Thousands of Animals, Rare Specimens Stolen from Sudan Museum

Skulls of several mammals before the destruction (Asharq Al-Awsat)
Skulls of several mammals before the destruction (Asharq Al-Awsat)
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Thousands of Animals, Rare Specimens Stolen from Sudan Museum

Skulls of several mammals before the destruction (Asharq Al-Awsat)
Skulls of several mammals before the destruction (Asharq Al-Awsat)

“Everything is over.” With that short and painful phrase, a Sudanese government official summed up the loss of nearly a century and a half of history after war destroyed the headquarters of the Sudan Natural History Museum in central Khartoum, stripping the country of thousands of taxidermied and live endangered animals, as well as rare reference specimens.

In the first days after fighting erupted in April 2023, activists on social media called for food and water to be provided to save the live animals. When that proved impossible, cages were opened, and the animals fled, even though some of the reptiles were venomous snakes.

The museum, officially affiliated with the University of Khartoum, lies about one kilometer from the Sudanese army’s general command headquarters in central Khartoum.

Its close proximity led to severe damage from clashes and shelling between the Sudanese army and the Rapid Support Forces, which later took control of the surrounding area for more than a year.

Dr. Othman Ali Haj Al-Amin, Dean of the Faculty of Science at the University of Khartoum, said: “We lost thousands of taxidermied animals, birds, and reptiles that are more than 150 years old.”

“It is most likely that the live animals were stolen or looted and did not die,” he added. “We did not find remains or skeletons of those animals inside the museum.”

Al-Amin broke down in tears as he described to Asharq Al-Awsat the scale of devastation inflicted on one of the world’s oldest natural history museums.

“We lost about 2,000 taxidermied animal specimens, in addition to more than 600 endangered reference specimens that were on display, and nearly all geological records, including animal, plant, and rock fossils,” he said.

“The greatest loss was around 100 species representing all families of animals, birds, and reptiles that had been cared for and preserved for decades.”

Among them were fossil bird specimens collected between 1885 and 1945 that cannot be replaced, as well as a Kordofan giraffe, an endangered subspecies.

The war also claimed “the oldest crocodile, which had lived in the museum for many years and had been cared for since it was an egg,” along with numerous reptiles, including venomous snakes, scorpions, and a Nile monitor lizard.

A taxidermied lioness was recovered and transferred to the university’s veterinary faculty.

Asharq Al-Awsat learned that the International Committee of the Red Cross attempted in those early days to evacuate civilians, including university students who were trapped inside the museum for weeks, as well as to move live and taxidermied animals. The effort failed due to intense fighting in the heart of Khartoum.

According to the Sudanese official, the preserved specimens were collected in the mid-19th century by British army officers.

During World War II, they were transferred from the Sudan National Museum to the Natural History Museum next to the University of Khartoum, which has managed them since its establishment in 1929.

Al-Amin said the museum housed specimens illustrating biodiversity from across Sudan, including South Sudan before its secession, as well as samples gifted to Sudan by international museums.

The Sudan Natural History Museum included multiple sections, among them halls displaying rare bird species, another devoted to animal skulls preserved for decades, a section for medicinal and aromatic plants, geological rock samples collected from ancient eras and environments, and enclosures for live animals.

The dean said restoring the museum to its original state would require many years of work and significant funding. He voiced pessimism about recovering the rare animals, historical specimens, and old records lost during the war.

Many live animals were likely deliberately killed or died of hunger and thirst, he said, while taxidermied animals and rare rock and herb specimens — painstakingly collected, sorted, and classified over many years by researchers — were looted.

The Natural History Museum was a scientific and cultural institution dedicated to the study of biodiversity and natural specimens, and one of the oldest museums in Sudan.



Saudi Heritage Commission Uncovers Over 1,700 Artifacts at Ancient Al-Juhfah Miqat Site

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
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Saudi Heritage Commission Uncovers Over 1,700 Artifacts at Ancient Al-Juhfah Miqat Site

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA

Saudi Arabia's Heritage Commission completed the first season of its joint scientific mission with the University of Exeter at the ancient Al-Juhfah Miqat site, uncovering more than 1,700 artifacts, including pottery, glass, stone pieces, shells, and worked objects, confirming the site's significance along the Egyptian pilgrimage route.

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel believed to have served pilgrims and travelers, and 13 tombstones dating to the Umayyad and Abbasid periods. Some finds originated from the Levant, Egypt, and Ethiopia, reflecting the diverse origins of pilgrims who passed through this miqat, SPA reported.

Al-Juhfah Miqat is located 187 kilometers northwest of Makkah and has been an established miqat since the early Islamic period, associated with the Prophet's migration, and is known to have flourished in the second Hijri century, with water facilities and shops serving pilgrims.

These works are part of the Heritage Commission's efforts to survey and document archaeological sites along the Hijrah route between Makkah and Madinah, using advanced technologies to reveal the historical and civilizational depth of the Kingdom.


Makkah Museum Displays Rare Quran Manuscript Dating Back to 1843

The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
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Makkah Museum Displays Rare Quran Manuscript Dating Back to 1843

The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA

The Holy Quran Museum in the Hira Cultural District in Makkah showcases a collection of rare Quranic artifacts and collectibles that document Muslims’ care for the Holy Quran throughout the ages. Among the most notable exhibits is a rare Quran dating back to 1259 AH, corresponding to 1843 AD, which stands as a historical testament to the beauty of Quranic manuscript writing and ornamentation.

The manuscript is distinguished by its precise script written in black ink with full diacritical marks. Its pages are adorned with gilded borders, golden verse separators, and intricate floral decorations that highlight the advanced craftsmanship achieved in the gilding and embellishment of Quran manuscripts during that historical period, SPA reported.

Information accompanying the artifact indicates that the Quran later underwent restoration and rebinding to protect it from deterioration. This step helped preserve this rare Quranic treasure and maintain it as a witness to a cultural and civilizational legacy spanning more than a century and a half.

The display of this Quran is part of the educational and cultural content presented by the Holy Quran Museum, which enables visitors and pilgrims to explore diverse examples of historical Qurans and rare manuscripts and to learn about the various stages of writing, copying, and decorating Quranic manuscripts across different Islamic eras.

The museum serves as a prominent cultural and educational destination in Makkah, highlighting the historical efforts of Muslims in serving and preserving the Holy Quran. It also promotes awareness of the value of Islamic heritage associated with the Holy Quran through modern museum displays and interactive educational experiences that enrich visitors’ experiences and enhance their connection with the history of the Holy Quran.


Nigerian Museum Revamp Brings Treasures within Reach

Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
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Nigerian Museum Revamp Brings Treasures within Reach

Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP

Gazing at two large engraved 16th-century elephant tusks on display at Nigeria's National Museum Lagos, a guide surprised visitors by telling them: "You can touch them gently".

One of the three galleries at the museum in Nigeria's cultural and entertainment hub has been remodeled to allow visitors to interact with some artefacts, reversing the typical ban on touching exhibits, as well as take unrestricted photographs in an effort to engage younger audiences, curator Nkechi Adedeji told AFP.

As the group felt the texture of the elephant tusks to the tune of Afrobeats softly playing on overhead speakers, a young photographer was busy snapping away, likely for a social media post.

According to Tinuke Odunfa, the interior designer of the gallery, the plan was to modernize the space and present Nigerian history in an "intentional" and "immersive" environment.

"Everything was intentional in terms of how the space should be experienced, in terms of the colors, how the space leads you," Odunfa told AFP.

The gallery holds one of the country's most extensive collections, including major archaeological and ethnographic artefacts such as 5th-century terracotta by indigenous Nok people.

Its white walls are lined with artefacts encased in glass, arranged chronologically from the oldest to the newest, each accompanied by brief notes.

A few other items of the permanent exhibition, "Echoes of the Past", especially those made of wood and metal, are laid out in such a way that visitors can touch and "feel them", the museum's head of exhibition Olusegun Adeleye, 51, said.

Low ambient lighting casts a soft glow across the gallery, giving the space a quiet, reflective atmosphere.

Lagos, the vibrant mega city of more than 20 million people, and often described as Nigeria's melting pot, inspired Odunfa's design.

- 'Coming in droves' -

Since the renovated gallery opened to the public in April, it has been drawing more visitors than before, Adedeji said, without giving figures.

Its Instagram-ready spaces are drawing more schoolchildren and young adults, with pictures and videos increasingly shared online, making it a popular destination among "content creators".

"They come here, do content and before you know it, it is all over the place," Adedeji said. "Youths are coming in droves now".

"I love the way the artefacts are displayed," Oyin Isioye, a 25-year-old photographer, visiting the museum for the first time, told AFP. "I learned a lot of things... where the artefacts are from, what they represent."

- Repatriation calls -

In one corner of the gallery, three empty cases contain a sheet of paper bearing the inscription "British museum, how far??" (meaning "what's up?" in Nigerian Pidgin).

The installation sends a message to foreign museums that Nigeria is ready to pursue the repatriation of its looted artefacts.

Western museums, including those in Britain, the Netherlands and Germany, have in recent years returned several hundred artefacts, but countless more remain in galleries in Europe and America.

"This renovation shows that we can protect and preserve our objects ourselves, we do not need any other country to do it for us," said Adedeji.

The remodeling, funded by a private entity, also aimed at creating more display areas for the collection, the bulk of which are kept in storage.

More projects are in the works. Another gallery at the Lagos museum has been shut for renovation, along with other sites nationwide.

And Nigerian authorities are seeking partners to support future upgrades in preparation for more repatriated artefacts.