West Bank Museum Showcases Gaza 'Artistic Demonstration' against War

The Palestinian Museum's display features contemporary artworks alongside traditional costumes from war-torn Gaza. Zain JAAFAR / AFP
The Palestinian Museum's display features contemporary artworks alongside traditional costumes from war-torn Gaza. Zain JAAFAR / AFP
TT

West Bank Museum Showcases Gaza 'Artistic Demonstration' against War

The Palestinian Museum's display features contemporary artworks alongside traditional costumes from war-torn Gaza. Zain JAAFAR / AFP
The Palestinian Museum's display features contemporary artworks alongside traditional costumes from war-torn Gaza. Zain JAAFAR / AFP

At a museum in the Israeli-occupied West Bank, Gazan works on display are proclaimed to be an "ongoing artistic demonstration" in solidarity with the war-ravaged Palestinian territory.
"This is not an exhibition", reads the sign at the entrance to the Palestinian Museum in Birzeit, near Ramallah, showcasing art and heritage from the Gaza Strip.
Alongside contemporary pieces, the works include old, traditional paintings and costumes, as well as archeological artifacts, said board member Ehab Bessaiso, a former culture minister.
He told AFP that the museum had launched the initiative to "preserve Palestinian heritage work in Gaza, which has faced destruction due to the war".
Fighting has raged in Gaza since October 7, when Hamas carried out an unprecedented attack on southern Israel.
Gaza's bloodiest war has devastated the small Hamas-ruled coastal territory, with its cultural heritage just one of the many casualties of war.
Bessaiso said the museum had received "the works of hundreds of artists" from Gaza that had been held in West Bank universities and cultural centers and by individuals.
The display presents "the Gazan artistic scene in a new way" which helps "to face the challenges and difficulties which artists and culture are confronting in Gaza amid the destruction and siege", he said.
In a January report, the Palestinian culture ministry said 24 cultural centers in Gaza had been destroyed "in whole or in part" since the start of the war.
They include the Arab Orthodox Cultural and Social Center, the Rashad Shawa Cultural Center -- which includes a theater, library and printing presses -- and the Al-Sununu for Culture and Arts Association in Gaza City.
Historical buildings such as mosques, churches, the old Phoenician port and the Al-Qarara Cultural Museum have also been destroyed.
'Whole lives stolen'
"It's a beautiful thing to see the work of artists from Gaza here in the West Bank, especially because Gaza no longer has a place to show them after all the destruction there," said Alma Abdulghani, a visitor in her 30s.
The war erupted with Hamas's October 7 attack, which resulted in the deaths of about 1,160 people in Israel, mostly civilians, according to an AFP tally of official figures.
Israel's retaliatory offensive has killed at least 29,782 people, mostly women and children, according to Gaza's health ministry.
Bessaiso said the museum display is "a journey through Gazan Palestinian art, especially following the killing of dozens of artists, writers, poets and journalists".
"This journey affirms the oneness of the Palestinian people, which the (Israeli) occupation is trying to destroy."
The names of 115 artists are on display at the main entrance, with black marks around the names of those killed in the war, among them visual artist Heba Zagout and painter Mohammed Sami Qariqa.
"Those who have had their homes, dreams, memories, loved ones and their whole lives stolen by the genocidal war," read the words inscribed above their names.
The museum administration described the display, which opened in mid-February, as "an alternative space to the one that once existed in Gaza before the war's fires destroyed it".
It said the project aims to be "an alternative platform for the voices" from Gaza, where repeated communications blackouts during the war have prevented them "from reaching us".
'Cut off life'
In the main exhibition hall, a pile of rubble evokes the destruction that has befallen Gaza.
The scene is completed by a constant buzzing noise, a nod to the Israeli surveillance drones that are ever-present in the skies above Gaza, and footage of ambulances transporting a never-ending stream of wounded.
Mohammed al-Huwajia, a visual artist from Rafah in southern Gaza, told AFP by video call that the "exhibition is a reminder of the solidarity between the West Bank and Gaza".
It "affirms that we still exist", he added.
Near the main entrance to the exhibition, traditional dresses and bridal gowns from multiple Gazan cities are on display, as well as braided necklaces and bracelets dating from the British Mandate years.
A painting by Gaza-born artist Tayseer Barakat depicts military machines and vehicles, while another 16 carry written messages about the war.
"This series is a message and an expression of what I saw and heard of what our people in Gaza are living through in this insane war," said Barakat, who was born in Gaza's Jabalia refugee camp and has lived in the West Bank since 1984.
"How do you lose more than 7,000 people? Rain bombs on them one after another, and then prevent them from being removed from the rubble," says the writing on one painting.
"How do we lose a population of two and a half million people? Cut them off from communications, electricity, water and life," says another.



Danish Warship Sunk by Nelson’s British Fleet Discovered After 225 Years

 Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
TT

Danish Warship Sunk by Nelson’s British Fleet Discovered After 225 Years

 Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)

More than 200 years after being sunk by Adm. Horatio Nelson and the British fleet, a Danish warship has been discovered on the seabed of Copenhagen Harbor by marine archaeologists.

Working in thick sediment and almost zero visibility 15 meters (49 feet) beneath the waves, divers are in a race against time to unearth the 19th-century wreck of the "Dannebroge" before it becomes a construction site in a new housing district being built off the Danish coast.

Denmark’s Viking Ship Museum, which is leading the monthslong underwater excavations, announced its findings on Thursday, 225 years to the day since the Battle of Copenhagen in 1801.

“It’s a big part of the Danish national feeling,” said Morten Johansen, the museum’s head of maritime archaeology.

A great deal has been written about the battle “by very enthusiastic spectators, but we actually don’t know how it was to be onboard a ship being shot to pieces by English warships and some of that story we can probably learn from seeing the wreck,” Johansen said. The Associated Press was the only international outlet given access to the site.

In the Battle of Copenhagen, Nelson and the British fleet attacked and defeated Denmark’s navy as it formed a protective blockade outside the harbor.

Thousands were killed and wounded during the brutal hourslong naval clash, considered one of Nelson’s “great battles.” The intention was to force Denmark out of an alliance of Northern European powers, including Russia, Prussia and Sweden.

At the center of the fighting was the Danish flagship, the Dannebroge, commanded by Commodore Olfert Fischer.

The 48-meter (157-foot) Dannebroge was Nelson’s main target. Cannon fire tore through its upper deck before incendiary shells sparked a fire aboard.

“(It was) a nightmare to be on board one of these ships,” Johansen said. “When a cannonball hits a ship, it’s not the cannonball that does the most damage to the crew, it’s wooden splinters flying everywhere, very much like grenade debris.”

The battle also is believed to have inspired the phrase “to turn a blind eye.” After deciding to ignore a superior’s signal, Nelson, who had lost sight in his right eye, reportedly remarked: “I have only one eye, I have a right to be blind sometimes.”

Nelson eventually offered a truce and a ceasefire was later agreed with Denmark’s Crown Prince Frederik.

The stricken Dannebroge slowly drifted northward and exploded. Records say the sound created a deafening roar across Copenhagen.

Marine archaeologists have discovered two cannons, uniforms, insignia, shoes, bottles and even part of a sailor’s lower jaw, perhaps one of the 19 unaccounted-for crew members who likely lost their lives that day.

The dig site will soon be enveloped by construction work for Lynetteholm, a megaproject to build a new housing district in the middle of Copenhagen Harbor that is expected to be completed by 2070.

Marine archaeologists began surveying the area late last year, targeting a spot thought to match the flagship’s final position.

Experts say the sizes of the wooden parts found match old drawings. Dendrochronological dating, the method of using tree rings to establish the age of wood, match the year the ship was built. They also say the darkened dig site is full of cannonballs, a hazard for divers navigating waters darkened by clouds of silt stirred up from the seabed.

“Sometimes you can’t see anything, and then you really have to just feel your way, look with your fingers instead of with your eyes,” diver and maritime archaeologist Marie Jonsson said.

Chronicled in books and painted on canvases, the 1801 battle is deeply embedded in Denmark’s national story.

Archaeologists hope their discoveries may help reexamine the event that shaped the Scandinavian country and perhaps uncover personal stories of those who went into battle on that day 225 years ago.

“There are bottles, there are ceramics, and even pieces of basketry,” Jonsson said. “You get closer to the people onboard.”


Priceless Ancient Golden Helmet Stolen from Dutch Museum Is Recovered

A police officer stands by a stolen artifact from Romania, the 2,500-year-old Cotofenesti helmet, recovered in Netherlands, is shown during a press conference in Assen, Netherlands, Thursday, April 2, 2026. (AP Photo/Aleksandar Furtula)
A police officer stands by a stolen artifact from Romania, the 2,500-year-old Cotofenesti helmet, recovered in Netherlands, is shown during a press conference in Assen, Netherlands, Thursday, April 2, 2026. (AP Photo/Aleksandar Furtula)
TT

Priceless Ancient Golden Helmet Stolen from Dutch Museum Is Recovered

A police officer stands by a stolen artifact from Romania, the 2,500-year-old Cotofenesti helmet, recovered in Netherlands, is shown during a press conference in Assen, Netherlands, Thursday, April 2, 2026. (AP Photo/Aleksandar Furtula)
A police officer stands by a stolen artifact from Romania, the 2,500-year-old Cotofenesti helmet, recovered in Netherlands, is shown during a press conference in Assen, Netherlands, Thursday, April 2, 2026. (AP Photo/Aleksandar Furtula)

A priceless ancient golden helmet from Romania stolen last year from a museum in the Netherlands has been recovered, Dutch authorities announced Thursday.

Under the guard of heavily armed, balaclava-clad police, prosecutors unveiled the 2,500-year-old Cotofenesti helmet, one of Romania’s most revered national treasures from the Dacia civilization, during a news conference in the eastern Dutch city of Assen.

“We are incredibly pleased,” Corien Fahner of the prosecution service told reporters. “It has been a roller-coaster. Especially for Romania, but also for employees of the Drents Museum.”

The helmet was on display at the small museum in January 2025, the last weekend of a six-month-long exhibition, when thieves broke in and grabbed it, along with three golden wristbands.

There were fears the helmet may have been melted down because its fame and dramatic studded appearance made it virtually unsellable.

Two of three missing armbands were also recovered as part of a deal prosecutors reached with three men arrested for the heist shortly after it occurred. Their trial will begin later in April.

Fahner said the search for the remaining armband would continue.

The helmet did not return unscathed.

“The helmet is slightly dented, but there will be no permanent damage,” Drents Museum director Robert van Langh said during the news conference. “The armbands are in perfect condition.”

Thieves used a homemade firework bomb and sledgehammer to break into the museum. Grainy security video distributed by police after the raid appeared to show three people opening a museum door with a large crowbar, followed by an explosion.

The theft put a strain on relations between the Netherlands and Romania

Romanian Justice Minister Radu Marinescu last year called the incident a “crime against our state” and said recovering the artifacts “is an absolute priority.”


Traditional Arts Festival Reinforces National Identity, Highlights Performance Traditions

The Traditional Arts Festival 2026 is drawing strong crowds of visitors and tourists in Diriyah. (SPA)
The Traditional Arts Festival 2026 is drawing strong crowds of visitors and tourists in Diriyah. (SPA)
TT

Traditional Arts Festival Reinforces National Identity, Highlights Performance Traditions

The Traditional Arts Festival 2026 is drawing strong crowds of visitors and tourists in Diriyah. (SPA)
The Traditional Arts Festival 2026 is drawing strong crowds of visitors and tourists in Diriyah. (SPA)

The Traditional Arts Festival 2026, organized by the Ministry of Culture, is drawing strong crowds of visitors and tourists in Diriyah amid pleasant spring weather.

The festival, held from March 26 to April 8 and from 4 p.m. to 11 p.m., features a range of performing arts from across the Kingdom, the Saudi Press Agency reported on Thursday.

Live shows in a dedicated traditional performance arena allow visitors to explore those traditions and their varied forms, reflecting the depth and diversity of Saudi cultural heritage.

The event is part of the Ministry of Culture’s ongoing efforts to support the national cultural scene and highlight traditional performing arts as a core element of the Kingdom’s cultural identity. It also presents those arts as a form of expression tied to the occasions and events of Saudi society.