In Key Bridge Collapse, Baltimore Lost a Piece of Its Cultural Identity

 Wreckage of the Francis Scott Key Bridge rests on the container ship Dali, Saturday, March 30, 2024, in Baltimore. (AP)
Wreckage of the Francis Scott Key Bridge rests on the container ship Dali, Saturday, March 30, 2024, in Baltimore. (AP)
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In Key Bridge Collapse, Baltimore Lost a Piece of Its Cultural Identity

 Wreckage of the Francis Scott Key Bridge rests on the container ship Dali, Saturday, March 30, 2024, in Baltimore. (AP)
Wreckage of the Francis Scott Key Bridge rests on the container ship Dali, Saturday, March 30, 2024, in Baltimore. (AP)

Generations of Maryland workers — longshoremen, seafarers, steelworkers and crabbers whose livelihoods depend on Baltimore’s port — watched in disbelief this week as an iconic symbol of their maritime culture crumbled into the Patapsco River.

The deadly collapse of the historic Francis Scott Key Bridge has shaken Baltimore to its core.

“What happened was kind of a travesty,” said Joe Wade, a retired port worker who remembers fishing near the bridge as a child. “I’m not a crier, but ... I got emotional.”

Baltimore was a port long before it was incorporated as a city — and long before the United States declared its independence from Britain. Many of the city’s brick rowhouses were built to house fishermen, dockworkers and sailors. They earned a reputation for being pioneering and tough, unafraid of rough seas and long days.

It’s a cultural identity that persists among modern-day watermen like Ryan “Skeet” Williams, who makes a living harvesting crabs from the Chesapeake Bay.

“We’re rugged and salty,” he said. “You build your own life.”

Williams relied on the Key Bridge to connect his small maritime community outside Baltimore with Maryland’s Eastern Shore, the lifeblood of the state’s robust seafood industry. Many of his friends and relatives used the bridge for their daily commutes.

Scott Cowan, president of the International Longshoremen’s Association Local 333, said the union represents about 2,400 people whose jobs now hang in the balance. Shipping traffic through the Port of Baltimore can’t resume until the underwater wreckage has been cleared.

“They always say it’s the port that built the city,” said Cowan, who followed in his father’s footsteps when he became a longshoreman decades ago.

The disaster early Tuesday marks the latest blow to a city whose storied history often gets lost in conversations about its more recent struggles: poverty, violent crime and population loss.

Six members of a roadwork crew plunged to their deaths after a 985-foot (300-meter) cargo ship lost power and crashed into the bridge, eliminating a key piece of Baltimore’s skyline and halting maritime traffic to one of the east coast’s busiest ports.

In the aftermath, some experts questioned whether the span’s supporting columns should have been better protected against the gigantic container ships that would routinely pass by them. But Baltimore is an old city with aging infrastructure that often receives little attention from national politicians.

Officials have promised to rebuild the Key Bridge, but that could take years.

“This is no ordinary bridge. This is one of the cathedrals of American infrastructure,” US Transportation Secretary Pete Buttigieg said during a news conference in Baltimore earlier this week. “So the path to normalcy will not be easy. It will not be quick. It will not be inexpensive.”

A storied history: Francis Scott Key, and generations of dockworkers Baltimore became a global leader in shipbuilding early on in its history. It later became a major transportation hub with the addition of a railroad line connecting the east coast to the Midwest and beyond.

During the War of 1812, British forces attacked Baltimore in hopes of weakening its industrial and maritime prowess. But American troops successfully defended south Baltimore’s Fort McHenry, and the invasion inspired Francis Scott Key to write the national anthem after he witnessed an American flag flying defiantly overhead following a night of heavy bombing.

More than 150 years later, construction began on a bridge that would be named in his honor.

The Key Bridge opened in 1977, spanning 1.6 miles (2.6 kilometers) at the entrance of Baltimore’s harbor and allowing residents to traverse the waterway without driving through the city. It provided a direct connection between two working-class, water-oriented communities that formed during World War II — when nearby steel mills produced hundreds of massive warships to aid in the defense effort.

Baltimore’s history is rife with iconic characters, from debaucherous pirates and corrupt politicians to the treasured poet Edgar Allan Poe and jazz legend Billie Holiday. Through it all, the port was a relative constant.

It has allowed countless people to earn a decent living by showing up and putting in the hours, including immigrants and other disenfranchised groups. And it has remained an economic engine, adapting and evolving even as other local businesses have shuttered amid declines in industrial production.

It currently processes more cars and farm equipment than any other port in the country. Last year alone, it handled $80 billion of foreign cargo, Maryland Gov. Wes Moore said at a news conference earlier this week.

“The collapse of the Key Bridge is not just a Maryland crisis. The collapse of the Key Bridge is a global crisis,” he said. “The national economy and the world’s economy depends on the Port of Baltimore.”

The loss of life falls on one of Baltimore's hardworking communities The men who died in the collapse were filling potholes during an overnight shift. While police quickly stopped traffic after the ship sent a mayday signal, they didn’t have time to alert the construction crew — a group of Latino immigrants in active pursuit of the American dream.

Two survivors were rescued almost immediately and divers recovered two bodies the following day. The remaining four victims are still missing and presumed dead.

Advocates say their deaths take on larger significance in the context of the myriad challenges facing immigrants in the US. The men were performing a physically grueling job for relatively low wages. They were laboring during nighttime hours to avoid inconveniencing Maryland commuters.

It comes as little surprise that these already disenfranchised workers are the ones who ended up paying the ultimate price, said Krish O’Mara Vignarajah, president of the Baltimore-based immigration services nonprofit Global Refuge. Immigrants will almost inevitably be involved in rebuilding the bridge as well, she added.

The workers came to Maryland from Mexico, Guatemala, El Salvador and Honduras, seeking higher wages and better opportunities for themselves and their families.

By settling in the Baltimore area, they added to a long history of immigration that has played a key role in shaping the city’s culture and commerce. That history is inextricably linked to the port.

Between the Civil War and World War I, Baltimore became one of the country’s largest points of entry for European immigrants. In 1868, an immigration pier opened in south Baltimore not far from the historic battlefield that birthed the Star-Spangled Banner.

Many immigrants passed through the city on their way to the Midwest, but others stayed and put down roots. Those without specialized skills or advanced education worked on the docks and in the railroad yards, often alongside African Americans who came north to escape slavery. Their contributions are memorialized in the Baltimore Immigration Museum, which occupies a historic building constructed in 1904 to house European immigrants.

“Baltimore became a real melting pot of cultures,” said local historian Johns Hopkins, who directs the nonprofit Baltimore Heritage.

In more recent decades, Latino immigrants have settled in and around Baltimore, though other cities have received larger influxes, likely because they’re experiencing more job growth.

CASA, an immigrant advocacy group based in Maryland, has been in contact with two of the families whose loved ones are among those still missing. Both men — Maynor Suazo Sandoval and Miguel Luna — were husbands and fathers who left their home countries over 15 years ago.

“These construction workers are absolutely essential,” said Gustavo Torres, the organization’s executive director. “In a time when there is so much hatred against the immigrant community, we look to the quiet leadership of Maynor and Miguel and appreciate how they uphold our society so that Americans can live comfortably.”

A key thoroughfare Many port workers and thousands of others used the Key Bridge on a daily basis.

Along with their neighbors, they awoke Tuesday morning to news of its demise and quickly logged onto social media, still in disbelief. They watched video footage showing every detail of the catastrophic collapse, replaying the horrific sequence until it finally seemed real.

Seeing a major piece of their city’s infrastructure crumble like a toy left some Baltimoreans with an uneasy sense of shock, jolted by the realization that anything can happen.

In the days that followed, many residents stopped at various vantage points near the collapse site to survey the wreckage and pay their respects. Some recalled watching the bridge take shape in the 1970s, arching majestically across the water.

“It was always there. It was a landmark,” said Niki Putinski, who spent years living in a small residential neighborhood at the base of the bridge. “I just didn’t think something could bring it down like that.”

The whole city is grieving, said Baltimore Mayor Brandon Scott, whose father moved to Baltimore as a young man to work at the port. But there’s a reason Baltimoreans are known for their grit and perseverance, Scott said.

“You can’t talk about Baltimore — past, present and future — without talking about the port,” he said. “And this will be the latest example of Baltimore bouncing back. That’s really ingrained in us here. We don’t give up, we ignore the noise and we keep that gritty chip on our shoulder.”



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.