Egypt: Cemetery of ‘New Kingdom’ Priests Discovered in Minya

Egypt: Cemetery of ‘New Kingdom’ Priests Discovered in Minya
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Egypt: Cemetery of ‘New Kingdom’ Priests Discovered in Minya

Egypt: Cemetery of ‘New Kingdom’ Priests Discovered in Minya

The Ministry of Tourism and Antiquities has announced the discovery of an ancient cemetery dating back to the New Kingdom of ancient Egypt in the Al-Ghuraifa area of Tuna El-Gebel necropolis, in southern Egypt's Minya governorate.

The find consists of antiquities and the wooden coffins of “the singer of deity Djehuti” and “daughter an esteemed priest”.

“The Egyptian expedition working in the area found a cemetery that belonged to senior officials and priests, containing several rock-carved tombs and different antiquities. This is the first time a cemetery from the New Kingdom was found in the 15th nome of Upper Egypt,” said Mostafa Waziri, secretary general of the Supreme Council of Antiquities.

Although many cemeteries from the Old Kingdom, the First Intermediate Period, and the Middle Kingdom were unearthed in the Sheikh Said and Deir El Bersha areas, the cemeteries from the New Kingdom and the Late Period were still unknown.

“According to ancient texts, the area embraced the cemetery of deity Djehuti. But the excavations in Tuna El-Gebel necropolis, five kilometers from southern Al-Ghuraifa, revealed a cemetery of sacred animals and high-ranking statesmen from the Ptolemaic Kingdom. But the cemetery of the New Kingdom remained unidentified and that’s why the expedition was searching for it,” Dr. Maysara Abdullah, professor of antiquities, told Asharq Al-Awsat. The excavation expedition of the Egyptian Ministry of Tourism and Antiquities, started its mission in 2017, with the aim to locate the cemetery of the 15th nome of the New Kingdom.

According to Waziri, “evidence suggests that a segment of this cemetery was repurposed during the Late Period.” The expedition also found amulets, ushabti figurines, statues and coffins containing mummies from that era.

The discovery included two tombs, one that belonged to a woman named “Nani” known as “the singer of deity Djehuti”, and the other belonged to Tadi Essah, the daughter of High Priest Djehuty.

Two wooden boxes containing Canopy containers that belonged to Tadi Essah were found next to her coffin, in addition to a full collection of ushabti figurines.

The minister of antiquities said “it is the first time a full papyrus in good condition was found in Al-Ghuraifa. Primary studies reported that it is 13 to 15 meters long, depicting extracts from the Book of the Dead,” noting that “it will be exhibited at the Grand Egyptian Museum.”

Al-Ghuraifa region was used as a cemetery in the Late Period, starting with the 26th Dynasty until the Ptolemaic era. Excavations in the region debuted in 1925, but it witnessed several looting incidents, which prompted the ministry of antiquities to launch rescue excavations in 2002 and 2003, before officially adding the area to its properties in 2004.

Dr. Maysara Abdullah said “Al-Ghuraifa is a major antiquities site. It wasn’t on the ancient antiquities maps and didn’t see large-scale excavations,” noting that “it’s a virgin area far from urbanization, and no one expected to find antiquities there.”

The past year, an expedition working in the region found a cemetery from the Late Period in the far north; the find consisted of wells leading to burial chambers housing wooden coffins, over 25,000 ushabti figurines, a large number of Canopy containers, thousands of amulets, and some wooden statues that have been displayed in Egyptian museums.



Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
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Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP

Kosovo's oldest cinema has been dark and silent for years as the famous theater slowly disintegrates under a leaky roof.

Signs warn passers-by in the historic city of Prizren that parts of the Lumbardhi's crumbling facade could fall while it waits for its long-promised refurbishment.

"The city deserves to have the cinema renovated and preserved. Only junkies gathering there benefit from it now," nextdoor neighbor butcher Arsim Futko, 62, told AFP.

For seven years, it waited for a European Union-funded revamp, only for the money to be suddenly withdrawn with little explanation.

Now it awaits similar repairs promised by the national government that has since been paralyzed by inconclusive elections in February.

And it is anyone's guess whether the new government that will come out of Sunday's snap election will keep the promise.

'Collateral damage'

Cinema director Ares Shporta said the cinema has become "collateral damage" in a broader geopolitical game after the EU hit his country with sanctions in 2023.

The delayed repairs "affected our morale, it affected our lives, it affected the trust of the community in us," Shporta said.

Brussels slapped Kosovo with sanctions over heightened tensions between the government and the ethnic Serb minority that live in parts of the country as Pristina pushed to exert more control over areas still tightly linked to Belgrade.

Cultural institutions have been among the hardest-hit sectors, as international funding dried up and local decisions were stalled by the parliamentary crisis.

According to an analysis by the Kosovo think tank, the GAP Institute for Advanced Studies, sanctions have resulted in around 613 million euros ($719 million) being suspended or paused, with the cultural sector taking a hit of 15-million-euro hit.

'Ground zero'

With political stalemate threatening to drag on into another year, there are warnings that further funding from abroad could also be in jeopardy.

Since February's election when outgoing premier Albin Kurti topped the polls but failed to win a majority, his caretaker government has been deadlocked with opposition lawmakers.

Months of delays, spent mostly without a parliament, meant little legislative work could be done.

Ahead of the snap election on Sunday, the government said that more than 200 million euros ($235 million) will be lost forever due to a failure to ratify international agreements.

Once the top beneficiary of the EU Growth Plan in the Balkans, Europe's youngest country now trails most of its neighburs, the NGO Group for Legal and Political Studies' executive director Njomza Arifi told AFP.

"While some of the countries in the region have already received the second tranches, Kosovo still remains at ground zero."

Although there have been some enthusiastic signs of easing a half of EU sanctions by January, Kurti's continued push against Serbian institutions and influence in the country's north continues to draw criticism from both Washington and Brussels.

'On the edge'

Across the river from the Lumbardhi, the funding cuts have also been felt at Dokufest, a documentary and short film festival that draws people to the region.

"The festival has had to make staff cuts. Unfortunately, there is a risk of further cuts if things don't change," Dokufest artistic director Veton Nurkollari said.

"Fortunately, we don't depend on just one source because we could end up in a situation where, when the tap is turned off, everything is turned off."

He said that many in the cultural sector were desperate for the upcoming government to get the sanctions lifted by ratification of the agreements that would allow EU funds to flow again.

"Kosovo is the only one left on the edge and without these funds."


Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa
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Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

The Saudi Ministry of Culture concluded the project to survey, document, and archive intangible cultural heritage in Al-Ahsa Governorate by holding a workshop in the governorate, attended by stakeholders and relevant entities, as part of the ministry’s efforts to preserve national cultural heritage and strengthen Saudi cultural identity, reported the Saudi Press Agency on Thursday.

The project included a field survey covering various cities and villages across Al-Ahsa, during which diverse elements of intangible cultural heritage were identified and documented. These included oral traditions, performing arts, skills associated with traditional cultural crafts, social practices, and knowledge related to nature and the local environment.

The work was carried out in cooperation with concerned entities, specialized experts, and local practitioners.

The workshop reviewed the project’s final outcomes and presented reports on documentation and digital archiving activities.

It discussed mechanisms to ensure the sustainability of these efforts and the transmission of this cultural legacy to future generations, contributing to greater community awareness of the value and importance of intangible cultural heritage.


Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA
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Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA

Hail Region pavilion at the Ministry of Interior’s Security Oasis exhibition, part of the 10th King Abdulaziz Camel Festival in Al-Sayahid, features heritage artifacts that reflect the region's renowned hospitality.

The display includes ancient trays and copperware from nearly seventy years ago.

According to SPA, these traditional food preparation and serving vessels have garnered significant interest from visitors. They document daily life in old Hail and its deep-rooted social traditions, particularly in gatherings and special occasions.

The pavilion aims to connect visitors to Hail's history and social legacy, fostering appreciation for national heritage and ensuring cultural preservation for future generations.