asia between the 16th and 19th centuries.

In spite of that pedigree, its defining quality is permutation.

Quratul Ain Asad, 40, spends Sunday morning cooking for her husband and son, Mohajir descendants of a family that arrived in Karachi from the Indian town of Tonk in 1948.

But at the dinner table, they feast not on an heirloom recipe but a TV chef's version with a cooling yoghurt sauce and a simple shredded salad.

Asad insists on Karachi's biryani supremacy.

"You will not like biryani from anywhere else once you've tasted Karachi's biryani," she says.

"There is no secret ingredient. I just cook with a lot of passion and joy," she adds. "Perhaps that's why the taste comes out good."

Cooked in bulk, biryani is also a staple of charity donations.

At Ghazi Foods, 28-year-old Ali Nawaz paddles out dozens of portions of biryani into plastic pouches, which are delivered to poor neighborhoods on motorbikes.

A minute after one of those bikes stops, the biryani is gone, seized by kids and young adults.

"People pray for us when they eat it," says Nawaz. "It feels good that our biryani reaches the people."



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.