The Golden Era of Saudi Culture

Saudi Minister of Culture Bader bin Abdullah bin Mohammed bin Farhan Al Saud
Saudi Minister of Culture Bader bin Abdullah bin Mohammed bin Farhan Al Saud
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The Golden Era of Saudi Culture

Saudi Minister of Culture Bader bin Abdullah bin Mohammed bin Farhan Al Saud
Saudi Minister of Culture Bader bin Abdullah bin Mohammed bin Farhan Al Saud

We bid farewell to 2023, with all accomplishments and lessons that we learned, welcoming the new year immensely determined to seize new opportunities and enhance our progress. We are intent on continuing our journey at the Ministry of Culture, a journey of big dreams inspired and empowered by the Custodian of the Two Holy Mosques, and His Royal Highness the Crown Prince and Prime Minister - may God protect them. It is a journey grounded in Saudi ingenuity, diverse heritage is the secret to its success, and a bright future is its destination.

Five and a half years in, the journey has made exceptional gains in a record time, making the Saudi experience of institutionalizing the cultural sector unique and inspiring. Dreams have become reality, thanks to the immense support of our wise leadership that believes culture is crucial for the development of humanity and nations, as well as our productive partnership with Saudi intellectuals and creatives, and the tireless efforts of the young Saudi men and women who have been doing diligent work in the cultural sphere.

Although cultural sectors have many branches, the cultural system has operated in the spirit of a united team. Since then, it has succeeded in creating incentives within the sector by launching 500 initiatives to ensure that it evolves across the board and establishing 11 cultural commissions alongside 25 cultural institutions that make us proud. We have shared our inspiring cultural experience with the world through international forums, in order to enhance intellectual and cultural exchange, which contributed to reflecting the unique historical depth and value of Saudi culture.

Over the past few years, we have seen the expansion of our global partnerships with friendly states and international cultural organizations, and the Kingdom has become a cultural and artistic destination that draws visitors from across the world. It has adopted a vision that clearly sees the importance of promoting culture globally through its initiatives, which have received international support and endorsement.

Our journey has contributed to enhancing our national identity through a series of transformative and exceptional initiatives. It has facilitated access to cultural content in every region of the Kingdom, through over 4000 cultural events that drew 11 million visitors. The cultural system’s efforts have raised awareness about the importance of culture and its impact on individuals and society. According to recent studies, 92 percent of the Kingdom's residents now see the importance of culture in their daily lives. The private sector's investment in culture has doubled, and cultural activity now contributes more strongly to our GDP.

Surpassing Three Targets

The cultural system has also made strides in terms of supply, demand, and enabling factors. It has surpassed three of the targets it had set for the year 2030. The number of graduates in fields tied to cultural specialties has increased to more than 28,000, exceeding the target of 26,000. The number of employees in the cultural sectors has leaped to 244,000, whereas the 2030 target was 140,000. Additionally, the target number of Saudi participation in international cultural events was surpassed, with the Kingdom having taken part in 35.

In light of all that has been achieved, our experiences attest to the cultural system's capacity for adapting to change and its flexibility in creating innovative and sustainable operating models. The Saudi experience in facing the major challenge recently encountered by cultural sectors worldwide, COVID-19, is a prime example.

Ambitions for 2024

Looking to the future, we enter the year 2024 with great ambitions. We aim to enhance these gains and supplement them with more achievements in a rapidly evolving and changing world. Several major shifts that will impact the cultural sector over the next few years are emerging, creating new opportunities. While social transformations and consumer preferences affect the sector, they fundamentally help the system with planning. Global economic shifts push the cultural sector to adopt new approaches so that it can continue to thrive. It also highlights the significance of funding and support, while technological developments offer infinite opportunities for growth and contribute to creating new spaces.

Three Fundamental Pillars

The priorities of Saudi Arabia's cultural system, starting from the new year, will be founded on three fundamental pillars: culture for enhancing creative endeavors and community participation, economic growth, and national pride and global exchange. The focus is on achieving further progress, whether in terms of supply, by incentivizing innovation, production, and publication, demand (awareness and consumption), or enabling factors such as funding, education, vocational training, laws and regulations, and technology.

We are determined to strengthen our international partnerships and encourage plans for integrating culture into other public policies and ensuring that they complement one another to ensure that we achieve sustainable development goals across the globe. We are also determined to protect global heritage from challenges like climate change, conflicts, and other risks, and to contribute, with friends around the world, to safeguarding cultural treasures, which are part of our human civilization.
Enhancing and preserving culture is not only a fundamental need but also a civilizational responsibility.

Thus, we will continue to pursue Saudi Vision 2030. The journey of the Ministry of Culture will reach the middle of the journey towards 2030 in June. We have no choice but to fulfill the aspirations of our leadership and the ambitions of our country, which deserves to see forms of culture flourish. We would thereby enrich individual lifestyles, reinforce our national identity, and encourage cultural dialogue with the world.

 

Facts

 11 Million Visitors were drawn by 4,000 cultural activities in Saudi Arabia

 



Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
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Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)

In a historic building in central Tripoli, Libyans wander past ancient statues and artifacts, rediscovering a heritage that transcends political divides at their national museum which reopened this month after a 2011 uprising.

"I got here barely 15 minutes ago but I already feel like I've been transported somewhere. It's a different world," said architecture student Nirmine Miladi, 22.

In the waterfront building known as the red citadel -- once the seat of power -- visitors journey through a history that includes ancient art, Greek and Roman antiquities and Ottoman-era weapons and jewellery.

Miladi's sister Aya, 26, an interior design student, said she liked the bright new museum's layout, "the careful lighting, the screens and interactive tools" that all help make the museum accessible to all.

Libya plunged into chaos after a NATO-backed uprising toppled and killed longtime leader Moammar al-Gadhafi in 2011, and the country has struggled to regain stability.

Since then, the North African country has been divided, with two rival executives vying for power: a Tripoli-based Government of National Unity and an administration based in Benghazi in the country's east.

Mohamed Fakroun, head of international cooperation at the antiquities department, said the museum went through "a dark period during its 14-year closure".

Fearing looting and vandalism after Gadhafi's overthrow, the antiquities department removed "all the artifacts until the country re-stabilized", said Fakroun, 63, who has worked at the French archaeological mission to Libya for almost four decades.

- 'National symbol' -

Curator Fathiya Abdallah Ahmad is among a handful of people who knew the location of secret, sealed rooms where the museum's treasures were taken into hiding for more than a decade.

She said the antiquities department and staff worked to "preserve a historic and cultural heritage that belongs to all Libyans".

This allowed the works to be safeguarded until the museum could reopen "in a modern format that conforms to international standards", she added.

The bright new facility includes digital projections and interactive screens as well as videos, audio guides and QR codes enabling visitors to delve further.

Fakroun noted the museum has a room dedicated to Roman emperor Septimius Severus, who was born in the ancient city of Leptis Magna -- now a UNESCO World Heritage site east of Tripoli.

Another room is dedicated to stolen items that have since been returned, including from the United States and the United Kingdom, he added.

Interior design student Aya Miladi said many Libyans saw the museum's inauguration as the "return of a national symbol".

It is also "a step towards reconciliation between Libyans and with their often little-known past", after years of war, as well as a sign of stability, she added.

- 'Not without past' -

Teacher Fatima al-Faqi, 48, said there was "a world of difference" between the reopened museum and the dark, dusty facility she visited 30 years ago on a school trip.

This time, she was leading a group of high-school students to help them "discover Libya's history and nourish their sense of patriotism", she said, as pupils goggled at items from Roman statues to stuffed animals in the natural history section.

The Tripoli government has invested more than five million dollars in rehabilitating the museum and its surrounding area, despite the oil-rich country's economic woes including frequent cash and fuel shortages.

Fakroun said the six-year renovations were carried out in cooperation with the French mission and the ALIPH foundation -- the International Alliance for the Protection of Heritage.

The museum seeks to convey a hope-filled message about Libya's identity to its visitors, most of whom "were not born when it was last open before 2011", he added.

Visitor Sarah al-Motamid, 34, said that "many people don't know about our country's ancient history and look at us as if we were worthless".

She said she was visiting with her six-year-old daughter Mariam because she wanted her to "understand that we are not without a past or civilization".


Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.