Danish Warship Sunk by Nelson’s British Fleet Discovered After 225 Years

 Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
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Danish Warship Sunk by Nelson’s British Fleet Discovered After 225 Years

 Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)

More than 200 years after being sunk by Adm. Horatio Nelson and the British fleet, a Danish warship has been discovered on the seabed of Copenhagen Harbor by marine archaeologists.

Working in thick sediment and almost zero visibility 15 meters (49 feet) beneath the waves, divers are in a race against time to unearth the 19th-century wreck of the "Dannebroge" before it becomes a construction site in a new housing district being built off the Danish coast.

Denmark’s Viking Ship Museum, which is leading the monthslong underwater excavations, announced its findings on Thursday, 225 years to the day since the Battle of Copenhagen in 1801.

“It’s a big part of the Danish national feeling,” said Morten Johansen, the museum’s head of maritime archaeology.

A great deal has been written about the battle “by very enthusiastic spectators, but we actually don’t know how it was to be onboard a ship being shot to pieces by English warships and some of that story we can probably learn from seeing the wreck,” Johansen said. The Associated Press was the only international outlet given access to the site.

In the Battle of Copenhagen, Nelson and the British fleet attacked and defeated Denmark’s navy as it formed a protective blockade outside the harbor.

Thousands were killed and wounded during the brutal hourslong naval clash, considered one of Nelson’s “great battles.” The intention was to force Denmark out of an alliance of Northern European powers, including Russia, Prussia and Sweden.

At the center of the fighting was the Danish flagship, the Dannebroge, commanded by Commodore Olfert Fischer.

The 48-meter (157-foot) Dannebroge was Nelson’s main target. Cannon fire tore through its upper deck before incendiary shells sparked a fire aboard.

“(It was) a nightmare to be on board one of these ships,” Johansen said. “When a cannonball hits a ship, it’s not the cannonball that does the most damage to the crew, it’s wooden splinters flying everywhere, very much like grenade debris.”

The battle also is believed to have inspired the phrase “to turn a blind eye.” After deciding to ignore a superior’s signal, Nelson, who had lost sight in his right eye, reportedly remarked: “I have only one eye, I have a right to be blind sometimes.”

Nelson eventually offered a truce and a ceasefire was later agreed with Denmark’s Crown Prince Frederik.

The stricken Dannebroge slowly drifted northward and exploded. Records say the sound created a deafening roar across Copenhagen.

Marine archaeologists have discovered two cannons, uniforms, insignia, shoes, bottles and even part of a sailor’s lower jaw, perhaps one of the 19 unaccounted-for crew members who likely lost their lives that day.

The dig site will soon be enveloped by construction work for Lynetteholm, a megaproject to build a new housing district in the middle of Copenhagen Harbor that is expected to be completed by 2070.

Marine archaeologists began surveying the area late last year, targeting a spot thought to match the flagship’s final position.

Experts say the sizes of the wooden parts found match old drawings. Dendrochronological dating, the method of using tree rings to establish the age of wood, match the year the ship was built. They also say the darkened dig site is full of cannonballs, a hazard for divers navigating waters darkened by clouds of silt stirred up from the seabed.

“Sometimes you can’t see anything, and then you really have to just feel your way, look with your fingers instead of with your eyes,” diver and maritime archaeologist Marie Jonsson said.

Chronicled in books and painted on canvases, the 1801 battle is deeply embedded in Denmark’s national story.

Archaeologists hope their discoveries may help reexamine the event that shaped the Scandinavian country and perhaps uncover personal stories of those who went into battle on that day 225 years ago.

“There are bottles, there are ceramics, and even pieces of basketry,” Jonsson said. “You get closer to the people onboard.”



Jeddah Cultural Centers Offer Quality Programs to Support Arts, Creativity

Jeddah is witnessing growing cultural activity, reflected in the programs and events offered by cultural centers and institutions. (SPA)
Jeddah is witnessing growing cultural activity, reflected in the programs and events offered by cultural centers and institutions. (SPA)
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Jeddah Cultural Centers Offer Quality Programs to Support Arts, Creativity

Jeddah is witnessing growing cultural activity, reflected in the programs and events offered by cultural centers and institutions. (SPA)
Jeddah is witnessing growing cultural activity, reflected in the programs and events offered by cultural centers and institutions. (SPA)

Jeddah is witnessing growing cultural activity, reflected in the programs and events offered by cultural centers and institutions throughout the year, the Saudi Press Agency said on Monday.

These include art exhibitions, creative workshops, literary and knowledge-based gatherings, performing arts shows, and initiatives targeting children and youth, providing talents with spaces to learn, experiment, and express themselves while strengthening interaction between creatives and audiences.

The importance of these programs lies in their ability to discover talent and develop creative skills. They provide practitioners and enthusiasts with opportunities for training, networking, and the exchange of expertise, while opening avenues for young artists to showcase their work and reach audiences.

Jeddah's cultural scene derives its distinctive character from the city's identity and historical diversity. For centuries, the city has remained a meeting point for people from diverse cultures, which has influenced its arts, architecture, and social heritage, giving the contemporary cultural scene a rich foundation that draws inspiration from the past and presents it in a modern language combining the authenticity of place with contemporary creative trends.

Cultural programs also help build bridges between generations by presenting local heritage in contemporary forms and giving children and young people opportunities to discover and practice the arts in stimulating environments. This supports the sustainability of cultural knowledge and raises awareness of the value of heritage and national identity.


Mafia Link Feared in Sicilian Grand Master Theft

A drone view shows the grounds of the Museo Regionale di Messina, where four artworks by 15th-century painter Antonello da Messina were stolen overnight, in Messina, Sicily, Italy, August 16, 2026. (Reuters)
A drone view shows the grounds of the Museo Regionale di Messina, where four artworks by 15th-century painter Antonello da Messina were stolen overnight, in Messina, Sicily, Italy, August 16, 2026. (Reuters)
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Mafia Link Feared in Sicilian Grand Master Theft

A drone view shows the grounds of the Museo Regionale di Messina, where four artworks by 15th-century painter Antonello da Messina were stolen overnight, in Messina, Sicily, Italy, August 16, 2026. (Reuters)
A drone view shows the grounds of the Museo Regionale di Messina, where four artworks by 15th-century painter Antonello da Messina were stolen overnight, in Messina, Sicily, Italy, August 16, 2026. (Reuters)

The theft of four paintings by Renaissance master Antonello da Messina may have involved organized crime and raised troubling questions about security at a museum in the Sicilian artist's hometown, a local official said on Monday.

Enzo Caruso, Messina's councilor for culture, said it was difficult to understand how thieves could have removed the works in a matter of minutes without detailed knowledge of the museum's layout.

"It's a very, very strange affair," Caruso told Reuters.

The theft on Saturday has shocked Italy and revived memories of the infamous 1969 disappearance of a masterpiece by Caravaggio from a Palermo church -- a case long associated with Sicily's Cosa Nostra mafia ‌and never solved.

TOO ‌FAMOUS TO SELL

Caruso said the stolen Antonello works were ‌so ⁠famous that selling them ⁠even on the black market would be virtually impossible, raising the possibility that they could be used as bargaining chips or collateral in criminal dealings.

"The Mafia? It's possible they might try to blackmail the state itself in order to return them. These are the kinds of dynamics that ordinary people never get to see," he said.

He said another possibility was that the paintings could be used as guarantees or currency within the criminal underworld.

The thieves entered Messina's ⁠Accascina Regional Museum on Saturday evening, while the city was celebrating ‌a religious festival that brought thousands into the streets.

The ‌burglary only came to light some two hours later when tourists found two Antonello paintings, apparently discarded ‌by the thieves, leaning against the museum railings.

Renato Schifani, the president of Sicily, issued ‌a statement to say the museum's video surveillance system and alarm had been working normally, adding that an internal investigation was underway to see if any museum staff had been involved.

LOST PAINTINGS FOUND IN THE PAST

Caruso questioned how well prepared the thieves had been, pointing to the fact that two ‌paintings had been left in the street. "Perhaps they did not anticipate how heavy they would be. These are wooden panels ... stealing them ⁠is not as ⁠easy as stealing a canvas that can be cut from its frame," he said.

He also said a professional art thief would normally take greater care handling works worth tens of millions of euros, saying no attempt had been made to protect the paintings.

Italy's crack squad of art police are heading to Messina to take on the case, just three days after helping to retrieve paintings by Pierre-Auguste Renoir, Henri Matisse and Paul Cezanne stolen earlier this year from a museum near Parma.

While the Rome-based art theft police have established a strong track record in finding missing masterpieces, Sicily is still haunted by the memory of the missing Caravaggio.

"I have the feeling the thieves may be keeping the (Antonellos) hidden while things calm down," Caruso said.

"Or perhaps they immediately took the sea route," he added, noting that the museum lies close to the Strait of Messina.

"The hope is that sooner or later they reappear."


Palestinians Celebrate Jerusalem Festival Return After Gaza War Hiatus

Palestinian musicians take part in a final rehearsal before the opening of the Jerusalem Festival, held at the Yabous Cultural Center after a two-year hiatus, in East Jerusalem on August 16, 2026. (AFP)
Palestinian musicians take part in a final rehearsal before the opening of the Jerusalem Festival, held at the Yabous Cultural Center after a two-year hiatus, in East Jerusalem on August 16, 2026. (AFP)
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Palestinians Celebrate Jerusalem Festival Return After Gaza War Hiatus

Palestinian musicians take part in a final rehearsal before the opening of the Jerusalem Festival, held at the Yabous Cultural Center after a two-year hiatus, in East Jerusalem on August 16, 2026. (AFP)
Palestinian musicians take part in a final rehearsal before the opening of the Jerusalem Festival, held at the Yabous Cultural Center after a two-year hiatus, in East Jerusalem on August 16, 2026. (AFP)

Three years after its last edition, hundreds of fans are again able to enjoy the Jerusalem Festival, a Palestinian cultural celebration which had been on hold because of the horrors of the Gaza war.

The event, which will run for two months, opened on Sunday with a tribute to the late Lebanese musician Ziad Rahbani, a staunch supporter of the Palestinian cause.

At Yabous Cultural Center, in the Israeli-annexed east of the city, the Jerusalem Arabic Music Ensemble played a selection of Rahbani's work.

"An evening dedicated to Ziad Rahbani represents a major part of our memory. Jerusalem needs this kind of event," filmmaker Yousef al-Salhi told AFP.

The Lebanese musician and playwright, the son of iconic singer Fairuz and a musical pioneer in his own right, died last year aged 69.

Throughout the evening, Rahbani's repertoire, from mawwal --slow Arabic free-form vocal music-- to lively Levantine folk-pop, enthused the audience.

The last edition of the festival was held in the summer of 2023, before the war in the Gaza Strip erupted following Hamas's October 7 attack on Israel.

"We insist on coming back... Today we return to give people hope. The festival brings hope and brings people together," said musician Suheil Khoury, chairman of the board of the Yabous Cultural Centre.

The festival is now four decades old, though the city's tumultuous past means this is only the 30th edition, with several wars as well as the intifadas, or Palestinian uprisings, of the 1980, 90s and 2000s forcing it to pause.

The festival will continue with musical performances, cultural talks and art exhibitions taking place at various locations across east Jerusalem until October 15.

"Everyone is thirsty for this kind of gathering amid the difficult circumstances we are going through -- the genocidal war, restrictions on Jerusalem and the West Bank, and the violence being perpetrated against us," Mona al-Dajani, an academic researcher who attended the opening, said.

Moussa al-Qawasmi, a resident of east Jerusalem, was enthusiastic to attend an event promoting Palestinian culture.

"They (Israel) don't want us to exist, but no, we are always ready... we will continue to celebrate, sing and dance."