What Happens to the Coins Tossed into Rome’s Trevi Fountain? 

Catholic charity Caritas employee Fabrizio Marchioni, 52, dries coins collected at the Trevi Fountain, at the Caritas office in Rome, Italy, February 26, 2024. (Reuters)
Catholic charity Caritas employee Fabrizio Marchioni, 52, dries coins collected at the Trevi Fountain, at the Caritas office in Rome, Italy, February 26, 2024. (Reuters)
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What Happens to the Coins Tossed into Rome’s Trevi Fountain? 

Catholic charity Caritas employee Fabrizio Marchioni, 52, dries coins collected at the Trevi Fountain, at the Caritas office in Rome, Italy, February 26, 2024. (Reuters)
Catholic charity Caritas employee Fabrizio Marchioni, 52, dries coins collected at the Trevi Fountain, at the Caritas office in Rome, Italy, February 26, 2024. (Reuters)

As visitors' coins splash into Rome's majestic Trevi Fountain carrying wishes for love, good health or a return to the Eternal City, they provide practical help to people the tourists will never meet.

For hundreds of years, when in Rome, visitors have flocked to the fountain to make a wish, following a storied ritual. Few gave their coins a second thought.

Today, coins pile up for several days before they are fished out and taken to the Rome division of the worldwide Catholic charity Caritas, which counts the bucketfuls of change and uses them to fund a food bank, soup kitchen and welfare projects.

In 2022 Caritas collected 1.4 million euros ($1.52 million) from the fountain and it expects to have gathered even more in 2023. Rome is one of the world's most visited cities with 21 million tourists.

Extracting the coins is a spectacle and involves workers from regional utility ACEA balancing on the edge of the vast Baroque fountain, using long brooms and suction hoses.

The coins are then given to Caritas, where they are dried with hairdryers and cutlery dryers and sorted and counted.

Signs around the fountain explain that the change will go to charity - a thought that pleases many of the tourists posing by the landmark.

"I wanted to make a wish which is dear to my heart," said Yula Cole from Brazil after throwing in a coin. "But I also know that this coin is not just staying there but will help needy people. I made a wish but hopefully this money will help other people's wishes too."

Day and night, throngs of people crowd around the fountain posing for photos. Legend says that if you throw a coin by the right hand over the left shoulder into the fountain, you will return to Rome. People eagerly add their own personal wishes.

"I am tossing a coin as they say if you toss a coin you come back to Rome and also because I want to make the wish to find love," said Carola from Chile.

The Trevi Fountain, completed in 1762, covers one side of Palazzo Poli in central Rome with its statues of Tritons guiding the shell chariot of the god Oceanus, illustrating the theme of the taming of the waters.

It is where Italian film director Federico Fellini set one of the most famous scenes in cinema in "La Dolce Vita", with Anita Ekberg wading into the fountain after midnight and beckoning Marcello Mastroianni to join her.

Wading into its waters today is forbidden and tourists face fines if they do.

Coin sorting

Twice a week, up to four workers collect the coins, said Francesco Prisco, a manager at ACEA. The fountain is drained for cleaning twice a month.

"The collection and cleaning operations are carried out as quickly as possible to try to reduce the downtime of the fountain," he said.

After the coins have been swept into a long line by a long-reach broom, they are sucked up by hoses and taken to Caritas' office, where employee Fabrizio Marchioni spreads them across a huge table for drying.

Not just coins are fished from the fountain. Workers have removed jewellery, dentures, religious medals, even umbilical cords.

Signs by the fountain warn not to steal the coins.

Over the decades the coins have been targeted, sometimes with magnets attached to a pole.

Close to Rome's main station is Caritas' supermarket, known as the Emporium, which allocates food to needy residents who can purchase it with tokens on a card.

"I was a blacksmith but then I lost my position and my arthritis does not help in finding a new job. Luckily there are places like this Emporium," said a man who gave his name only as Domenico.

Another man, Luigi, explained: "I was a builder and also the owner of a video surveillance system company before I lost my job. Places like this Emporium give concrete help."

Back at the fountain, the coins stack up.

"I got told that if I toss in two coins my wishes will come true. So that's why I did it," said Chinese tourist Yuting.



French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
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French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)

Footage of the spectacular robbery at the Louvre Museum has been broadcast for the first time on French television, showing the brazen jewel thieves breaking into display cases.

The images, filmed by surveillance cameras, were shown by the TF1 and public France Televisions channels on Sunday evening, three months after the hugely embarrassing break-in in October.

They show the two burglars, one wearing a black balaclava and a yellow high-visibility jacket, the other dressed in black with a motorcycle helmet, as they force their way into the Apollo Gallery.

After breaking in through a reinforced window with a high-powered disk cutters, they begin slicing into display cases under the eyes of several staff members who do not intervene.

Managers at the Louvre have stressed that staff are not trained to confront thieves and are asked to prioritize the evacuation of visitors.

During the roughly four minutes that the two men were inside the gallery, one staff member can be seen holding a bollard used to orient visitor through the gallery, according to France Televisions.

The images form a key part of the ongoing criminal investigation into the October 19 heist.

Details of the footage have been reported in French newspapers, including Le Parisien.

Four suspects are in police custody, including the two suspected thieves, but the eight stolen items of French crown jewels worth an estimated $102 million have not been found.

The security failures highlighted by the break-in on a Sunday morning in broad daylight have lead to major pressure on director Laurence des Cars, who has apologized.

Metal bars have since been installed over the windows of the Apollo Gallery.


Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo
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Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo

The Cultural Development Fund (CDF) is participating in the Saudi House pavilion initiative, led by the Ministry of Economy and Planning, during the Annual Meeting of the World Economic Forum 2026, held in Davos, Switzerland, from January 19 to 23.

Through this participation, CDF aims to showcase the economic value of Saudi culture, highlight its role in diversifying the national economy and enhancing quality of life, attract international investment in the cultural sector, and spotlight Saudi cultural entrepreneurship.

According to a statement from the fund, the CDF’s participation includes a networking breakfast bringing together global economic leaders and investors from various countries, with the aim of raising awareness of Saudi culture as an economic force and a key pillar of Saudi Vision 2030.

The event will also provide a platform for exchanging perspectives and opportunities with international investors and financial institutions, while offering a closer look at the enablers of the Saudi cultural sector and its investment opportunities.

As part of the event, the CDF will host a panel discussion titled “Investing in Culture as an Economic Engine” that will feature CEO of the Cultural Development Fund Majed bin Abdulmohsen Al-Hugail, alongside Deputy Minister of Cultural Strategies and Policies at the Ministry of Culture Albara Al-Auhali.

The discussion will address the economic value of culture globally and locally, highlighting the CDF’s role in providing financial solutions that support cultural enterprises and enable their contribution to GDP growth and quality of life. The session will also explore cultural policies and their impact on strengthening the sector’s economic and investment potential.

Within the NextOn dialogue series organized by the Saudi House in Davos, the Cultural Development Fund will enable supported cultural projects to share their success stories and highlight their role in enhancing cultural production and increasing its economic value.

Participating entrepreneurs include Co-Founder of AlMashtal Creative Incubator Princess Noura bint Saud bin Naif, and CEO of Arabian Housing and Building company (AHB) Khalid Henaidy, who will speak about the role of entrepreneurship in shaping the future of the Kingdom’s cultural economy.

‏This participation underscores the CDF’s role as a center of excellence and financial enabler for the cultural sector in the Kingdom, and forms part of its efforts to strengthen the presence of Saudi cultural dynamism on the global stage. It aligns with the CDF’s objectives to maximize the cultural sector’s economic and social impact, increase its contribution to GDP, quality of life, and advance the goals of Saudi Vision 2030.


Red Sea Museum Signs Cooperation Agreement to Support Artisans and Designers

The cooperation agreement aims to support local and regional artisans and designers. SPA
The cooperation agreement aims to support local and regional artisans and designers. SPA
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Red Sea Museum Signs Cooperation Agreement to Support Artisans and Designers

The cooperation agreement aims to support local and regional artisans and designers. SPA
The cooperation agreement aims to support local and regional artisans and designers. SPA

Saudi Arabia’s Museums Commission announced the signing of a cooperation agreement between the Red Sea Museum and Ahmed Angawi Studio to launch the "Made in the Red Sea" initiative at the Red Sea Museum in the heart of Historic Jeddah, aiming to support local and regional artisans and designers.

The initiative aims to preserve traditional skills and develop contemporary products inspired by the rich heritage, traditions and the tangible and intangible culture of the Red Sea region, for sale at the museum gift shop.

It builds on the momentum of the Saudi Ministry of Culture's Year of Handicrafts 2025 initiative launched to reinforce pride in national identity and support artisans, as one of the goals of the National Culture Strategy.

The partnership includes content development, the delivery of workshops and the selection of participating artists and artisans, in addition to promoting the "Made in the Red Sea" initiative and overseeing specialized workshops in traditional wood designs inspired by the historic Bab Al Bunt building, which now houses the Red Sea Museum. These efforts contribute to a contemporary reinterpretation of its architectural elements.