Astrolabe: A Powerful Record of Scientific Exchange Between Muslims, Jews and Christians

Astrolabes are believed to have been around at the time of Apollonius of Perga. The New York Times
Astrolabes are believed to have been around at the time of Apollonius of Perga. The New York Times
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Astrolabe: A Powerful Record of Scientific Exchange Between Muslims, Jews and Christians

Astrolabes are believed to have been around at the time of Apollonius of Perga. The New York Times
Astrolabes are believed to have been around at the time of Apollonius of Perga. The New York Times

By Franz Lidz and Clara Vannucci

 

For 2,000 years, celestial observers mapped the heavens with astonishingly precise instruments called astrolabes.

Resembling large, old-fashioned vest pocket watches, astrolabes allowed users to determine time, distances, heights, latitudes and even (with a horoscope) the future.

Recently, an astrolabe dating to the 11th century turned up at the Fondazione Museo Miniscalchi-Erizzo in Verona, Italy.

A historian first noticed it in a corner of a photograph while searching online for an image of a 17th-century collector whose miscellany was housed in the museum.

The historian, Federica Gigante of the University of Cambridge, learned that the museum staff had very little information about the piece. So she went to Verona for a closer look.

At the museum, a curator brought her to a side room, where she stood by a window and watched the sunlight illuminate the relic’s brass features.

She made out Arabic inscriptions and, seemingly everywhere, faint Hebrew markings, Western numerals and scratches that looked like they had been keyed.

“In the raking light, I realized that this wasn’t just an incredibly rare, ancient object but a powerful record of scientific exchange between Muslims, Jews and Christians over nearly a millennium,” Dr. Gigante said.

Astrolabes are believed to have been around at the time of Apollonius of Perga, a Greek mathematician from the third-century B.C. known as the Great Geometer.

Islamic scholars improved the gadgets, and by the ninth century A.D. the Persians were using astrolabes to locate Makkah and ascertain the five periods of prayer required each day, as stated in the Quran.

The tool reached Europe through the Moorish conquest of much of Spain.

By analyzing the Verona astrolabe’s design, construction and calligraphy, Dr. Gigante narrowed its provenance to 11th century Andalusia, where Muslims, Jews and Christians had worked alongside one another, particularly in the pursuit of science.

“As the astrolabe changed hands, it underwent numerous modifications, additions and adaptations,” Dr. Gigante said.

The original Arabic names of the signs of the zodiac were translated into Hebrew, a detail that suggested that the relic had at one point circulated within a Sephardi Jewish community.

One side of a plate was engraved in Arabic with the phrase “for the latitude of Cordoba, 38° 30’”; on the other side “for the latitude of Toledo, 40°.”

A handful of latitude values were corrected, some multiple times. Another plate was etched with North African latitudes which indicated that, during the instrument’s travels, it might have been used in Morocco or Egypt.

A series of Hebrew additions led Dr. Gigante to conclude that the astrolabe had eventually reached the Jewish diaspora in Italy, where Hebrew, rather than Arabic, was used.

“Basically, carving in the revisions was like adding apps to your smartphone,” Dr. Gigante said.

 

The New York Times



Desert X AlUla Unveils Acclaimed Lineup of Saudi and Global Artists in 2026 Edition

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
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Desert X AlUla Unveils Acclaimed Lineup of Saudi and Global Artists in 2026 Edition

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA

Arts AlUla has announced the lineup of Saudi and international artists participating in the fourth edition of Desert X AlUla, the international open-air art exhibition held in collaboration with Desert X.

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks, ranging from large-scale installations and sound pieces that stretch across and beneath the desert landscape, to kinetic works and immersive interactive experiences.

The showcase reflects a deep connection to AlUla’s unique environment, its dramatic natural landscapes, and rich cultural heritage.

Desert X AlUla, the region’s first public art biennial, will feature 11 artists presenting diverse perspectives, materials, and artistic traditions in their large-scale works in its 2026 edition.

The program offers a delightful mix of performances and interactive family activities, alongside dedicated programs that blend sound, movement, storytelling, and play.

Also, the visitor pavilion will host a live music program curated in collaboration with AlUla Music Hub, creating moments where art, nature, and community converge in a shared experience shaped by rhythm and a strong sense of place.

Arts AlUla confirmed that Desert X AlUla 2026 will be open to the public.


Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
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Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)

Saudi Arabia’s Heritage Commission, in collaboration with Soudah Development, a Public Investment Fund company, announced on Tuesday the discovery of 20 ancient rock art sites within the Soudah Peaks area.

Spanning more than 636.5 square kilometers across Soudah and parts of Rijal Almaa, the project area is now recognized as home to some of the region’s oldest cultural landmarks. The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old, offering valuable insights into the region’s rich history.

The findings include Thamudic inscriptions, along with vivid depictions of ibex, hyenas, and ostriches, as well as scenes of hunters, dancers, palm trees, and weapons, reflecting the environmental and social practices of the ancient communities that once inhabited the area.

The survey forms part of a memorandum of understanding signed between the Heritage Commission and Soudah Development. Conducted in four scientific phases, the initiative began with data collection and site analysis, concluding with the documentation and classification of high-value archaeological sites in preparation for future development and preservation efforts.

Soudah Development remains committed to protecting and promoting the natural and cultural heritage of the project area. The company continues to work towards creating an integrated cultural and tourism experience that reflects the authenticity and historical richness of the region, in line with its vision to transform Soudah Peaks into a premier luxury mountain destination rooted in heritage.


Ancient Rome Meets Modern Technology as Tourists Visit Restored, Frescoed Home via Livestream Tours

 Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
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Ancient Rome Meets Modern Technology as Tourists Visit Restored, Frescoed Home via Livestream Tours

 Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)

One of the best-preserved ancient Roman homes on the Palatine Hill is opening to the public for the first time, albeit via a livestreamed tour of its hard-to-reach underground frescoes and mosaics.

The House of the Griffins was first discovered during the excavations in the early 20th century of the Palatine Hill, the verdant hill that rises up from the Roman Forum and dominates views of central Rome today with its striking red brick ruins.

The hill, located just off the Colosseum, was the site of temples and homes of leading citizens during Rome’s Republican era, which is traditionally dated from 509 B.C. to 27 B.C. It became the aristocratic quarter during the Roman Empire that followed, when new palaces were built on top of the older homes.

The House of the Griffins is one of those earlier Republican-era homes, and was hidden to the world underground after the Emperor Domitian built his palace on top of it in the first century A.D.

Now for the first time, the general public can virtually visit the House of the Griffins and its newly restored frescoes, including the decoration that gives the home its name: An arched lunette fresco featuring two griffins — the half-eagle, half-lion mythological creatures.

Visitors won’t actually walk through the home’s intimate rooms, which are only accessible via a perilously steep staircase underground. Rather, visitors above ground will watch as a tour guide wearing a head-mounted smartphone descends into the domus and walks through its rooms, livestreaming the visit and narration.

The live, virtual tour serves multiple purposes: It allows visitors to “see” a domus that, because of its underground location, would otherwise be off-limits. And by limiting the number of people in its rooms, the livestreaming protects the delicate frescoes from too much humidity and carbon dioxide.

Project chief Federica Rinaldi said archaeologists don’t know much about the family who lived there, but said they were clearly well-off. The level of decoration recalls some of the elegant homes of the era in Pompeii: The frescoes feature richly colored faux marble designs, and floor mosaics of three-dimensional cubes.

“Its location at the highest point of the hill, its distribution over several levels that take advantage of the slopes of the Palatine Hill itself, and its preservation make it today an almost textbook reference," she said. “It was certainly a domus of the highest standard.”

Starting on March 3, the livestreamed tours will be held weekly, on Tuesdays, with one in Italian and one in English, though more are foreseen. Groups are limited to a dozen people and require reservations, as well as an additional ticket beyond the typical Colosseum-Palatine Hill entrance fee.

The restoration of the House of the Griffins is one of 10 projects funded by the European Union in the archaeological park and is part of an effort to spread tourists out beyond the must-see Colosseum and Forum, which often get overwhelmed with visitors.

“It’s a great occasion to value the full territory of the park,” said the head of the park, Simone Quilici.