Saudi Arabia’s ‘Houses of Culture’ Redefine Libraries, Enrich Local Communities

Libraries Commission CEO Dr. Abdulrahman Al-Asim (Asharq Al-Awsat)
Libraries Commission CEO Dr. Abdulrahman Al-Asim (Asharq Al-Awsat)
TT
20

Saudi Arabia’s ‘Houses of Culture’ Redefine Libraries, Enrich Local Communities

Libraries Commission CEO Dr. Abdulrahman Al-Asim (Asharq Al-Awsat)
Libraries Commission CEO Dr. Abdulrahman Al-Asim (Asharq Al-Awsat)

The Saudi Culture Ministry’s Libraries Commission opened another “House of Culture” in one of Asir region’s provinces on Sunday, the second to open this month after one in the Eastern Region.

It’s part of a plan to revamp public libraries into vibrant cultural hubs in the area.

With Saudi Arabia’s cultural scene evolving since the launch of its National Culture Strategy, institutions are keen on embedding culture as a lifestyle.

They're focusing on enhancing the Kingdom’s library sector, with the first two cultural houses opening out of 153 planned across Saudi Arabia. These spaces aim to go beyond book storage, becoming platforms to uplift local communities’ quality of life.

In mid-June 2020, the Culture Ministry launched an initiative to upgrade public libraries nationwide.

The aim is to turn them into modern cultural hubs that cater to all segments of society, offering knowledge, participation, and interaction opportunities.

This move comes after a field study by the ministry on the status of libraries in Saudi Arabia.

Based on the findings, a development plan stretching until 2030 was crafted. The plan aims to establish 153 public libraries across all regions, all following the concept of “House of Culture,” blending library functions with cultural engagement.

On his part, Libraries Commission CEO Dr. Abdulrahman Al-Asim highlighted the need for a fresh approach to libraries.

He emphasized the importance of the new House of Culture concept, which aims to create interactive platforms serving diverse community needs, from education to entertainment and entrepreneurship.

Al-Asim underscored the significance of these cultural houses for Saudi Arabia’s social and cultural sectors, aligning with the goals of “Vision 2030.”

He expressed optimism that these initiatives will bring tangible benefits to society, encouraging investment in hobbies and interests, and fostering a vibrant cultural and social scene.

The cultural houses have diverse sections, including learning areas, a kids’ theater, a main stage, and a library with reading spaces.

Each house also offers innovation and tech spaces, along with essential facilities like prayer rooms, meeting areas, printing and computer services, a café, and a store.

These houses are part of the “Quality of Life” program, a key aspect of Saudi Arabia's Vision 2030 national transformation plan.

They aim to upgrade cultural infrastructure, establish cultural hubs, and improve public libraries to boost Saudi engagement in arts and culture as part of the Kingdom’s long-term vision.



Hong Kong Museum Puts Picasso in Cross-cultural Dialogue

Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
TT
20

Hong Kong Museum Puts Picasso in Cross-cultural Dialogue

Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP

More than a century ago, Pablo Picasso smashed the Sacre-Coeur Basilica in Paris into a web of tangled lines on his canvas, deconstructing reality with the brushstrokes of a master cubist.
At a Hong Kong exhibition opening Saturday, that painting will be shown alongside a more literal form of destruction -- a "gunpowder drawing" by Chinese-born artist Cai Guo-Qiang -- as part of a cross-cultural exchange, AFP said.
"Interest in (Picasso's) life and work hasn't subsided at all, including in Asia" in the half-century since his death, said Doryun Chong, artistic director and chief curator at the M+ museum.
The show will pair more than 60 masterpieces loaned from the Picasso Museum in Paris with around 130 works by Asian and Asian-diasporic artists.
Highlights include "Portrait of a Man" from Picasso's Blue Period, a 1937 horse head sketch for "Guernica" and "Massacre in Korea", a 1951 expressionist anti-war painting.
"Exhibitions on Picasso tend to be very monographic," said Chong, who co-curated the event.
"We felt that it's more productive for understanding Picasso... that we create these unexpected juxtapositions and dialogues."
Cecile Debray, president of the Picasso Museum in Paris, hailed the approach as being "decentered from the Western point of view".
The last major Picasso showcase in Hong Kong, a more straightforward affair, took place in 2012 and drew huge crowds.
In the intervening decade, Picasso's reputation has been dented by the #MeToo movement as critics decried his abusive treatment of wives and girlfriends.
"We are of course very open and honest about the rather disturbing aspects of his biography, but we also shouldn't let that determine the meanings of his whole career," Chong said.
Hong Kong officials have touted the four-month exhibition as part of "Art March", hoping that high-brow events at museums, fairs and auction houses can boost the city's international appeal.
Since opening in late 2021, M+ has seen more than eight million visitors -- a bright spot for Hong Kong's loss-making West Kowloon Cultural District.
Chong said the museum connects visual culture between Asia and the world, citing the example of how Picasso is placed next to self-taught local painter Luis Chan.
Chan, who drew ample inspiration from the Spanish master, was "of the older generation when formal training in art was not possible in Hong Kong".
"Still he felt connected to the center of the art world at the time in Paris, and the very important figure in that context (that is) Picasso."