‘Culture Gate’... Digital Platform to Document, Explore Saudi Cultural Wealth

The platform displays artifacts that were discovered in Saudi Arabia. (SPA)
The platform displays artifacts that were discovered in Saudi Arabia. (SPA)
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‘Culture Gate’... Digital Platform to Document, Explore Saudi Cultural Wealth

The platform displays artifacts that were discovered in Saudi Arabia. (SPA)
The platform displays artifacts that were discovered in Saudi Arabia. (SPA)

The Saudi Ministry of Culture has launched a new digital interface that opens doors to explore the kingdom’s cultural wealth, enhance its presence in the national and global spaces, and reflect the modern evolution that took place in all the cultural sectors in the past few years.

The “Culture Gate” is a platform that provides the audience with an easy access to art and heritage valuables and rare memorabilia that Saudi Arabia has preserved as a witness on the authenticity of the land and the legacy of its inhabitants, and meets the world’s need to explore the details of the Saudi culture through museums, theater, arts, music, fashion, and films, in addition to many other culture components of the Saudi culture.

The platform offers an interactive map that showcases the massive cultural and heritage wealth across Saudi Arabia, and enables visitors to enjoy fun and constructive tours in museums, libraries, theaters, and Islamic and historic sites, as well as urban heritage sites and antiquities discovered on the kingdom’s lands.

One platform that witnesses on the richness of Saudi Arabia

The “Culture Gate” features an inclusive database that covers the sector, its assets, infrastructure, institutions, antiquities, and accomplishments, and enables the interested audience to contribute by uploading all sorts of cultural materials.

The platform also shares written works made by the “Saudi Translation Observatory” including a collection of books translated into Arabic, a collection of books on the Saudi heritage and historic sites, in addition to old Arabic manuscripts loaded with valuable information. Saudi Arabia has a great share that accounts for 27 percent of all the Arabic and Islamic authentic manuscripts. The platform displays the natural and cultural Saudi sites and their rich history.

The “Culture Gate” also features man-made arts including the traditional Saudi crafts and cultural practices, as well as an inclusive insight on the Saudi cuisine, dishes, and traditional Arabic spices, stone carvings that document the life and civilization of the Arabic populations in the past, and historic discoveries that highlight the fine Saudi heritage. Moreover, it lists the cultural records of museums, libraries and theaters.

Documentation of the cultural sectors

Since launching its all-sector strategy, the ministry of culture has led accelerating efforts to preserve and document all kinds of cultural and historic information and details from all the Saudi regions. It has also worked on registering many natural and historic sites on international lists.

In addition to upgrading the cultural scene with initiatives aimed at activating the literary and artistic fields, the ministry has ensured to preserve the historic legacy of the kingdom as part of its aspirations to build a prospering future of culture in line with the ambitious transformation program promoted by the Saudi Vision 2030.

The cultural sector plays a major role in accomplishing the Vision’s goals by emphasizing culture as a lifestyle, and harnessing culture to serve the economic growth and the kingdom’s global position.

The Saudi culture sector has managed to enlist 11 local cultural elements on the UNESCO’s Intangible Heritage List, and seven natural sites on the World Heritage List, in addition to registering around 5,000 craftsmen and women in the National Craft Record.

The Cultural Gate comes as part of the ministry’s efforts to gather the Saudi cultural resources in one platform that serves the interested audience and promotes the cultural wealth nationally and globally.



Afro-Brazilian Carnival Celebrates Cultural Kinship in Lagos

The festival helps to keep their heritage alive and celebrate the city's Afro-Brazilian history. TOYIN ADEDOKUN / AFP
The festival helps to keep their heritage alive and celebrate the city's Afro-Brazilian history. TOYIN ADEDOKUN / AFP
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Afro-Brazilian Carnival Celebrates Cultural Kinship in Lagos

The festival helps to keep their heritage alive and celebrate the city's Afro-Brazilian history. TOYIN ADEDOKUN / AFP
The festival helps to keep their heritage alive and celebrate the city's Afro-Brazilian history. TOYIN ADEDOKUN / AFP

Thousands of young and old descendants of formerly enslaved people donned elaborate costumes Sunday to bring the rhythm, vibrancy and colors of Brazil's Rio Carnival to the streets of Lagos in Nigeria.
The festival, albeit on a smaller scale than that of its Brazilian model, helps to keep their heritage alive and celebrate the city's Afro-Brazilian history.

After Brazil abolished slavery, some of those who had been enslaved returned to west Africa, settling in several countries including Nigeria and Sierra Leone, AFP said.

They brought with them Latin American culture -- dance, food, religion and colors -- that lives on today in pockets of the megacity of Lagos.
At Sunday's Fanti Carnival, a stilt-walking woman in a green-and-yellow dress with a yellow fascinator on her head danced rhythmically to sounds of loud drums and trumpets, sometimes stealing a hug from a man also performing on stilts.

Just behind them, a group of young men in striking face masks were preparing for a "dragon dance" using long rubber dragons similar to those that feature in Chinese New Year celebrations.

"We want to keep (our heritage) alive, very colorful... we love colors," said retired fine art teacher Onabolu Abiola, 67, dressed in the green and yellow of the Brazilian flag.

"During this period, we don't bother ourselves with the economic situation or whatever... everybody comes together to have fun," he added, breaking into an impromptu dance to traditional Nigerian Yoruba music.

'Story of hope'
"We are here to show culture, we are here to make history -- the celebration of culture is important," said 50-year-old Mayegun Musiliu as he walked with fellow performers. "This is how we sustain it."

Brazil was the last place in the Americas to abolish slavery when it formally ended the practice in 1888.

Many slaves were forced to adopt Portuguese names, and today in Nigeria, it is common to find people with Yoruba first names and Portuguese surnames.

One of them is Aduke Gomez, a 62-year-old lawyer and historian.

"The story of Afro-Brazilians is a story of tragedy... but it's a story of hope, it's a story of resilience," she said. Loud music blaring from speakers almost drowned out her words.

"Personally, I'm very proud to be an Afro-Brazilian descendent because when you think of the chances of how many people came back and when they came back -- they came back with nothing... and many of them worked and lived to become educated and were contributing positively."

The carnival, she added, "is not just a day, it's a tangible legacy of what my ancestors went through".

A little-known legacy
Another participant, renowned filmmaker and actress Joke Silva, 64, recalled how her parents always used to bring her to the Fanti festival as a child.

She said she now continued the tradition, bringing her children to the celebrations.
"There needs to be more interrogation on how the trauma of (slavery)... has been part of what we are today. But that is not to claim victimhood," she said.

The carnival represents a part of Nigeria's history that is not always well known -- though some are trying to change that.

Kelenchi Anabaraonye, 27, curated a history exhibition at the festival.

"I had friends who were named Pionero, Pereira, Da Silva, Gomez," said Anabaraonye.

"Back then I thought they were jesting with the names, because you have a Yoruba first name and why are your surnames foreign? I didn't know that there was some historical connection."