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Morocco's Malhun on UNESCO's List of Intangible Cultural Heritage of Humanity

A group of Moroccan artists playing music (UNESCO)
A group of Moroccan artists playing music (UNESCO)
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Morocco's Malhun on UNESCO's List of Intangible Cultural Heritage of Humanity

A group of Moroccan artists playing music (UNESCO)
A group of Moroccan artists playing music (UNESCO)

UNESCO will be including Malhun, a popular poetic and musical art, on the Representative List of the Intangible Cultural Heritage of Humanity, announced Morocco's Ministry of Youth, Culture and Communication.
Malhun originated in the Tafilalet region in southeastern Morocco, dating back to at least the tenth century. It may have emerged in zawiyas, religious orders, and places for those of faith before spreading to society.
The listing is an international recognition of the authentic Moroccan heritage and a reference to the ancient Moroccan identity and cultural component.
The international recognition is a confirmation of Moroccan efforts under the leadership of King Mohammed VI to conserve the cultural heritage.
Undersecretary of the Ministry of Culture Samira Malizi thanked the evaluation committee and the secretariat of the 2003 agreement for including Malhun on the list.
Malhun is a popular form of poetic expression in Morocco. The verses are sung in dialectical Arabic and sometimes Hebrew.
They are accompanied by music played on traditional instruments, notably the lute, the violin, the rebab, and small drums.
Including Malhun on the List of Intangible Cultural Heritage of Humanity is an acknowledgment of its humanitarian significance and of Morocco's efforts to preserve its intangible cultural heritage.
It also rewards the great collective work the Ministry of Youth, Culture, and Communication carried out in cooperation with the Academy of the Kingdom of Morocco and Morocco's Permanent Mission to UNESCO.
According to the file submitted by the UNESCO Nominations Commission, Malhun is a popular form of poetic expression directly drawn from daily life, developed according to a specific type of poetic meter. The poems are sung in a melody that gives the words and the narration their full importance.
According to specialists, the term's etymology has two possible explanations. It could refer to the use of a language without observing grammatical restrictions or the Arabic word "lahen" (melody), meaning "musical composition."

 

 

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Trinidad and Tobago Reckons with Colonialism in a Debate on Statues, Signs and Monuments of Its Past 

A vandalized statue of Christopher Columbus towers over Columbus Square in Port of Spain, Trinidad and Tobago, Wednesday, Aug. 28, 2024. Officials in the Caribbean island nation are reviewing on whether to remove statues, signs and monuments that reference European colonization. (AP)
A vandalized statue of Christopher Columbus towers over Columbus Square in Port of Spain, Trinidad and Tobago, Wednesday, Aug. 28, 2024. Officials in the Caribbean island nation are reviewing on whether to remove statues, signs and monuments that reference European colonization. (AP)
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Trinidad and Tobago Reckons with Colonialism in a Debate on Statues, Signs and Monuments of Its Past 

A vandalized statue of Christopher Columbus towers over Columbus Square in Port of Spain, Trinidad and Tobago, Wednesday, Aug. 28, 2024. Officials in the Caribbean island nation are reviewing on whether to remove statues, signs and monuments that reference European colonization. (AP)
A vandalized statue of Christopher Columbus towers over Columbus Square in Port of Spain, Trinidad and Tobago, Wednesday, Aug. 28, 2024. Officials in the Caribbean island nation are reviewing on whether to remove statues, signs and monuments that reference European colonization. (AP)

In a small auditorium in the seaside capital of Trinidad and Tobago, Christopher Columbus and other colonial-era figures came under scrutiny late Wednesday in a lengthy debate punctuated by snickers, applause and outbursts.

The government had asked residents of the diverse, twin-island nation in the eastern Caribbean if they supported the removal of statues, signs and monuments with colonial ties and how those spaces should be used instead. One by one, people of African, European and Indigenous descent stepped up to the microphone and responded.

Some suggested a prominent Columbus statue be placed in a museum. Others requested it be destroyed and that people be allowed to stomp on the dusty remains. One man encouraged officials to round up statues of colonial figures and create a “square of the infamous.”

The majority of the more than two dozen people who spoke, and dozens of others commenting online, supported removal of colonial-era symbols and names.

“It’s an issue about how after 62 years of independence ... we continue to live in a space that reflects the ideals and the vision and the views of those who were our colonial masters,” said Zakiya Uzoma-Wadada, executive chair of the islands’ Emancipation Support Committee.

Trinidad and Tobago is the latest nation to embrace a global movement that began in recent years to abolish colonial-era symbols as it reckons with its past and questions if and how it should memorialize it as demands for slavery reparations grow across the Caribbean.

The public hearing was held just a week after the government announced it would redraw the nation’s coat of arms to remove Christopher Columbus’ three famous ships — the Pinta, the Niña and the Santa María – and replace it with the steelpan, a popular percussion instrument that originated in the Caribbean nation.

Others pushed for further changes on Wednesday night.

“What the hell is the queen still doing on top of the coat of arms? Please let us put her to rest,” said Eric Lewis, who identifies as a member of the First Peoples, also known as Amerindians.

Trinidad and Tobago was first colonized by the Spanish, who ruled it for nearly 300 years before ceding it to the British, who governed it for more than 160 years until the islands’ independence in 1962. The colonial imprint remains throughout streets and plazas, with a statue of Christopher Columbus dominating a square of the same name in the capital of Port of Spain.

The islands’ National Trust calls it “one of the greatest embellishments of our town,” but many differ.

“It’s disrespectful to those who were the victims of him. The people suffered tremendously,” said Shania James as she called for the statue to be placed in a museum. “His atrocities should not be forgotten.”

But a handful of people dismissed concerns about how their ancestors were treated, including tour guide Teresa Hope, who is Black.

“They survived, and I survived, and we will keep on moving,” she said, adding that if the actions of historical figures were scrutinized, “everything would get knocked down.”

Rubadiri Victor, president of the Artists’ Coalition, said his country should instead erect statues and monuments to honor some of the more than 200 Trinbagonians who represent the best of the islands.

“We are stumbling and tripping over heroes,” he said. “To have produced so much genius, and that lineage is nowhere present in the landscape.”

Among the suggestions of people to honor was Nobel Prize-winning author V.S. Naipaul; Cyril Lionel Robert James, a historian and journalist; and Kwame Ture, who helped spearhead the Black Power movement in the US Others suggested that prominent Amerindians and more local women be honored, including Patricia Bishop, an educator and musician and Beryl McBurnie, a teacher credited with promoting and saving Caribbean dance.

The debate was scheduled to continue soon in the sister island of Tobago, with the government having received nearly 200 submissions overall so far on what it should do.