Egypt: Cemetery of ‘New Kingdom’ Priests Discovered in Minya

Egypt: Cemetery of ‘New Kingdom’ Priests Discovered in Minya
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Egypt: Cemetery of ‘New Kingdom’ Priests Discovered in Minya

Egypt: Cemetery of ‘New Kingdom’ Priests Discovered in Minya

The Ministry of Tourism and Antiquities has announced the discovery of an ancient cemetery dating back to the New Kingdom of ancient Egypt in the Al-Ghuraifa area of Tuna El-Gebel necropolis, in southern Egypt's Minya governorate.

The find consists of antiquities and the wooden coffins of “the singer of deity Djehuti” and “daughter an esteemed priest”.

“The Egyptian expedition working in the area found a cemetery that belonged to senior officials and priests, containing several rock-carved tombs and different antiquities. This is the first time a cemetery from the New Kingdom was found in the 15th nome of Upper Egypt,” said Mostafa Waziri, secretary general of the Supreme Council of Antiquities.

Although many cemeteries from the Old Kingdom, the First Intermediate Period, and the Middle Kingdom were unearthed in the Sheikh Said and Deir El Bersha areas, the cemeteries from the New Kingdom and the Late Period were still unknown.

“According to ancient texts, the area embraced the cemetery of deity Djehuti. But the excavations in Tuna El-Gebel necropolis, five kilometers from southern Al-Ghuraifa, revealed a cemetery of sacred animals and high-ranking statesmen from the Ptolemaic Kingdom. But the cemetery of the New Kingdom remained unidentified and that’s why the expedition was searching for it,” Dr. Maysara Abdullah, professor of antiquities, told Asharq Al-Awsat. The excavation expedition of the Egyptian Ministry of Tourism and Antiquities, started its mission in 2017, with the aim to locate the cemetery of the 15th nome of the New Kingdom.

According to Waziri, “evidence suggests that a segment of this cemetery was repurposed during the Late Period.” The expedition also found amulets, ushabti figurines, statues and coffins containing mummies from that era.

The discovery included two tombs, one that belonged to a woman named “Nani” known as “the singer of deity Djehuti”, and the other belonged to Tadi Essah, the daughter of High Priest Djehuty.

Two wooden boxes containing Canopy containers that belonged to Tadi Essah were found next to her coffin, in addition to a full collection of ushabti figurines.

The minister of antiquities said “it is the first time a full papyrus in good condition was found in Al-Ghuraifa. Primary studies reported that it is 13 to 15 meters long, depicting extracts from the Book of the Dead,” noting that “it will be exhibited at the Grand Egyptian Museum.”

Al-Ghuraifa region was used as a cemetery in the Late Period, starting with the 26th Dynasty until the Ptolemaic era. Excavations in the region debuted in 1925, but it witnessed several looting incidents, which prompted the ministry of antiquities to launch rescue excavations in 2002 and 2003, before officially adding the area to its properties in 2004.

Dr. Maysara Abdullah said “Al-Ghuraifa is a major antiquities site. It wasn’t on the ancient antiquities maps and didn’t see large-scale excavations,” noting that “it’s a virgin area far from urbanization, and no one expected to find antiquities there.”

The past year, an expedition working in the region found a cemetery from the Late Period in the far north; the find consisted of wells leading to burial chambers housing wooden coffins, over 25,000 ushabti figurines, a large number of Canopy containers, thousands of amulets, and some wooden statues that have been displayed in Egyptian museums.



Brazilian Dance Craze Created by Young People in Rio’s Favelas Is Declared Cultural Heritage 

Youth perform a street dance style known as passinho for their social media accounts, in the Rocinha favela of Rio de Janeiro, Brazil, April 11, 2024. (AP) 
Youth perform a street dance style known as passinho for their social media accounts, in the Rocinha favela of Rio de Janeiro, Brazil, April 11, 2024. (AP) 
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Brazilian Dance Craze Created by Young People in Rio’s Favelas Is Declared Cultural Heritage 

Youth perform a street dance style known as passinho for their social media accounts, in the Rocinha favela of Rio de Janeiro, Brazil, April 11, 2024. (AP) 
Youth perform a street dance style known as passinho for their social media accounts, in the Rocinha favela of Rio de Janeiro, Brazil, April 11, 2024. (AP) 

It all started with nifty leg movements, strong steps backwards and forwards, paced to Brazilian funk music. Then it adopted moves from break dancing, samba, capoeira, frevo - whatever was around.

The passinho, a dance style created in the 2000s by kids in Rio de Janeiro’s favelas, was declared in March to be an "intangible cultural heritage" by legislators in the state of Rio, bringing recognition to a cultural expression born in the sprawling working-class neighborhoods.

The creators of passinho were young kids with plenty of flexibility - and no joint problems. They started trying out new moves at home and then showing them off at funk parties in their communities and, crucially, sharing them on the internet.

In the early days of social media, youngsters uploaded videos of their latest feats to Orkut and YouTube, and the style started spreading to other favelas. A competitive scene was born, and youths copied and learned from the best dancers, leading them to innovate further and strive to stay on top.

"Passinho in my life is the basis of everything I have," dancer and choreographer Walcir de Oliveira, 23, said in an interview. "It's where I manage to earn my livelihood, and I can show people my joy and blow off steam, you understand? It's where I feel happy, good."

Brazilian producer Julio Ludemir helped capture this spirit and discover talents by organizing "passinho battles" in the early 2010s. At these events, youths took turns showing off their steps before a jury that selected the winners.

The "Out of Doors" festival at New York's Lincoln Center staged one such duel in 2014, giving a US audience a taste of the vigorous steps. Passinho breached the borders of favelas and disconnected from funk parties that are often associated with crime. Dancers started appearing on mainstream TV and earned the spotlight during the opening ceremony of the Rio 2016 Olympic Games.

Ludemir describes the style as an expression of Brazilian "antropofagia," the modernist concept of cannibalizing elements from other cultures in order to produce something new.

"Passinho is a dance that absorbs references from all dances. It's a crossing of the cultural influences absorbed by kids from the periphery as they were connecting with the world through social media in internet cafes," he said.

Dancing also became a means for youths to move seamlessly between communities controlled by rival drug gangs. It offered you men from favelas a new way out, besides falling into a life of crime or the all-too-common pipe dream of becoming a soccer star.

Passinho was declared state heritage by Rio's legislative assembly through a law proposed by Rio state legislator Veronica Lima. It passed unanimously and was sanctioned March 7. In a statement, Lima said it was important to help "decriminalize funk and artistic expressions of youths" from favelas.

Ludemir says the heritage recognition is sure to consolidate the first generation of passinho dancers as an inspiration for favelas youths.

Among them are Pablo Henrique Goncalves, a dancer known as Pablinho Fantástico, who won a passinho battle back in 2014 and later created a boy group called OZCrias, with four dancers born and raised like him in Rocinha, Rio's largest favela. The group earns money performing in festivals, events, theaters and TV shows, and they welcomed the heritage recognition.

Another dance group is Passinho Carioca in the Penha complex of favelas on the other side of the city. One of its directors, Nayara Costa, said in an interview that she came from a family where everyone got into drug trafficking. Passinho saved her from that fate, and now she uses it to help youngsters - plus teach anyone else interested in learning.

"Today I give classes to people who are in their sixties; passinho is for everyone," said Costa, 23. "Passinho, in the same way that it changed my life, is still going to change the lives of others."


ALECSO Executive Council Meets in Jeddah with Participation of 22 Arab Countries

Officials are seen at the 121st session of the Arab League Educational, Cultural and Scientific Organization (ALECSO) in Jeddah. (SPA)
Officials are seen at the 121st session of the Arab League Educational, Cultural and Scientific Organization (ALECSO) in Jeddah. (SPA)
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ALECSO Executive Council Meets in Jeddah with Participation of 22 Arab Countries

Officials are seen at the 121st session of the Arab League Educational, Cultural and Scientific Organization (ALECSO) in Jeddah. (SPA)
Officials are seen at the 121st session of the Arab League Educational, Cultural and Scientific Organization (ALECSO) in Jeddah. (SPA)

The 121st session of the Arab League Educational, Cultural and Scientific Organization (ALECSO) kicked off in Jeddah on Tuesday.

The two-day event is chaired by Saudi Arabia and 22 Arab countries are taking part.

In light of the exceptional circumstances faced by the Palestinian people, the council strongly condemned the brutal war on Gaza that has claimed the lives of thousands of civilians and destroyed infrastructure and educational and cultural institutions.

The council stressed its absolute rejection of the ongoing Israeli assault, occupation, and forced displacement of the people of Gaza.

Hosted by the Saudi National Commission for Education, Culture, and Science, the meeting will address a number of topics and initiatives to promote knowledge and innovation in the Arab world.


Alice Munro, Canadian Nobel Prize-Winning Author, Dies at 92

Canadian author Alice Munro is photographed during an interview in Victoria, B.C. Tuesday, Dec.10, 2013. (Chad Hipolito/The Canadian Press via AP, File)
Canadian author Alice Munro is photographed during an interview in Victoria, B.C. Tuesday, Dec.10, 2013. (Chad Hipolito/The Canadian Press via AP, File)
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Alice Munro, Canadian Nobel Prize-Winning Author, Dies at 92

Canadian author Alice Munro is photographed during an interview in Victoria, B.C. Tuesday, Dec.10, 2013. (Chad Hipolito/The Canadian Press via AP, File)
Canadian author Alice Munro is photographed during an interview in Victoria, B.C. Tuesday, Dec.10, 2013. (Chad Hipolito/The Canadian Press via AP, File)

Nobel Prize-winning Canadian writer Alice Munro, whose exquisitely crafted tales of the loves, ambitions and travails of small-town women in her native land made her a globally acclaimed master of the short story, died on Monday at the age of 92, the Globe and Mail newspaper said on Tuesday.

The Globe, citing family members, said Munro had been suffering from dementia for at least a decade.

Munro published more than a dozen collections of short stories and was honored with the Nobel Prize in Literature in 2013.

Her stories explored yearning, discontent, aging, moral conflict and other themes in rural settings with which she was intimately familiar - villages and farms in the Canadian province of Ontario where she lived. She was adept at fully developing complex characters within the limited pages of a short story.

Munro, who wrote about ordinary people with clarity and realism, was often likened to Anton Chekhov, the 19th century Russian known for his brilliant short stories - a comparison the Swedish Academy cited in honoring her with the Nobel Prize.

Calling her a "master of the contemporary short story," the Academy also said: "Her texts often feature depictions of everyday but decisive events, epiphanies of a kind, that illuminate the surrounding story and let existential questions appear in a flash of lightning."

In an interview with the Canadian Broadcasting Corporation after winning the Nobel, Munro said, "I think my stories have gotten around quite remarkably for short stories, and I would really hope that this would make people see the short story as an important art, not just something that you played around with until you'd got a novel written."

Her works included: "Dance of the Happy Shades" (1968), "Lives of Girls and Women" (1971), "Who Do You Think You Are?" (1978), "The Moons of Jupiter" (1982), "Hateship, Friendship, Courtship, Loveship, Marriage" (2001), "Runaway" (2004), "The View from Castle Rock" (2006), "Too Much Happiness" (2009) and "Dear Life" (2012).

The characters in her stories were often girls and women who lead seemingly unexceptional lives but struggle with tribulations ranging from sexual abuse and stifling marriages to repressed love and the ravages of aging.

Her story of a woman who starts losing her memory and agrees to enter a nursing home titled "The Bear Came Over the Mountain," from "Hateship, Friendship, Courtship, Loveship, Marriage," was adapted into the Oscar-nominated 2006 film "Away From Her," directed by fellow Canadian Sarah Polley.

'SHAME AND EMBARRASSMENT'

Canadian novelist Margaret Atwood, writing in the Guardian after Munro won the Nobel, summarized her work by saying: "Shame and embarrassment are driving forces for Munro's characters, just as perfectionism in the writing has been a driving force for her: getting it down, getting it right, but also the impossibility of that. Munro chronicles failure much more often than she chronicles success, because the task of the writer has failure built in."

American novelist Jonathan Franzen wrote in 2005, "Reading Munro puts me in that state of quiet reflection in which I think about my own life: about the decisions I've made, the things I've done and haven't done, the kind of person I am, the prospect of death."

The short story, a style more popular in the 19th and early 20th century, has long taken a back seat to the novel in popular tastes - and in attracting awards. But Munro was able to infuse her short stories with a richness of plot and depth of detail usually more characteristic of full-length novels.

"For years and years, I thought that stories were just practice, 'til I got time to write a novel. Then I found that they were all I could do and so I faced that. I suppose that my trying to get so much into stories has been a compensation," Munro told the New Yorker magazine in 2012.

She was the second Canadian-born writer to win the Nobel literature prize but the first with a distinctly Canadian identity. Saul Bellow, who won in 1976, was born in Quebec but raised in Chicago and was widely seen as an American writer.

Munro also won the Man Booker International Prize in 2009 and the Giller Prize - Canada's most high-profile literary award - twice.

Alice Laidlaw was born to a hard-pressed family of farmers on July 10, 1931, in Wingham, a small town in the region of southwestern Ontario that serves as the setting for many of her stories, and started writing in her teens.

Munro originally began writing short stories while a stay-at-home mother. She intended to someday write a novel, but said that with three children she was never able to find the time necessary. Munro began building a reputation when her stories started getting published in the New Yorker in the 1970s.

She married James Munro in 1951 and moved to Victoria, British Columbia, where the two ran a bookstore. They had four daughters - one died just hours after being born - before divorcing in 1972. Afterward, Munro moved back to Ontario. Her second husband, geographer Gerald Fremlin, died in April 2013.

Munro in 2009 revealed she had undergone heart bypass surgery and had been treated for cancer.


Museums Commission to Organize International Conference on Education, Innovation in June

Museums Commission to Organize International Conference on Education, Innovation in June
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Museums Commission to Organize International Conference on Education, Innovation in June

Museums Commission to Organize International Conference on Education, Innovation in June

The Museums Commission is scheduled to organize the "International Conference for Education and Innovation in Museums", to be held between June 1 and 3 in Riyadh.
The conference will discuss topics that will help explore the latest trends and developments in museum education and innovation, with dialogue sessions and panel discussions involving local and international experts.
Attendees will have the opportunity to experience modern and innovative technologies, such as virtual and augmented reality, and take part in workshops, seminars and discussions on research and the latest trends in museum education and innovation, SPA reported.
The focus on education and innovation in museums stems from the fact that they play a significant cultural role, preserving and documenting the tangible and intangible heritage of societies. Museums play an important role in preserving the collective memory of communities, documenting their history and culture, and enhancing the national identity.
Museology has significantly developed in recent years, with museums becoming more diverse and inclusive. They now focus on providing educational and cultural experiences to the public and play an important role in the social and economic development of communities.
By organizing this conference, the Museums Commission aims to highlight the Kingdom's cultural and historical heritage, provide a platform for communication and exchange of knowledge and the best practices among museum specialists, institutions, and related organizations, discuss innovative ideas, support museum studies globally, establish partnerships, and launch global collaborative projects in the field of museum studies.


$27.7 Million Bacon Tops New York Art Auction Sales

A portrait by British painter Francis Bacon of his great love sold for $27.7 million at Sotheby's spring sales in New York. TIMOTHY A. CLARY / AFP
A portrait by British painter Francis Bacon of his great love sold for $27.7 million at Sotheby's spring sales in New York. TIMOTHY A. CLARY / AFP
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$27.7 Million Bacon Tops New York Art Auction Sales

A portrait by British painter Francis Bacon of his great love sold for $27.7 million at Sotheby's spring sales in New York. TIMOTHY A. CLARY / AFP
A portrait by British painter Francis Bacon of his great love sold for $27.7 million at Sotheby's spring sales in New York. TIMOTHY A. CLARY / AFP

A portrait by British painter Francis Bacon of his great love sold for $27.7 million at Sotheby's spring sales in New York on Monday, topping the first night of contemporary art auctions that grossed $234.6 million.
The work fell short of the $30 million to $50 million range the house had estimated for the portrait -- the first in a series of 10 the painter made of George Dyer between 1966 and 1968 -- which was making its debut at auction, AFP reported.
The highest price paid for a single-panel portrait by Bacon is $70.2 million, which came from the same Dyer cycle.
American painter Joan Mitchell, whose works have led a revaluation of paintings by women artists, was one of the stars of the evening.
Her work "Noon" exceeded $22.6 million, maintaining an upward trend that began last November, when two pieces by the "second generation" American abstract expressionism artist fetched over $20 million for the first time.
Her record sale stands at $29.1 million.
The night set other records such as the $19 million paid for a work by Andy Warhol and Jean-Michel Basquiat, the highest ever paid for a collaboration of this kind, and the nearly $23 million for a work by Lucio Fontana, the highest price ever paid for the Italian artist at auction.
A sculpture by Frank Stella also went for over $15 million.
Another rising star was recently deceased African-American artist Faith Ringgold, whose work was sold for more than $1.5 million, three times more than her last record.
Patrick Drahi's auction house will hold another evening of modern art sales on Wednesday, featuring works by Claude Monet, Pablo Picasso, Alexander Calder, Rene Magritte and British artist Leonora Carrington.
With sales of $14.9 billion last year, the art market dropped 14 percent compared with 2022, although online transactions saw a 285 percent jump.
Sotheby's hopes to collect between $549 and $784 million this week in New York, after the good results in Europe, in a market led by American investors and collectors, closely followed by buyers from Asia.


King Salman Science Oasis Signs MoU with the Science Museum Group in London

Executive Director of the King Salman Science Oasis (KSSO) Dr. Khalid Taher signed a memorandum of understanding with Director and Chief Executive of the Science Museum Group (SMG) Ian Blatchford. (SPA)
Executive Director of the King Salman Science Oasis (KSSO) Dr. Khalid Taher signed a memorandum of understanding with Director and Chief Executive of the Science Museum Group (SMG) Ian Blatchford. (SPA)
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King Salman Science Oasis Signs MoU with the Science Museum Group in London

Executive Director of the King Salman Science Oasis (KSSO) Dr. Khalid Taher signed a memorandum of understanding with Director and Chief Executive of the Science Museum Group (SMG) Ian Blatchford. (SPA)
Executive Director of the King Salman Science Oasis (KSSO) Dr. Khalid Taher signed a memorandum of understanding with Director and Chief Executive of the Science Museum Group (SMG) Ian Blatchford. (SPA)

Executive Director of the King Salman Science Oasis (KSSO) Dr. Khalid Taher signed a memorandum of understanding (MoU) in Riyadh with Director and Chief Executive of the Science Museum Group (SMG) Ian Blatchford, the Saudi Press Agency said on Monday.
The agreement entails transferring and localizing techniques for the management of scientific museums, curating exhibits and benefitting from SMG's expertise in this field.
Taher stressed that KSSO, during its 30 years of experience, and in collaboration with international scientific centers through its membership in the Association of Science and Technology Centers, has created many programs and organized events that have enriched the lives of hundreds of thousands of in person and virtual visitors.
The Oasis designs its scientific programs to integrate science, technology, engineering, arts, and mathematics in order to develop capabilities, train in problem solving, and enhance creativity and innovation skills.


French Miss Africa Contests Proudly Celebrate Dual Cultures in Paris

 Lyse Amissah (c) celebrates her 2024 victory. (AFP)
Lyse Amissah (c) celebrates her 2024 victory. (AFP)
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French Miss Africa Contests Proudly Celebrate Dual Cultures in Paris

 Lyse Amissah (c) celebrates her 2024 victory. (AFP)
Lyse Amissah (c) celebrates her 2024 victory. (AFP)

The recent scene in a Paris theatre was loud and tumultuous with hundreds of spectators backing their favorites in the Miss Ivory Coast/France 2024 contest, one of many events at which France's African diaspora celebrate their dual culture.

"Our parents made beautiful children in Europe," remarked a master of ceremony as the 19 contestants took to the stage wearing, in turn, traditional wax dresses, swimsuits and evening wear.

After four hours of suspense, Lyse Amissah, contestant number 18, was declared the winner.

"I am very touched, grateful and proud," said the 22-year-old student who was born in Paris to Ivorian parents.

A few weeks earlier, during rehearsal, Amissah -- who wears her hair short and dyed blond -- said that the contest represented more than just winning a beauty pageant.

"It's a way to get as close to my roots as possible," she said, adding she had always been "steeped in Ivorian culture".

Flora Sy, president of the Miss Ivory Coast/France committee, said that although the contestants are "very proud" to be French, "it is also important for us to show our Ivorian culture".

Things weren't always this upbeat, remembered Mams Yaffa who organized the very first such African contest in France, Miss Mali/France in 2002.

- 'Role models' -

Casual xenophobia and racism were widespread at the time, including at the highest level of state.

The image of Malians was "horribly stigmatizing", said Yaffa, who is now deputy mayor in Paris's 18th district where many residents are of African background.

The first Miss Mali/France contest "provided the framework for activism" and the women competing were "role models for our younger sisters", he said.

Their activism was aimed at promoting hygiene, education and health, and to persuade women not to bleach their skin.

Topics today include illegal immigration. Miss Senegal/France recently talked with young people in Senegal "to convince them not to get into one of those boats", said Mamadou Thiam, who runs the Franco-Senegalese organizing committee.

Amissah is using her fame to help end the "taboo" surrounding endometriosis in Ivory Coast.

Close contacts created by the beauty contests between France and African countries sometimes contrasts with deteriorating diplomatic relations between France and some of its former colonies on the continent.

A recent example is Mali, where the military government asked French troops to leave after 10 years of anti-extremist missions there.

But Yaffa brushed off such tensions, saying his organization will never allow itself to become the "collateral damage" of diplomacy.

"The problem is governments, not the population," he said.


New York Gears Up for Major Spring Auctions after Soft 2023

At Sotheby's, the jewel in the sale crown is a Francis Bacon portrait estimated at $30-50 million. TIMOTHY A. CLARY / AFP
At Sotheby's, the jewel in the sale crown is a Francis Bacon portrait estimated at $30-50 million. TIMOTHY A. CLARY / AFP
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New York Gears Up for Major Spring Auctions after Soft 2023

At Sotheby's, the jewel in the sale crown is a Francis Bacon portrait estimated at $30-50 million. TIMOTHY A. CLARY / AFP
At Sotheby's, the jewel in the sale crown is a Francis Bacon portrait estimated at $30-50 million. TIMOTHY A. CLARY / AFP

New York's major auction houses were preparing for the start of their all-important Spring sales on Monday even as Christie's came under a cyberattack that affected its website.
After a drop in sales in 2023, there is hope among the hammer-wielders that good results in Europe so far this year will be repeated stateside, said AFP.
David Hockney, Francis Bacon, Leonora Carrington, Joan Mitchell, Brice Marden, Andy Warhol, Jean-Michel Basquiat, Alberto Giacometti, Georgia O'Keeffe are among the prominent artists on offer when Sotheby's gets the season underway on Monday.
Christie's and Phillips follow Tuesday.
There will be no shortage of works by Claude Monet, Vincent Van Gogh and Pablo Picasso in the increasingly globalized market which is still dominated by US collectors.
Christie's, which confirmed it was the victim of a cyberattack on its systems, including the website, expects to bring in between $578 million and $846 million for the sale of some 900 works.
"A technology security issue has impacted some of our systems, including our website. We are taking all necessary steps to manage this matter," a Christie's spokeswoman told AFP.
Sotheby's is setting the bar slightly higher than last year, hoping to fetch between $549 million and $784 million.
"The market is honestly more defined by supply than it is by demand, we're having no difficulty selling things, we're having more difficulty getting people to consign them," said Sotheby's head of contemporary art sales Lucius Elliott.
14 percent drop
With sales of $14.9 billion last year, the art market saw a 14 percent drop compared to 2022, although online transactions saw a 285 percent jump.
Unlike Sotheby's, which has put together the more than 700 works it offers for sale, piece by piece, Christie's most prominent works come from two private collections.
One of those collections belonged to late television pioneer Norman Lear and his wife Lyn, with David Hockney's "A Lawn Being Sprinkled" worth an estimated between $25 million and $35 million, among the stand-out pieces.
"There are probably fewer collections this season than there have been historically for idiosyncratic reasons, but we have great collections (which) will be on the market this season again," said Christie's vice president Max Carter, adding that the March sales in London were among the highest ever.
At Sotheby's, the jewel in the sale crown is a Francis Bacon portrait with an estimate of $30 million to $50 million.
It is the first large-scale painting Bacon did of his then-partner George Dyer in 1966 and the first of ten works he did of the latter before he died on the eve of his death.


Hira Cultural District: A History, Culture, and Tourism Hub in Makkah

Visitors from all over the world are flocking to the Hira Cultural District in Makkah. (SPA)
Visitors from all over the world are flocking to the Hira Cultural District in Makkah. (SPA)
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Hira Cultural District: A History, Culture, and Tourism Hub in Makkah

Visitors from all over the world are flocking to the Hira Cultural District in Makkah. (SPA)
Visitors from all over the world are flocking to the Hira Cultural District in Makkah. (SPA)

Visitors from all over the world are flocking to the Hira Cultural District in Makkah, a unique destination that blends cultural exploration, historical immersion, and modern entertainment.
Spanning 67,000 square meters beside Mount Hira, the district is a landmark sought by residents and tourists alike, said the Saudi Press Agency on Sunday.
A dedicated center introduces visitors to the site's historical and geographical significance, along with an overview of the services available.
The centerpiece of the district is the Revelation Exhibition, which tells how prophets received revelations from Allah. One section focuses on the revelation of the Quran to Prophet Muhammad (PBUH) and explores facets of his life.
Complementing this exhibition is the Holy Quran Museum. Utilizing innovative technology and displaying unique collections, the museum emphasizes the universal significance and enduring legacy of the Quran, highlighting its remarkable preservation through history.
The Hira Cultural District is testament to a successful collaboration. The Royal Commission for Makkah City and the Holy Sites, along with the Emirate of Makkah, the Ministry of Culture, the Ministry of Tourism, the Holy Makkah Municipality, the Pilgrim Experience Program, and the General Authority of Endowments jointly oversee and manage the district.


Cultural Development Fund Concludes Participation in 10th Saudi Film Festival

The Saudi Film Festival is a prominent annual event featuring and celebrating diverse films and screenplays that have witnessed remarkable development over the years - SPA
The Saudi Film Festival is a prominent annual event featuring and celebrating diverse films and screenplays that have witnessed remarkable development over the years - SPA
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Cultural Development Fund Concludes Participation in 10th Saudi Film Festival

The Saudi Film Festival is a prominent annual event featuring and celebrating diverse films and screenplays that have witnessed remarkable development over the years - SPA
The Saudi Film Festival is a prominent annual event featuring and celebrating diverse films and screenplays that have witnessed remarkable development over the years - SPA

The Cultural Development Fund (CDF) wrapped up its participation in the 10th annual Saudi Film Festival (SFF). The fund's third consecutive sponsorship of the Saudi Film Festival has come to solidify its role as a key supporter and financial enabler to enrich and stimulate the growth of a vibrant Saudi film sector, according to a CDF news release.
According to the statement, the festival which is celebrating its 10th anniversary was organized by the Saudi Cinema Association in collaboration with the King Abdulaziz Center for World Culture (Ithra) and with the support of the Film Commission. It took place from May 2nd to May 9th in Dhahran.
According to SPA, the fund's active participation in the eight-day Festival featured a pavilion within the Production Market Exhibition, welcoming guests and film enthusiasts and showcasing its financing and non-financing solutions.
Leading the conversation was the "Film Sector Financing Program," a cornerstone initiative through which the fund supports entities across the film sector. This initiative encompasses everything from film and TV content development to infrastructure, heavy equipment, filming equipment, sound, makeup, and more.
Additionally, the fund showcased its suite of non-financing solutions, including its "Consultations" and "Vouchers" services, which enable creatives to enhance their projects' readiness.
As an integral part of its participation in the Production Market, the CDF engaged in a thought-provoking dialogue session titled "Saudi Support Funds" alongside Ithra and the Red Sea Fund. Faris Alaskar, the fund's representative, took centre stage, shedding light on the comprehensive support extended by the Film Sector Financing Program to industry businesses while exploring the promising opportunities within the Kingdom's burgeoning film industry.
The Production Market's closing ceremony witnessed a tribute to the Cultural Development Fund, acknowledging its invaluable sponsorship of the festival and its pivotal role in championing and supporting the film industry.
The Saudi Film Festival is a prominent annual event featuring and celebrating diverse films and screenplays that have witnessed remarkable development over the years. In this year's edition, the film funded by CDF, "Ahlam Alasr," a cinematic creation by the talented Godus Brothers, competed in the "Feature Film" category, captivating audiences as part of the festival's film screening schedule.
The CDF was founded in 2021 to enhance the cultural landscape within Saudi Arabia further. It is organizationally linked to the National Development Fund to promote the development of a self-reliant cultural sector. The fund actively supports various cultural activities and projects, facilitates investment, and seeks to improve the domestic cultural sector's profitability in alignment with the National Culture Strategy and Saudi Vision 2030.