Jordan's Mission to Save Its Ancient Olive Trees

"These trees represent the history of Jordan," says Ali Salih Atta, 84. Khalil MAZRAAWI / AFP
"These trees represent the history of Jordan," says Ali Salih Atta, 84. Khalil MAZRAAWI / AFP
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Jordan's Mission to Save Its Ancient Olive Trees

"These trees represent the history of Jordan," says Ali Salih Atta, 84. Khalil MAZRAAWI / AFP
"These trees represent the history of Jordan," says Ali Salih Atta, 84. Khalil MAZRAAWI / AFP

Every morning, Jordanian farmer Ali Saleh Atta swallows two cloves of garlic with a cup of olive oil before heading out to check on his ancient olive trees.
"These trees represent the history of Jordan," said the 84-year-old, looking at the 2,000-year-old trees whose enormous gnarled trunks hoist up branches with delicate, pale green leaves.
The trees are a beloved national symbol, but they are also under threat from urban sprawl, illegal logging for firewood and uprooting to the homes and gardens of the wealthy for decoration.
The land of Atta, a father of 10, is in Al-Hashimiyya, a wooded area about 70 kilometers (45 miles) northwest of Amman.
"I have given my children and grandchildren a written will that after my death, you preserve them and (live) from what they produce," he said.
Jordan is the tenth-largest producer of olives globally, according to the World Olive Council.
Its many ancient trees that have survived thousands of years are an integral part of the country's identity and culture.
Across many regions, "you can hardly visit a house ... without finding an olive tree in every garden", said Nizar Haddad, director general of the National Agricultural Research Center.
"We were raised from childhood on this culture."
But today, he said, the trees' beauty has put them in danger.
"Some hotels, villas, businessmen and companies like to add a touch to their institutions' decoration, so they buy such trees and transport them" away, he said.
The trees often do not survive the move, said Haddad, adding that new laws aim to protect them.
"New Jordanian legislation protects these trees from being uprooted or removed, and there is coordination between the Ministry of Interior, our center and the police to prevent transport operations except in very exceptional cases."
'National treasure'
Jordan has 11 million olive trees in groves that make up 20 percent of all cultivated land in the country.
They produce 50,000 tons of olives and 25,000 tons of olive oil annually, contributing 120 million Jordanian dinars ($169 million) to the economy.
Haddad noted that the olive tree has symbolic meaning for both Muslim and Christian Jordanians, saying they are mentioned in the Koran and "Jesus Christ spent his last hours praying on the Mount of Olives".
"These trees must be preserved so that they can remain a source of inspiration for the community, especially since they are the type capable of adapting to all the environmental challenges facing not only our region, but the world."
The tree variety, commonly known as Roman or Mehras, should be preserved as a "national treasure", said Amer Gharaibeh, head of the Mehras Cooperative Society.
"Here you can see the oldest olive trees... they have been here since the Romans ruled this region, before Muslims controlled it," he said.
Research has shown that the Mehras has a common ancestor with cultivated olives in Italy, Cyprus and Spain.
Alongside Jordan's culture ministry, Gharaibeh's organization is working to add the trees to the UNESCO Intangible World Heritage List, hoping this "will ultimately contribute to preserving them and protecting them".
Jordan is working on a plan to engage the public with the trees by placing a QR code on every bottle of olive oil produced.
It lists the tree's location, the name of its owner, its history, the quality of the oil and the age of the tree, said Haddad, whose organization is working on the project.
"We will not only sell olive oil," he said, "but we spread a relevant story through which we can fully market our country".



Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
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Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP

Kosovo's oldest cinema has been dark and silent for years as the famous theater slowly disintegrates under a leaky roof.

Signs warn passers-by in the historic city of Prizren that parts of the Lumbardhi's crumbling facade could fall while it waits for its long-promised refurbishment.

"The city deserves to have the cinema renovated and preserved. Only junkies gathering there benefit from it now," nextdoor neighbor butcher Arsim Futko, 62, told AFP.

For seven years, it waited for a European Union-funded revamp, only for the money to be suddenly withdrawn with little explanation.

Now it awaits similar repairs promised by the national government that has since been paralyzed by inconclusive elections in February.

And it is anyone's guess whether the new government that will come out of Sunday's snap election will keep the promise.

'Collateral damage'

Cinema director Ares Shporta said the cinema has become "collateral damage" in a broader geopolitical game after the EU hit his country with sanctions in 2023.

The delayed repairs "affected our morale, it affected our lives, it affected the trust of the community in us," Shporta said.

Brussels slapped Kosovo with sanctions over heightened tensions between the government and the ethnic Serb minority that live in parts of the country as Pristina pushed to exert more control over areas still tightly linked to Belgrade.

Cultural institutions have been among the hardest-hit sectors, as international funding dried up and local decisions were stalled by the parliamentary crisis.

According to an analysis by the Kosovo think tank, the GAP Institute for Advanced Studies, sanctions have resulted in around 613 million euros ($719 million) being suspended or paused, with the cultural sector taking a hit of 15-million-euro hit.

'Ground zero'

With political stalemate threatening to drag on into another year, there are warnings that further funding from abroad could also be in jeopardy.

Since February's election when outgoing premier Albin Kurti topped the polls but failed to win a majority, his caretaker government has been deadlocked with opposition lawmakers.

Months of delays, spent mostly without a parliament, meant little legislative work could be done.

Ahead of the snap election on Sunday, the government said that more than 200 million euros ($235 million) will be lost forever due to a failure to ratify international agreements.

Once the top beneficiary of the EU Growth Plan in the Balkans, Europe's youngest country now trails most of its neighburs, the NGO Group for Legal and Political Studies' executive director Njomza Arifi told AFP.

"While some of the countries in the region have already received the second tranches, Kosovo still remains at ground zero."

Although there have been some enthusiastic signs of easing a half of EU sanctions by January, Kurti's continued push against Serbian institutions and influence in the country's north continues to draw criticism from both Washington and Brussels.

'On the edge'

Across the river from the Lumbardhi, the funding cuts have also been felt at Dokufest, a documentary and short film festival that draws people to the region.

"The festival has had to make staff cuts. Unfortunately, there is a risk of further cuts if things don't change," Dokufest artistic director Veton Nurkollari said.

"Fortunately, we don't depend on just one source because we could end up in a situation where, when the tap is turned off, everything is turned off."

He said that many in the cultural sector were desperate for the upcoming government to get the sanctions lifted by ratification of the agreements that would allow EU funds to flow again.

"Kosovo is the only one left on the edge and without these funds."


Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa
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Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

The Saudi Ministry of Culture concluded the project to survey, document, and archive intangible cultural heritage in Al-Ahsa Governorate by holding a workshop in the governorate, attended by stakeholders and relevant entities, as part of the ministry’s efforts to preserve national cultural heritage and strengthen Saudi cultural identity, reported the Saudi Press Agency on Thursday.

The project included a field survey covering various cities and villages across Al-Ahsa, during which diverse elements of intangible cultural heritage were identified and documented. These included oral traditions, performing arts, skills associated with traditional cultural crafts, social practices, and knowledge related to nature and the local environment.

The work was carried out in cooperation with concerned entities, specialized experts, and local practitioners.

The workshop reviewed the project’s final outcomes and presented reports on documentation and digital archiving activities.

It discussed mechanisms to ensure the sustainability of these efforts and the transmission of this cultural legacy to future generations, contributing to greater community awareness of the value and importance of intangible cultural heritage.


Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA
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Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA

Hail Region pavilion at the Ministry of Interior’s Security Oasis exhibition, part of the 10th King Abdulaziz Camel Festival in Al-Sayahid, features heritage artifacts that reflect the region's renowned hospitality.

The display includes ancient trays and copperware from nearly seventy years ago.

According to SPA, these traditional food preparation and serving vessels have garnered significant interest from visitors. They document daily life in old Hail and its deep-rooted social traditions, particularly in gatherings and special occasions.

The pavilion aims to connect visitors to Hail's history and social legacy, fostering appreciation for national heritage and ensuring cultural preservation for future generations.