Alien Fever Dreams Fuel Peruvian Grave Robbings

Photo by REUTERS/Sebastian Castaneda Purchase Licensing Rights
Photo by REUTERS/Sebastian Castaneda Purchase Licensing Rights
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Alien Fever Dreams Fuel Peruvian Grave Robbings

Photo by REUTERS/Sebastian Castaneda Purchase Licensing Rights
Photo by REUTERS/Sebastian Castaneda Purchase Licensing Rights

Leandro Rivera says he chanced upon the cave in Peru's remote Nazca region that contained hundreds of pre-Hispanic artifacts – including human bodies with elongated heads and what appeared to be only three fingers on each hand.
The plateau is famous for the Nazca lines, incisions on the desert floor forming birds and other animals visible from the air. The ancient geoglyphs have long intrigued anthropologists and exert a powerful fascination over some believers in extraterrestrials.
Nazca is also known for salt flats that dehydrate and preserve human and animal remains, making it the site of important archeological finds that have deepened modern understanding of ancient cultures – and attracted grave robbers.
Rivera was convicted in 2022 of assault on public monuments for unearthing the artifacts. He received a four-year suspended sentence and was fined about 20,000 Peruvian soles ($5,190), short of the maximum penalty of an eight-year prison term.
His haul was thrust into the spotlight last year when two of the mummies ended up in Mexico as the centerpiece of congressional hearings on UFOs and extraterrestrial life. Mexican journalist Jaime Maussan presented the bodies as a sign of life beyond Earth – a claim dismissed by scientists.
In an interview with Reuters, Rivera said he removed as many as 200 sets of remains from the cave, and some bodies had been smuggled out of Peru to France, Spain and Russia.
The presentation of bodies in Mexico – as well as Rivera's claims to have dozens more – have prompted some experts to ask whether Peru is losing the battle to stop the plunder of its archaeological sites to feed a lucrative black market for mummies and other pre-Hispanic artifacts.
"Peru has done a lot of work to try and control this trade," said Christopher Heaney, a Latin American history professor at Penn State University and author of a book on Peruvian mummies. "But this implies that these claims for government success need to be re-examined a bit if objects like (the bodies in Mexico) can leave the country."
Peru's Culture Ministry did not respond to questions about the effectiveness of its efforts to control trafficking.
Reuters was granted rare access to the ministry's anti-smuggling unit at Lima's international airport and spoke to four government officials who said stricter penalties, more resources and better coordination were needed to fight the looting.
The news agency was unable to verify independently key details of Rivera's account. The public prosecutor's office of the culture ministry said in a statement to Reuters that its investigation into Rivera yielded just two altered bodies and two partial sets of bones.
Evelyn Centurion, head of cultural heritage recovery for the ministry, said the government is working on a task force with police, the attorney general, the foreign ministry and other departments to toughen penalties for looting cultural artifacts.
"The looting has not stopped," Centurion said in an interview. "We need greater collaboration from local governments and local authorities to prevent these illicit acts."



DCT Abu Dhabi Launches House of Artisans Design Competition

The competition aims to celebrate the rich heritage of traditional Emirati handicrafts and the artisans behind them. WAM
The competition aims to celebrate the rich heritage of traditional Emirati handicrafts and the artisans behind them. WAM
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DCT Abu Dhabi Launches House of Artisans Design Competition

The competition aims to celebrate the rich heritage of traditional Emirati handicrafts and the artisans behind them. WAM
The competition aims to celebrate the rich heritage of traditional Emirati handicrafts and the artisans behind them. WAM

House of Artisans, an initiative under The Department of Culture and Tourism – Abu Dhabi (DCT Abu Dhabi) which is dedicated to preserving the UAE's rich heritage of craftmanship, has announced an exciting open call for UAE-based designers, creative studios, and design students.

Sponsored by Mubadala, the House of Artisans Design Competition offers a platform for emerging designers and artists in the UAE to showcase their creativity, with the winning design prominently displayed at Mubadala's Headquarters, Emirates News Agency (WAM) reported Thursday.

This unique opportunity invites participants to draw inspiration from the time-honored traditions fostered by House of Artisans, where the skills of Emirati craft have been passed down through generations and are kept alive through training courses, educational workshops, and community events.

The competition aims to celebrate the rich heritage of traditional Emirati handicrafts and the artisans behind them while harnessing innovation in art and furniture design. Mubadala Foundation’s sponsorship of this first edition underscores a shared commitment to support local talent, WAM said.

Participants will work with artisans and handicraft professionals in creating designs that merge the past and present through intricate craftsmanship and contemporary design. Submissions are open until February 9.

Entries can be submitted across the three categories of Art, Furniture Design, and Product Design. For the Art category, participants can submit paintings, sculptures, or any other visual artwork embodying the essence of traditional handicrafts in a contemporary context.

In the Furniture Design category, submissions can include original furniture designs, such as chairs, tables, light fixtures and more, that reflect a blend of traditional craftsmanship and modern aesthetics. For the Product Design category, submissions can include unique products under the theme of ‘everyday household items’, including ceramics, tableware, and accessories.

From the initial pool of applicants, twenty candidates will be shortlisted for a tailored design development program, culminating in the selection of eight winners.

Submissions will be evaluated in a blind-judging process by a panel of experts from art, design, traditional handicrafts, and educational fields, alongside key members from House of Artisans and Mubadala Foundation. To select the winners from each category, entries will be judged based on selection criteria including creativity, craftsmanship, innovation, relevance to the theme, and overall artistic and design merit.