Danish Warship Sunk by Nelson’s British Fleet Discovered After 225 Years

 Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
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Danish Warship Sunk by Nelson’s British Fleet Discovered After 225 Years

 Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)

More than 200 years after being sunk by Adm. Horatio Nelson and the British fleet, a Danish warship has been discovered on the seabed of Copenhagen Harbor by marine archaeologists.

Working in thick sediment and almost zero visibility 15 meters (49 feet) beneath the waves, divers are in a race against time to unearth the 19th-century wreck of the "Dannebroge" before it becomes a construction site in a new housing district being built off the Danish coast.

Denmark’s Viking Ship Museum, which is leading the monthslong underwater excavations, announced its findings on Thursday, 225 years to the day since the Battle of Copenhagen in 1801.

“It’s a big part of the Danish national feeling,” said Morten Johansen, the museum’s head of maritime archaeology.

A great deal has been written about the battle “by very enthusiastic spectators, but we actually don’t know how it was to be onboard a ship being shot to pieces by English warships and some of that story we can probably learn from seeing the wreck,” Johansen said. The Associated Press was the only international outlet given access to the site.

In the Battle of Copenhagen, Nelson and the British fleet attacked and defeated Denmark’s navy as it formed a protective blockade outside the harbor.

Thousands were killed and wounded during the brutal hourslong naval clash, considered one of Nelson’s “great battles.” The intention was to force Denmark out of an alliance of Northern European powers, including Russia, Prussia and Sweden.

At the center of the fighting was the Danish flagship, the Dannebroge, commanded by Commodore Olfert Fischer.

The 48-meter (157-foot) Dannebroge was Nelson’s main target. Cannon fire tore through its upper deck before incendiary shells sparked a fire aboard.

“(It was) a nightmare to be on board one of these ships,” Johansen said. “When a cannonball hits a ship, it’s not the cannonball that does the most damage to the crew, it’s wooden splinters flying everywhere, very much like grenade debris.”

The battle also is believed to have inspired the phrase “to turn a blind eye.” After deciding to ignore a superior’s signal, Nelson, who had lost sight in his right eye, reportedly remarked: “I have only one eye, I have a right to be blind sometimes.”

Nelson eventually offered a truce and a ceasefire was later agreed with Denmark’s Crown Prince Frederik.

The stricken Dannebroge slowly drifted northward and exploded. Records say the sound created a deafening roar across Copenhagen.

Marine archaeologists have discovered two cannons, uniforms, insignia, shoes, bottles and even part of a sailor’s lower jaw, perhaps one of the 19 unaccounted-for crew members who likely lost their lives that day.

The dig site will soon be enveloped by construction work for Lynetteholm, a megaproject to build a new housing district in the middle of Copenhagen Harbor that is expected to be completed by 2070.

Marine archaeologists began surveying the area late last year, targeting a spot thought to match the flagship’s final position.

Experts say the sizes of the wooden parts found match old drawings. Dendrochronological dating, the method of using tree rings to establish the age of wood, match the year the ship was built. They also say the darkened dig site is full of cannonballs, a hazard for divers navigating waters darkened by clouds of silt stirred up from the seabed.

“Sometimes you can’t see anything, and then you really have to just feel your way, look with your fingers instead of with your eyes,” diver and maritime archaeologist Marie Jonsson said.

Chronicled in books and painted on canvases, the 1801 battle is deeply embedded in Denmark’s national story.

Archaeologists hope their discoveries may help reexamine the event that shaped the Scandinavian country and perhaps uncover personal stories of those who went into battle on that day 225 years ago.

“There are bottles, there are ceramics, and even pieces of basketry,” Jonsson said. “You get closer to the people onboard.”



Saudi Heritage Commission Uncovers Over 1,700 Artifacts at Ancient Al-Juhfah Miqat Site

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
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Saudi Heritage Commission Uncovers Over 1,700 Artifacts at Ancient Al-Juhfah Miqat Site

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA

Saudi Arabia's Heritage Commission completed the first season of its joint scientific mission with the University of Exeter at the ancient Al-Juhfah Miqat site, uncovering more than 1,700 artifacts, including pottery, glass, stone pieces, shells, and worked objects, confirming the site's significance along the Egyptian pilgrimage route.

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel believed to have served pilgrims and travelers, and 13 tombstones dating to the Umayyad and Abbasid periods. Some finds originated from the Levant, Egypt, and Ethiopia, reflecting the diverse origins of pilgrims who passed through this miqat, SPA reported.

Al-Juhfah Miqat is located 187 kilometers northwest of Makkah and has been an established miqat since the early Islamic period, associated with the Prophet's migration, and is known to have flourished in the second Hijri century, with water facilities and shops serving pilgrims.

These works are part of the Heritage Commission's efforts to survey and document archaeological sites along the Hijrah route between Makkah and Madinah, using advanced technologies to reveal the historical and civilizational depth of the Kingdom.


Makkah Museum Displays Rare Quran Manuscript Dating Back to 1843

The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
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Makkah Museum Displays Rare Quran Manuscript Dating Back to 1843

The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA

The Holy Quran Museum in the Hira Cultural District in Makkah showcases a collection of rare Quranic artifacts and collectibles that document Muslims’ care for the Holy Quran throughout the ages. Among the most notable exhibits is a rare Quran dating back to 1259 AH, corresponding to 1843 AD, which stands as a historical testament to the beauty of Quranic manuscript writing and ornamentation.

The manuscript is distinguished by its precise script written in black ink with full diacritical marks. Its pages are adorned with gilded borders, golden verse separators, and intricate floral decorations that highlight the advanced craftsmanship achieved in the gilding and embellishment of Quran manuscripts during that historical period, SPA reported.

Information accompanying the artifact indicates that the Quran later underwent restoration and rebinding to protect it from deterioration. This step helped preserve this rare Quranic treasure and maintain it as a witness to a cultural and civilizational legacy spanning more than a century and a half.

The display of this Quran is part of the educational and cultural content presented by the Holy Quran Museum, which enables visitors and pilgrims to explore diverse examples of historical Qurans and rare manuscripts and to learn about the various stages of writing, copying, and decorating Quranic manuscripts across different Islamic eras.

The museum serves as a prominent cultural and educational destination in Makkah, highlighting the historical efforts of Muslims in serving and preserving the Holy Quran. It also promotes awareness of the value of Islamic heritage associated with the Holy Quran through modern museum displays and interactive educational experiences that enrich visitors’ experiences and enhance their connection with the history of the Holy Quran.


Nigerian Museum Revamp Brings Treasures within Reach

Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
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Nigerian Museum Revamp Brings Treasures within Reach

Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP

Gazing at two large engraved 16th-century elephant tusks on display at Nigeria's National Museum Lagos, a guide surprised visitors by telling them: "You can touch them gently".

One of the three galleries at the museum in Nigeria's cultural and entertainment hub has been remodeled to allow visitors to interact with some artefacts, reversing the typical ban on touching exhibits, as well as take unrestricted photographs in an effort to engage younger audiences, curator Nkechi Adedeji told AFP.

As the group felt the texture of the elephant tusks to the tune of Afrobeats softly playing on overhead speakers, a young photographer was busy snapping away, likely for a social media post.

According to Tinuke Odunfa, the interior designer of the gallery, the plan was to modernize the space and present Nigerian history in an "intentional" and "immersive" environment.

"Everything was intentional in terms of how the space should be experienced, in terms of the colors, how the space leads you," Odunfa told AFP.

The gallery holds one of the country's most extensive collections, including major archaeological and ethnographic artefacts such as 5th-century terracotta by indigenous Nok people.

Its white walls are lined with artefacts encased in glass, arranged chronologically from the oldest to the newest, each accompanied by brief notes.

A few other items of the permanent exhibition, "Echoes of the Past", especially those made of wood and metal, are laid out in such a way that visitors can touch and "feel them", the museum's head of exhibition Olusegun Adeleye, 51, said.

Low ambient lighting casts a soft glow across the gallery, giving the space a quiet, reflective atmosphere.

Lagos, the vibrant mega city of more than 20 million people, and often described as Nigeria's melting pot, inspired Odunfa's design.

- 'Coming in droves' -

Since the renovated gallery opened to the public in April, it has been drawing more visitors than before, Adedeji said, without giving figures.

Its Instagram-ready spaces are drawing more schoolchildren and young adults, with pictures and videos increasingly shared online, making it a popular destination among "content creators".

"They come here, do content and before you know it, it is all over the place," Adedeji said. "Youths are coming in droves now".

"I love the way the artefacts are displayed," Oyin Isioye, a 25-year-old photographer, visiting the museum for the first time, told AFP. "I learned a lot of things... where the artefacts are from, what they represent."

- Repatriation calls -

In one corner of the gallery, three empty cases contain a sheet of paper bearing the inscription "British museum, how far??" (meaning "what's up?" in Nigerian Pidgin).

The installation sends a message to foreign museums that Nigeria is ready to pursue the repatriation of its looted artefacts.

Western museums, including those in Britain, the Netherlands and Germany, have in recent years returned several hundred artefacts, but countless more remain in galleries in Europe and America.

"This renovation shows that we can protect and preserve our objects ourselves, we do not need any other country to do it for us," said Adedeji.

The remodeling, funded by a private entity, also aimed at creating more display areas for the collection, the bulk of which are kept in storage.

More projects are in the works. Another gallery at the Lagos museum has been shut for renovation, along with other sites nationwide.

And Nigerian authorities are seeking partners to support future upgrades in preparation for more repatriated artefacts.