Marmalade Fest Celebrates Quintessential British Breakfast Treat

The Dalemaine awards have become a staple in the world of marmalade. Justine GERARDY / AFP
The Dalemaine awards have become a staple in the world of marmalade. Justine GERARDY / AFP
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Marmalade Fest Celebrates Quintessential British Breakfast Treat

The Dalemaine awards have become a staple in the world of marmalade. Justine GERARDY / AFP
The Dalemaine awards have become a staple in the world of marmalade. Justine GERARDY / AFP

The Japanese ambassador raved about the daffodils and the glorious spring sunshine. The Australian envoy joked about beating the "Poms" at their own game. A life-sized Paddington waved and clapped.
On the steps of a centuries-old country house in northwest England, one of the nation's most eccentric cultural events -- the Dalemain World Marmalade Awards -- was in full swing.
Inside, in an oak-paneled room lined with portraits of family ancestors, winning jars of the quintessentially British fruit preserve covered every surface.
"Excellent marmalade, just cloudy," read one judge's report card. "Good color and set," said another. "Jar should be filled to the top," said a third.
Every January and February, when bitter Seville oranges from Spain are available for a few short weeks, marmalade makers shut themselves away in their kitchens to chop, pulp and boil.
Many of those homemade marmalades -- along with other non-Seville marmalades from as far afield as Hawaii, Japan, Taiwan and Australia -- wind their way to Dalemain, which this year received just under 3,000 pots of the sweet, sticky condiment.
The 2024 competition featured 17 categories, including entries from a Taiwanese orphanage in the children's section and a US women's correctional facility in the newly introduced prison's class.
'We got silver!'
Made by boiling together the juice and peel of citrus fruits, sugar and water, marmalade as we know it now was pioneered commercially in the late 18th century by the Keiller family of Dundee in Scotland.
Spread generously on buttered toast, it is traditionally a staple of British breakfast tables as well the favored sandwich filling of children's character Paddington, a small bear from "deepest, darkest Peru".
"We got a silver, which we're delighted about!" said James Stoddart, a prison rehabilitation worker in northeast England, spotting his jail's entry adorned with a silver star.
Two prisoners had lobbied to take part, inspired by one of their daughters who loved Paddington, he said, even though neither of them had a clue how to make marmalade.
"You're not allowed glass inside prisons so we had to really fight to get it in and get it done," he said, adding that 12 jars were eventually produced, including one that was sent to the little girl.
Founded by Dalemain chatelaine Jane Hasell-McCosh, the awards are held annually at the family's historic house in the Lake District National Park and have raised more than £250,000 ($310,000) for charity.
From just 60 jars from the local area in 2005, there are now spin-off events also taking place in Japan and Australia.
Queen and Paddington
Atsuko Hayashi, owner of The English Kitchen in Tokyo, said the pastime had changed her life by helping her to "connect with people" globally.
For London-based Danish photographer Henrik Knudsen, marmalade making was "a very English thing" which he had happily adopted since living in the UK.
But he said getting it right was not an exact science and the results could be unpredictable.
The clarity could be wrong, the peel might be a bit tough, the texture could be too runny, he said. "That's the charm of it."
Marmalade received an unexpected boost during the 2022 celebrations for Queen Elizabeth II's Platinum Jubilee, when the late monarch took part in a televised comedy sketch with Paddington.
'Broad church'
The skit was a welcome reminder of marmalade's qualities at a time when homemade has never been more popular, said Caroline Hodge, winner of the dark and chunky category.
Mass-produced marmalade had "got sugary and that's not flavor", she said, explaining that she had reduced the sugar content of a recipe handed down to her by an aunt and added ginger, turmeric and all spice.
"It's very emotional because my aunt is no longer here and I'm a bit blown away," she said.
"It's not quite Wimbledon but it's definitely the Oscars," she added.
Entries for the 2024 competition included a host of unusual ingredients from chillies and seaweed to caviar and smoked pineapple.
Retiring head judge Dan Lepard said the awards were a "broad church" happy to embrace "all the citrus fruits in the world" -- not just Seville oranges -- as well as unusual flavorings.
For the overall 2024 winner, Stephen Snead, the honor comes with the added bonus of having his marmalade commercially produced for a year and sold in luxury London department store Fortnum & Mason.
The 52-year-old English accountant who won with two jars -- orange and lime marmalade with red chilies and a lime marmalade with creme de cacao -- said he was overwhelmed to be at Dalemain and see "just how far the marmalade family reaches across the world".
"It's just an absolute thrill," he said.
 



Cultural Development Fund Concludes Participation in 10th Saudi Film Festival

The Saudi Film Festival is a prominent annual event featuring and celebrating diverse films and screenplays that have witnessed remarkable development over the years - SPA
The Saudi Film Festival is a prominent annual event featuring and celebrating diverse films and screenplays that have witnessed remarkable development over the years - SPA
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Cultural Development Fund Concludes Participation in 10th Saudi Film Festival

The Saudi Film Festival is a prominent annual event featuring and celebrating diverse films and screenplays that have witnessed remarkable development over the years - SPA
The Saudi Film Festival is a prominent annual event featuring and celebrating diverse films and screenplays that have witnessed remarkable development over the years - SPA

The Cultural Development Fund (CDF) wrapped up its participation in the 10th annual Saudi Film Festival (SFF). The fund's third consecutive sponsorship of the Saudi Film Festival has come to solidify its role as a key supporter and financial enabler to enrich and stimulate the growth of a vibrant Saudi film sector, according to a CDF news release.
According to the statement, the festival which is celebrating its 10th anniversary was organized by the Saudi Cinema Association in collaboration with the King Abdulaziz Center for World Culture (Ithra) and with the support of the Film Commission. It took place from May 2nd to May 9th in Dhahran.
According to SPA, the fund's active participation in the eight-day Festival featured a pavilion within the Production Market Exhibition, welcoming guests and film enthusiasts and showcasing its financing and non-financing solutions.
Leading the conversation was the "Film Sector Financing Program," a cornerstone initiative through which the fund supports entities across the film sector. This initiative encompasses everything from film and TV content development to infrastructure, heavy equipment, filming equipment, sound, makeup, and more.
Additionally, the fund showcased its suite of non-financing solutions, including its "Consultations" and "Vouchers" services, which enable creatives to enhance their projects' readiness.
As an integral part of its participation in the Production Market, the CDF engaged in a thought-provoking dialogue session titled "Saudi Support Funds" alongside Ithra and the Red Sea Fund. Faris Alaskar, the fund's representative, took centre stage, shedding light on the comprehensive support extended by the Film Sector Financing Program to industry businesses while exploring the promising opportunities within the Kingdom's burgeoning film industry.
The Production Market's closing ceremony witnessed a tribute to the Cultural Development Fund, acknowledging its invaluable sponsorship of the festival and its pivotal role in championing and supporting the film industry.
The Saudi Film Festival is a prominent annual event featuring and celebrating diverse films and screenplays that have witnessed remarkable development over the years. In this year's edition, the film funded by CDF, "Ahlam Alasr," a cinematic creation by the talented Godus Brothers, competed in the "Feature Film" category, captivating audiences as part of the festival's film screening schedule.
The CDF was founded in 2021 to enhance the cultural landscape within Saudi Arabia further. It is organizationally linked to the National Development Fund to promote the development of a self-reliant cultural sector. The fund actively supports various cultural activities and projects, facilitates investment, and seeks to improve the domestic cultural sector's profitability in alignment with the National Culture Strategy and Saudi Vision 2030.


Cultures and Peoples' Festival at Islamic University of Madinah Concludes

500 participating university students represented 95 countries worldwide in the festival - SPA
500 participating university students represented 95 countries worldwide in the festival - SPA
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Cultures and Peoples' Festival at Islamic University of Madinah Concludes

500 participating university students represented 95 countries worldwide in the festival - SPA
500 participating university students represented 95 countries worldwide in the festival - SPA

The Islamic University of Madinah concluded the 12th annual Cultures and Peoples' Festival.

The festival was organized under the slogan "Here is the World" and included 3,114 events and activities for families, children, and the community.
Visitors from all segments of society highly appreciated the events and activities, SPA reported.
The festival organizers confirmed that the current session had an increased number of attendees, which is in line with the significant development the festival has experienced compared to previous years.
They praised the efforts and presentations of 500 participating university students, who represented 95 countries worldwide.


‘Al-Mansur’ Bust Divides Iraq

A crane lifts the bust of Abu Jafar Al-Mansur from the site of an explosion that targeted it in 2005 (AFP)
A crane lifts the bust of Abu Jafar Al-Mansur from the site of an explosion that targeted it in 2005 (AFP)
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‘Al-Mansur’ Bust Divides Iraq

A crane lifts the bust of Abu Jafar Al-Mansur from the site of an explosion that targeted it in 2005 (AFP)
A crane lifts the bust of Abu Jafar Al-Mansur from the site of an explosion that targeted it in 2005 (AFP)

Iraq is debating whether to remove a statue of the Abbasid Caliph Abu Jafar Al-Mansur in central Baghdad. Some argue it’s a cherished symbol, while others say it’s divisive between Shiite and Sunni communities.

Calls to remove the statue coincide with Shiite attempts to make “Eid al-Ghadir” a national holiday, opposed by Sunni parties.

The proposal caused a rift in parliament, with Shiite and Sunni deputies disagreeing on its inclusion without consultation.

The statue of Abu Jafar Al-Mansur was unveiled in Baghdad’s Al-Karkh district in 1977. Created by Iraqi artist Khalid Al-Rahal, it has become a subject of debate over whether it should stay or go.

Calls for its removal have surfaced before, but protection measures were taken, and the voices demanding its removal faded.

However, in 2005, the statue was bombed, attributed to “unknown militants.” It was moved for safety and returned in 2008 during improved security.

Recently, analysts close to the “Coordination Framework” coalition claim the statue angers many Iraqis and argue for its removal.

Public rejection of the proposal has been strong on social media. Iraqi police have deployed around the monument, as seen in widely shared images.

Yet, social media has also seen a resurgence of sectarian tensions, highlighting divisions among Iraq’s communities.

Government representatives have firmly opposed any disrespect towards the statue, emphasizing its importance in Baghdad’s cultural heritage.

“The statue must remain in its place without any form of disrespect or infringement,” Fadel Al-Badrani of the Ministry of Culture told Asharq Al-Awsat.

Al-Badrani highlighted the statue’s significance, noting its role as a symbol cherished by Iraqis and admirers of Baghdad’s history and heritage.

Critics have labeled calls for its removal as “sectarian talk,” reflecting a lack of seriousness in Iraq’s political landscape.


UAE Culture Ministry Partners with Publishing Entities to Support Grant Program

The UAE's Ministry of Culture has announced a collaboration with four publishing entities to empower and support creators within the National Grant Program for Culture and Creativity. WAM
The UAE's Ministry of Culture has announced a collaboration with four publishing entities to empower and support creators within the National Grant Program for Culture and Creativity. WAM
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UAE Culture Ministry Partners with Publishing Entities to Support Grant Program

The UAE's Ministry of Culture has announced a collaboration with four publishing entities to empower and support creators within the National Grant Program for Culture and Creativity. WAM
The UAE's Ministry of Culture has announced a collaboration with four publishing entities to empower and support creators within the National Grant Program for Culture and Creativity. WAM

The Ministry of Culture has announced its collaboration with the Emirates Literature Foundation, Kalimat Group, Fiker Institute and Magrudy Enterprises to empower and support creators within the National Grant Program for Culture and Creativity, launched by the Ministry last year, Emirates News Agency (WAM) reported Thursday.

“The initiative aligns with the UAE's commitment to developing and sustaining its cultural and creative sectors, and to capitalize on investment opportunities in creators who play a pivotal role in building a sustainable creative economy for future generations,” WAM said.

“Under these agreements, the four leading and prestigious entities in the field of literature will work to increase the impact of the program by creating opportunities to support its beneficiaries and introduce their work on local and international platforms within the cultural and creative industries sector, thus achieving sustainable impact,” the news agency added.

Undersecretary of the Ministry of Culture Mubarak Al Nakhi stressed the importance of signing partnership agreements with authorship and publishing institutions.

He said the agreements facilitate the exchange of expertise, enable access to specialists' experience, support the sector's growth sustainably, empower talented writers, including those with unique perspectives and distinguished literary works, and inspire them to pursue further creativity and innovation.

This will support the cultural movement and scene in the UAE and achieve its goals and strategies in spreading knowledge and culture and empowering creators with all tools and means, he added.


Bronze Age Gold Stolen During British Museum Break-in

The gold bracelet is about 3,000 years old and was found in 2011 in East Cambridgeshire by a metal detectorist. Photo: Cambridgeshire County Council
The gold bracelet is about 3,000 years old and was found in 2011 in East Cambridgeshire by a metal detectorist. Photo: Cambridgeshire County Council
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Bronze Age Gold Stolen During British Museum Break-in

The gold bracelet is about 3,000 years old and was found in 2011 in East Cambridgeshire by a metal detectorist. Photo: Cambridgeshire County Council
The gold bracelet is about 3,000 years old and was found in 2011 in East Cambridgeshire by a metal detectorist. Photo: Cambridgeshire County Council

Curators are "devastated" after gold objects dating back 3,000 years to the Bronze Age were stolen from a museum in Britain, BBC reported.

A gold torc and a gold bracelet were stolen during a break-in at Ely Museum on Tuesday.

The museum acquired the torc, valued at £220,000, in 2017 using grants and donations and it said the loss was a "huge blow,” BBC said.

Cambridgeshire Police said it was looking for two suspects on e-scooters who were believed to be involved in the burglary.

"We are devastated by the loss to the museum and to the local heritage of the region,” said Elie Hughes, a museum curator.

"It is a huge blow after the incredible support from the community in acquiring the torc in 2017.

"As a culturally significant object, it cannot be replaced. Our priority now is working with the police to locate the stolen objects."

Both items were found in East Cambridgeshire by metal detectorists, BBC said.


Buraydah to Participate in UNESCO’s 2024 Creative Cities of Gastronomy Conference in Thailand

The flag of Saudi Arabia (Asharq Al-Awsat)
The flag of Saudi Arabia (Asharq Al-Awsat)
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Buraydah to Participate in UNESCO’s 2024 Creative Cities of Gastronomy Conference in Thailand

The flag of Saudi Arabia (Asharq Al-Awsat)
The flag of Saudi Arabia (Asharq Al-Awsat)

Buraydah will join 70 other creative cities worldwide at the UNESCO Creative Cities of Gastronomy Annual Conference 2024, held in Thailand from May 9th to 12th. Through its participation, Buraydah aims to strengthen its global presence and programs as a creative city within UNESCO's Creative Cities Network.

Secretary General of Qassim Chamber Mohammad Al-Hanaya stated that Buraydah's participation in the conference is part of the file plan of Buraydah Creative City, supported and organized by the chamber.

The Qassim Chamber, in collaboration with the Culinary Arts Commission, is responsible for managing and implementing the technical aspects of this file. Buraydah Creative City is a member of the UNESCO Creative Cities Network in gastronomy, SPA reporte.
Al-Hanaya highlighted the commitment of the Saudi leadership to ensuring the Kingdom's active and influential presence in international events across various fields, aligning with Saudi Vision 2030. Executive Liaison Officer for Buraydah Creative City at UNESCO Sulaiman Al-Geffari stated that the city's participation in the conference in Phuket, Thailand, aims to achieve the objectives of joining the Creative Cities Network.

Buraydah will be among more than 70 creative cities in the field of gastronomy from different countries at the conference, with the presence of the Culinary Arts Commission of the Ministry of Culture, Al-Geffari added.
The city seeks to enhance cooperation among member cities, exchange experiences and initiatives, showcase best practices, and explore avenues for developing enhanced elements of creativity and innovation for sustainable urban development, Al-Geffari stated.

Furthermore, Buraydah aims to foster partnerships between gastronomy cities within UNESCO's Creative Cities Network during the conference.

In 2021, Buraydah became a member of UNESCO's Creative Cities Network in the field of gastronomy, making it the first Gulf city and the second Arab city to join the network.


Culinary Arts Commission to Hold 2nd Edition of 'Our Culinary Legacy' Initiative

Culinary Arts Commission to Hold 2nd Edition of 'Our Culinary Legacy' Initiative
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Culinary Arts Commission to Hold 2nd Edition of 'Our Culinary Legacy' Initiative

Culinary Arts Commission to Hold 2nd Edition of 'Our Culinary Legacy' Initiative

The Culinary Arts Commission said the second edition of "Our Culinary Legacy" initiative, which aims to preserve and share Saudi recipes to enrich the local cuisine and preserve the cultural heritage, will be held in July.
The commission aims to create a comprehensive database of digital or printed Saudi recipes.
Following the success of the first edition, which resulted in the publication of the award-winning book "Sufra, Saudi Feast", which earned the Gourmand award in the "Best Hospitality" and "Best Arab Cuisine Cookbook" categories, the commission is now focusing on documenting more traditional Saudi recipes. The spotlight will be on seafood and vegetarian dishes, with recipes available in two new books: "Sufra: Seafood" and "Sufra: Vegetarian Cuisine".
The choice of seafood dishes stems from Saudi Arabia's coastal location, on the Red Sea and Arabian Gulf, which teem with a variety of marine life, according to SPA.

Coastal communities have developed unique culinary traditions using seafood. Through drying, refrigerating, or other preservation methods, coastal flavors and cooking styles have spread throughout the Kingdom, leading to acknowledging the delightful Saudi seafood dishes.
At the same time, the commission acknowledges the Kingdom's abundant indigenous plant-based dishes prepared in different regions and highlighting the bounty of local produce.


Heritage Commission Signs MoU with University of York

The agreement is part of the commission's endeavor to constantly expand archaeological survey and excavation work in Saudi Arabia - SPA
The agreement is part of the commission's endeavor to constantly expand archaeological survey and excavation work in Saudi Arabia - SPA
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Heritage Commission Signs MoU with University of York

The agreement is part of the commission's endeavor to constantly expand archaeological survey and excavation work in Saudi Arabia - SPA
The agreement is part of the commission's endeavor to constantly expand archaeological survey and excavation work in Saudi Arabia - SPA

The Heritage Commission signed a scientific cooperation agreement with the University of York entailing archaeological surveys of prehistoric sites on the Farasan Islands, in Jazan Region, as well as on the Red Sea coast in the southwestern part of the Kingdom of Saudi Arabia.
The agreement helps increase cooperation and the exchange of expertise between the two entities, and stimulates cooperation in preparing periodic reports and scientific studies.
Director General of Archeological Researches and Studies at the Heritage Commission Dr. Abdullah Al-Zahrani signed the agreement on behalf of the commission, while Dr. Jeff Bly, the scientific project manager at the archaeological site, signed it on behalf of the University of York. Commission CEO Dr. Jasser Al-Harbash attended the signing ceremony, SPA reported.
The agreement is part of the commission's endeavor to constantly expand archaeological survey and excavation work in Saudi Arabia by expanding partnerships with international universities and scientific centers specialized in the field of heritage.


Saudi Arabia to Launch Int’l Conference on Arabic Language Education in Seoul

The conference is titled “Challenges and Prospects of Teaching Arabic Language and Literature”
The conference is titled “Challenges and Prospects of Teaching Arabic Language and Literature”
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Saudi Arabia to Launch Int’l Conference on Arabic Language Education in Seoul

The conference is titled “Challenges and Prospects of Teaching Arabic Language and Literature”
The conference is titled “Challenges and Prospects of Teaching Arabic Language and Literature”

The King Salman Global Academy for Arabic Language is partnering with the Korean Association of Arabic Language and Literature and Hankuk University of Foreign Studies to host an international conference in Seoul, South Korea.

The conference is titled “Challenges and Prospects of Teaching Arabic Language and Literature.”

The aim is to improve Arabic language education worldwide, keeping it up-to-date with modern trends.

The conference will focus on six key areas related to teaching Arabic as a second language in South Korea: modern methodologies, teaching materials, evaluation techniques, instructional strategies, and the current state of Arabic-language learning in South Korea.

It’s a chance for experts and educators from Saudi Arabia, South Korea, and beyond to share insights.

This collaboration highlights the importance of these institutions in promoting Arabic language education and Arab culture in South Korea.

By organizing this conference, the King Salman Global Academy for Arabic Language reinforces its role in supporting the Arabic language globally and fostering collaboration with international partners to enhance its teaching and preservation.


Ode to Joy: How Austria Shaped Beethoven's Ninth

A picture of German composer Ludwig van Beethoven in the gift shop of the Beethoven House museum in Baden near Vienna where he spent his summers. Joe Klamar / AFP
A picture of German composer Ludwig van Beethoven in the gift shop of the Beethoven House museum in Baden near Vienna where he spent his summers. Joe Klamar / AFP
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Ode to Joy: How Austria Shaped Beethoven's Ninth

A picture of German composer Ludwig van Beethoven in the gift shop of the Beethoven House museum in Baden near Vienna where he spent his summers. Joe Klamar / AFP
A picture of German composer Ludwig van Beethoven in the gift shop of the Beethoven House museum in Baden near Vienna where he spent his summers. Joe Klamar / AFP

The night Ludwig van Beethoven's monumental Ninth Symphony rang out in a Vienna concert hall for the first time almost exactly two centuries ago, the great German composer was anxious for all to go well.
He needn't have worried. The audience erupted in spontaneous applause during the performance, but Beethoven was already so hard of hearing that he had to be turned around by a musician to notice it, AFP said.
While he was born in Bonn in 1770, Beethoven spent most of his life in Vienna after moving to the Austrian capital as a 22-year-old.
Despite receiving repeated offers to relocate, the legendary composer never left Vienna, where he had found his home from home, surrounded by supportive fans and generous patrons.
"It was the society, the culture that characterized the city that appealed to him so much," said Ulrike Scholda, director of the Beethoven House in nearby Baden.
The picturesque spa town just outside Vienna deeply shaped Beethoven's life -- and the last symphony he would complete, she said.
Under pressure
"In the 1820s, Baden was certainly the place to be", with the imperial family, the aristocracy and a Who's Who of cultural life spending their summers there, Scholda said.
Beyond his hearing loss, Beethoven suffered from various health problems ranging from abdominal pains to jaundice, and regularly went to Baden to recuperate.
Enjoying long walks in the countryside and bathing in Baden's medicinal springs helped him recover, while simultaneously inspiring his compositions.
In the summers leading up to the first public performance of his Ninth Symphony in 1824, Beethoven stayed at what is now known as Baden's Beethoven House, which now serves as a museum.
It was there that he also composed important parts of his final symphony.
A letter Beethoven sent from Baden in September 1823 details the pressure he felt to finalize the symphony to please the Philharmonic Society in London which had commissioned the work, Scholda said.
'Less war, more Beethoven'
Upon completing the symphony in Vienna, weeks of intense preparations followed, including an army of copyists duplicating Beethoven's manuscripts and last-minute rehearsals that culminated in the premiere on May 7, 1824.
The night before, Beethoven rushed from door to door by carriage to "personally invite important people to come to his concert", said historical musicologist Birgit Lodes.
He also managed to "squeeze in a haircut", Lodes added.
At almost double the length of comparable works, Beethoven's Ninth broke the norms of what until then was a "solely orchestral" genre by "integrating the human voice and thus text", musicologist Beate Angelika Kraus told AFP.
His revolutionary idea to incorporate parts of Friedrich von Schiller's lyrical verse "Ode to Joy" paradoxically made his symphony more susceptible to misuse, including by the Nazis and the Communists.
The verses "convey a feeling of togetherness, but are relatively open in terms of ideological (interpretation)," Kraus said.
Since 1985, Beethoven's "Ode to Joy" from the fourth movement has served as the European Union's official anthem.
Outside the Beethoven House in Baden, which is marking the anniversary with a special exhibition, visitor Jochen Hallof said that encountering the Ninth Symphony as a child had led him down a "path of humanism".
"We should listen to Beethoven more instead of waging war," Hallof said.
And on Tuesday night that certainly will be the case, with Beethoven's masterpiece reverberating throughout Europe with anniversary concerts in major venues in Paris, Milan and Vienna.