The Parthenon Sculptures at Center of Row Between Britain, Greece 

An employee views examples of the Parthenon sculptures, sometimes referred to in the UK as the Elgin Marbles, on display at the British Museum in London, Britain, January 25, 2023. (Reuters)
An employee views examples of the Parthenon sculptures, sometimes referred to in the UK as the Elgin Marbles, on display at the British Museum in London, Britain, January 25, 2023. (Reuters)
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The Parthenon Sculptures at Center of Row Between Britain, Greece 

An employee views examples of the Parthenon sculptures, sometimes referred to in the UK as the Elgin Marbles, on display at the British Museum in London, Britain, January 25, 2023. (Reuters)
An employee views examples of the Parthenon sculptures, sometimes referred to in the UK as the Elgin Marbles, on display at the British Museum in London, Britain, January 25, 2023. (Reuters)

Britain's Prime Minister Rishi Sunak has cancelled a planned meeting with his Greek counterpart Kyriakos Mitsotakis due to a diplomatic row over the status of the 2,500-year-old Parthenon sculptures housed at the British Museum.

Greece has repeatedly asked for their permanent return to Athens, while Britain and the museum have refused to do so.

WHY THEY ARE IN BRITAIN?

The sculptures, known as the Elgin Marbles in Britain, include part of a frieze, relief panels and other figures that were removed from the Parthenon in the early 19th century by Thomas Bruce, the 7th Earl of Elgin and then-British ambassador to the Ottoman empire.

They were transported to Britain and bought by the British Museum in 1816 and are exhibited as a prized part of its collection in London.

WHAT ARE THEY?

The sculptures at the British Museum make up about half of a 160-metre frieze which adorned the Parthenon temple on the rocky Acropolis hill in Athens. The collection includes 15 sculpted relief panels and figures of gods and heroes from the temple's pediments.

They are original parts of the temple dedicated to the goddess Athena, completed in 432 BC as the crowning glory of Athens' Golden Age.

The largest temple on the Acropolis, the Parthenon has operated as an archaeological site since 1833, surviving wars and natural disasters to become the symbol of modern Greece.

ATHENS' CAMPAIGN FOR THEIR RETURN

While Athens has called for the permanent return of the treasures since its independence from the Ottoman Empire in 1832 and accused Elgin of theft, the campaign garnered more attention in the 1980s.

Greek Oscar-nominated actress Melina Mercouri, a vocal supporter of the arts, launched an official campaign for their return when she was culture minister in 1981-1989.

Athens has further stepped up its efforts since it opened a museum in 2009 at the foot of the Acropolis, which holds the sculptures that remain in Greece. With a view of the Parthenon, the layout of the top floor of the museum mimics the temple.

In September 2019, Mitsotakis suggested Athens would be willing to loan antiquities to the British Museum in return for being able to temporarily exhibit them. Greece said the proposal did not alter its long-standing demand for their permanent return.

In December 2022, Greece said it was in talks with Britain over the repatriation of the sculptures to Athens, but a deal was not imminent.

BRITISH MUSEUM'S STANCE

The British Museum, custodian of the sculptures, has refused to return them, saying they were acquired by Elgin under a legal contract with the Ottoman Empire that then ruled Greece.

The trustees of the museum say the public would benefit more from having the sculptures divided between two museums, that bringing them back together into a unified whole is impossible as some parts were lost or destroyed, and that the sculptures could not be safely returned.

The trustees have said they would consider a loan to Greece if Greece acknowledges the British Museum's ownership of the sculptures, which Greek governments have refused in the past. The British Museum in January 2023 called for a new Parthenon Partnership with Greece and said discussions were ongoing.

OTHER RETURNS

In January 2022, a museum in Italy loaned Athens the so-called "Fagan" fragment, depicting the foot of the ancient Greek goddess Artemis. It later said the fragment - part of the temple's eastern frieze - could stay in Greece.

In December, Pope Francis returned to Greece three pieces of the Parthenon that had been in the papal collections of the Vatican Museums for more than a century.



AlUla’s Maraya Hall Highlights Creative Fusion of Art and Landscape

Maraya Hall reflects one aspect of the cultural transformation witnessed in AlUla - SPA
Maraya Hall reflects one aspect of the cultural transformation witnessed in AlUla - SPA
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AlUla’s Maraya Hall Highlights Creative Fusion of Art and Landscape

Maraya Hall reflects one aspect of the cultural transformation witnessed in AlUla - SPA
Maraya Hall reflects one aspect of the cultural transformation witnessed in AlUla - SPA

In AlUla Governorate, features of human creativity are manifested in their finest form, as Maraya Hall hosts an exceptional artistic and architectural experience that blends art and nature, in a scene that embodies the presence of arts as a universal language that transcends borders and cultures.

Maraya Hall is considered the largest mirrored building in the world by Guinness World Records, with its structure covered by around 9,740 reflective panels designed to mirror the beauty of the surrounding sandstone cliffs, giving visitors a unique visual experience that appears as a natural extension of the desert landscape, SPA reported.

The hall includes multiple spaces and halls equipped with the latest technologies, accommodating around 500 seats, making it an integrated platform for hosting concerts, artistic performances, conferences, and various cultural events.

Maraya Hall reflects one aspect of the cultural transformation witnessed in AlUla, within an integrated cultural and artistic ecosystem that enhances the governorate’s presence on the global arts map, coinciding with the celebration of World Art Day, which falls on April 15 each year, highlighting the importance of arts in building cultural bridges and promoting human dialogue.


Culture Minister Reviews Bilateral Cultural Relations with Malaysian Counterpart

Prince Badr expressed his pride in the strong historical and fraternal ties between Saudi Arabia and Malaysia - SPA
Prince Badr expressed his pride in the strong historical and fraternal ties between Saudi Arabia and Malaysia - SPA
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Culture Minister Reviews Bilateral Cultural Relations with Malaysian Counterpart

Prince Badr expressed his pride in the strong historical and fraternal ties between Saudi Arabia and Malaysia - SPA
Prince Badr expressed his pride in the strong historical and fraternal ties between Saudi Arabia and Malaysia - SPA

Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan met Wednesday with Minister of Tourism, Arts and Culture of Malaysia Datuk Seri Tiong King Sing.

Prince Badr expressed at the start of the meeting his pride in the strong historical and fraternal ties between Saudi Arabia and Malaysia, affirming that culture is the most important bridge for deepening these relations and bringing the two friendly peoples closer together, SPA reported.

He expressed appreciation to the Malaysian side for inviting the Kingdom as the guest of honor at the Kuala Lumpur International Book Fair.

During the meeting, the two sides reviewed cultural relations between Saudi Arabia and Malaysia and ways to develop them across various cultural sectors in the service of the strategic visions of both countries.


Saudi Culture Minister Meets with Indonesian Minister of Creative Economy

The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA
The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA
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Saudi Culture Minister Meets with Indonesian Minister of Creative Economy

The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA
The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA

Saudi Minister of Culture Prince Bader bin Abdullah bin Farhan on Tuesday met with Indonesia’s Minister of Creative Economy Teuku Riefky Harsya in Jakarta.

The ministers discussed cooperation in the creative economy between the two countries through the exchange of artistic and technical expertise in film, fashion, and handicrafts.

They also explored opportunities for collaboration to promote innovation and sustainability.