AlUla Arts Festival Kicks Off With Participation of International Artists

The third annual AlUla Arts Festival will take place across 22 days in the stunning landscape of the ancient oasis of AlUla.
The third annual AlUla Arts Festival will take place across 22 days in the stunning landscape of the ancient oasis of AlUla.
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AlUla Arts Festival Kicks Off With Participation of International Artists

The third annual AlUla Arts Festival will take place across 22 days in the stunning landscape of the ancient oasis of AlUla.
The third annual AlUla Arts Festival will take place across 22 days in the stunning landscape of the ancient oasis of AlUla.

The third annual AlUla Arts Festival, under its new banner of Art Unframed, with an expansive program of events, exhibitions, and creative initiatives, will take place across 22 days in the stunning landscape of the ancient oasis of AlUla, SPA said on Saturday.
Inaugurated in 2022, and part of the annual AlUla Moments calendar of events, the AlUla Arts Festival features an exciting mix of creativity, including local, regional, and international artists, performers, curators, collectors, and more.
The winner of the largest art prize in the Middle East and North Africa (MENA), Obaid Alsafi, unveils his winning artwork, Palms in Eternal Embrace. The sixth annual prize run by the King Abdulaziz Center for World Culture (Ithra) is the first in collaboration with Arts AlUla, as part of a wider partnership between both organizations to combine their respective efforts to support creativity.
Wadi Al Fann presents Manal Al Dowayan, one of Saudi Arabia's most significant contemporary artists, in the lead-up to her new land-art commission, Oasis of Stories, a large-scale labyrinthine installation inspired by AlUla Old Town, which will be permanently placed in AlUla’s monumental desert landscape in 2026.
During the AlUla Arts Festival, two adjacent exhibitions -- featuring drawing, ceramic, soft sculpture, painting and weaving -- take place in AlJadidah Arts District, at the heart of AlUla’s community.
The first exhibition marks a milestone in the development of Oasis of Stories: on display are hundreds of drawings gathered from the artist’s participatory workshops with communities across AlUla. These drawings and stories will eventually be inscribed into the walls of Oasis of Stories, enabling AlUla’s residents to leave their permanent trace in Wadi Al Fann.
A parallel exhibition presented in collaboration with Sabrina Amrani Gallery, titled, “Their Love Is Like All Loves, Their Death Is Like All Deaths,” delves further into AlDowayan’s practice, with works including: soft sculptures made of tussar silk printed with images related to AlUla’s heritage; labyrinth-like drawings inspired by AlUla Old Town; engraved clay works made of mud gathered from across Saudi Arabia; and wall pieces featuring Sadu textile weaving, a technique traditionally used by Bedouin women.
AlUla presents two Artist Residency exhibitions, the Visual Art Residency exhibition “The Shadow Over Everything,” and the Design Residency exhibition “Unguessed Kinships,” which will run until April 30, emphasizing AlUla's emerging role as a focal point for cultural exchange and artistic innovation in the region.
Images by artist Hassan Hajja,j renowned for work that merges contemporary art, fashion and cultural identity, will be featured. He photographed local people and residents in February 2023 in an outdoor studio at Madrasat Addeera.
AlUla presents an exhibition of contemporary works by Saudi artists on loan from collectors in Saudi Arabia, hosted at Maraya. Curated by Dr. Effat Abdullah Fadag, the exhibition will re-canonize the history of the contemporary art movements in Saudi Arabia, documenting the story of artists and the role of collectors in the development of the art scene. The exhibition will run from February 9 to April 27 and is part of the pre-opening program for the future contemporary art museum in AlUla.
Following two exhibitions since 2020, the international open-air art exhibition Desert X AlUla returns for its third edition from 9 February 9 to March 23, placing visionary contemporary artworks by Saudi and international artists amidst the extraordinary desert landscape of AlUla.



UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
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UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA

The United Nations Educational, Scientific and Cultural Organization (UNESCO) Chair in Translating Cultures at the King Faisal Center for Research and Islamic Studies (KFCRIS), with support from the Literature, Publishing, and Translation Commission, organized a training course and a series of specialized lectures on the translation and safeguarding of intangible cultural heritage, SPA reported.

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application, opening space for in-depth discussion of the challenges of translating intangible heritage as a living, evolving form of culture closely tied to its cultural, social, and performative contexts.

The course and lectures adopted a comprehensive approach that views translation as a cultural tool for preserving oral memory and building bridges between local specificity and the global sphere.

This approach was reflected through applied models, field experiences, and contemporary conceptual frameworks.


Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
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Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.

A boat belonging to an Egyptian pharaoh is being assembled in full view at the Grand Egyptian Museum’s exhibition hall.

Staff began piecing together the cedarwood boat, one of two that were found that belong to King Khufu, Tuesday morning as dozens of visitors watched.

The assembly of the 42-meter (137-foot) -long vessel, which sits next to its already-assembled twin that has been on display, is expected to take around four years, according to Issa Zeidan, head of restoration at the Grand Egyptian Museum. It contains 1,650 wooden pieces.

King Khufu ruled ancient Egypt more than 4,500 years ago and built the Great Pyramid of Giza.

“You’re witnessing today one of the most important restoration projects in the 21st century,” said Tourism and Antiquities Minister Sherif Fathy, who attended the event.

The $1 billion museum, also known as GEM, was touted as the world’s largest when it was lavishly inaugurated last month. It's home to nearly 50,000 artifacts, including the collection of treasures from the tomb of the famed King Tutankhamun, which was discovered in 1922. The museum, located near the pyramids at the edge of Cairo, is expected to boost Egypt’s tourism revenues and help bolster its economy.

The boat was one of two discovered in 1954, opposite the southern side of the Great Pyramid. The excavation of its wooden parts began in 2014, according to the museum’s website.

The exact purpose of the boats remains unclear, but experts believe they were either used to transport King Khufu’s body during his funeral or were meant to be used for his afterlife journey with the sun god Ra, according to the museum.


Louvre Museum Installs Security Bars on Balcony Used in October’s Heist

 Workers install metal security bars over the window where thieves broke into the Louvre museum on Oct.19, Tuesday Dec.23, 2025 in Paris. (AP)
Workers install metal security bars over the window where thieves broke into the Louvre museum on Oct.19, Tuesday Dec.23, 2025 in Paris. (AP)
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Louvre Museum Installs Security Bars on Balcony Used in October’s Heist

 Workers install metal security bars over the window where thieves broke into the Louvre museum on Oct.19, Tuesday Dec.23, 2025 in Paris. (AP)
Workers install metal security bars over the window where thieves broke into the Louvre museum on Oct.19, Tuesday Dec.23, 2025 in Paris. (AP)

France's Louvre museum on Tuesday installed security bars on the balcony that burglars used to break in and steal some of the crown jewels.

Four people broke into the world's most visited museum on October 19 and escaped with jewels worth an estimated $102 million, exposing glaring security gaps and revealing its deteriorating state.

They parked a movers' lift outside the museum, jumped on the balcony of the Apollo gallery, smashed a window, cracked open display cases ‌with angle grinders ‌and fled on the ‌back ⁠of scooters driven by ‌accomplices in a heist lasting less than 7 minutes.

On Tuesday, a crane lifted the security grille into place to seal the glass door leading to the balcony.

"The Louvre is learning all the lessons from the theft of October 19 and is continuing its transformation ⁠and the strengthening of its security architecture," the museum said in a ‌post on X.

It also said a ‍mobile police squad was ‍now present at the roundabout in front of ‍the iconic glass pyramid, and 100 more cameras would be deployed around the museum next year.

Police have identified eight suspects in connection with the heist, though the jewels are still missing.

The break-in raised awkward questions about security at the Louvre, which is home to ⁠priceless artworks such as the Mona Lisa.

Louvre officials have admitted there was inadequate security camera coverage of the outside walls of the museum and no coverage of the balcony involved in the break-in.

The heist was one of several woes to hit the museum in recent weeks: another gallery, adjacent to the Apollo, was closed because of structural weakness, a water leak damaged books at the Egyptian antiquities department and the museum ‌was partly closed for several days after its staff went on strike.