Saudi Arabia’s ‘Houses of Culture’ Redefine Libraries, Enrich Local Communities

Libraries Commission CEO Dr. Abdulrahman Al-Asim (Asharq Al-Awsat)
Libraries Commission CEO Dr. Abdulrahman Al-Asim (Asharq Al-Awsat)
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Saudi Arabia’s ‘Houses of Culture’ Redefine Libraries, Enrich Local Communities

Libraries Commission CEO Dr. Abdulrahman Al-Asim (Asharq Al-Awsat)
Libraries Commission CEO Dr. Abdulrahman Al-Asim (Asharq Al-Awsat)

The Saudi Culture Ministry’s Libraries Commission opened another “House of Culture” in one of Asir region’s provinces on Sunday, the second to open this month after one in the Eastern Region.

It’s part of a plan to revamp public libraries into vibrant cultural hubs in the area.

With Saudi Arabia’s cultural scene evolving since the launch of its National Culture Strategy, institutions are keen on embedding culture as a lifestyle.

They're focusing on enhancing the Kingdom’s library sector, with the first two cultural houses opening out of 153 planned across Saudi Arabia. These spaces aim to go beyond book storage, becoming platforms to uplift local communities’ quality of life.

In mid-June 2020, the Culture Ministry launched an initiative to upgrade public libraries nationwide.

The aim is to turn them into modern cultural hubs that cater to all segments of society, offering knowledge, participation, and interaction opportunities.

This move comes after a field study by the ministry on the status of libraries in Saudi Arabia.

Based on the findings, a development plan stretching until 2030 was crafted. The plan aims to establish 153 public libraries across all regions, all following the concept of “House of Culture,” blending library functions with cultural engagement.

On his part, Libraries Commission CEO Dr. Abdulrahman Al-Asim highlighted the need for a fresh approach to libraries.

He emphasized the importance of the new House of Culture concept, which aims to create interactive platforms serving diverse community needs, from education to entertainment and entrepreneurship.

Al-Asim underscored the significance of these cultural houses for Saudi Arabia’s social and cultural sectors, aligning with the goals of “Vision 2030.”

He expressed optimism that these initiatives will bring tangible benefits to society, encouraging investment in hobbies and interests, and fostering a vibrant cultural and social scene.

The cultural houses have diverse sections, including learning areas, a kids’ theater, a main stage, and a library with reading spaces.

Each house also offers innovation and tech spaces, along with essential facilities like prayer rooms, meeting areas, printing and computer services, a café, and a store.

These houses are part of the “Quality of Life” program, a key aspect of Saudi Arabia's Vision 2030 national transformation plan.

They aim to upgrade cultural infrastructure, establish cultural hubs, and improve public libraries to boost Saudi engagement in arts and culture as part of the Kingdom’s long-term vision.



Saudi Culture Minister Meets with Indonesian Minister of Creative Economy

The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA
The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA
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Saudi Culture Minister Meets with Indonesian Minister of Creative Economy

The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA
The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA

Saudi Minister of Culture Prince Bader bin Abdullah bin Farhan on Tuesday met with Indonesia’s Minister of Creative Economy Teuku Riefky Harsya in Jakarta.

The ministers discussed cooperation in the creative economy between the two countries through the exchange of artistic and technical expertise in film, fashion, and handicrafts.

They also explored opportunities for collaboration to promote innovation and sustainability.


‘Life Through a Royal Lens’ Exhibition Showcases British Royal Photography

“Life Through a Royal Lens” runs until June 7. (Kensington Palace)
“Life Through a Royal Lens” runs until June 7. (Kensington Palace)
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‘Life Through a Royal Lens’ Exhibition Showcases British Royal Photography

“Life Through a Royal Lens” runs until June 7. (Kensington Palace)
“Life Through a Royal Lens” runs until June 7. (Kensington Palace)

A photography exhibition showcasing more than 100 photographs taken of and by the British Royal Family is on tour following its launch at Kensington Palace.

The “Life Through a Royal Lens” exhibition explores the enduring relationship between the Crown and the camera over 200 years.

It was first launched at Kensington Palace and is now on tour, starting at The Amelia Scott in Tunbridge Wells, according to the BBC.

Jeremy Kimmel, arts, heritage and engagement director at The Amelia Scott, said: “Royal Tunbridge Wells has been shaped by centuries of royal connections, from the first royal visit in the early 1600s to what was then just woodland, to becoming the favorite summer retreat of Princess Victoria.”

He said “Life Through a Royal Lens” was not just about royalty.

“The images reflect moments of national identity, cultural change, and shared experience,” said Kimmel.

The royal family are one of the most photographed families in the world and the exhibition captures state ceremonies and royal tours as well as personal images which share a glimpse of life behind the scenes.

It also features the last public photograph taken of Elizabeth II taken on 6 September 2022, just two days before she died at the age of 96.

Kimmel said: “It was taken at Balmoral Castle before the historic 'kissing of hands' ceremony in which she publicly appointed her 15th British Prime Minister, Liz Truss.”

The public can also view portraits and press photographs from the first three years of King Charles III and Queen Camilla's reign.

The exhibition was created by Historic Royal Palaces, the independent charity that cares for Kensington Palace.

Eleri Lynn, chief curator at Historic Royal Palaces, said the display of images spanning 300 years of family photoshoots, commissioned portraiture and official engagements would embark on a tour planned to span the UK.

“We are thrilled that visitors to ‘Life Through a Royal Lens’ at The Amelia Scott will be able to explore the history behind the iconic image of modern monarchy we know today,” she added.

“Life Through a Royal Lens” runs until June 7.


French Lawmakers Pass Bill Simplifying Return of Colonial-era Art

People sit at a bistro, enjoying the sun in Paris, Thursday, April 9, 2026.(AP Photo/Michel Euler)
People sit at a bistro, enjoying the sun in Paris, Thursday, April 9, 2026.(AP Photo/Michel Euler)
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French Lawmakers Pass Bill Simplifying Return of Colonial-era Art

People sit at a bistro, enjoying the sun in Paris, Thursday, April 9, 2026.(AP Photo/Michel Euler)
People sit at a bistro, enjoying the sun in Paris, Thursday, April 9, 2026.(AP Photo/Michel Euler)

French lawmakers on Monday passed a bill to simplify the return of artworks looted during the colonial era to their countries of origin, AFP reported.

France still has in its possession tens of thousands of artworks and other prized artefacts that it looted from its colonial empire.

The draft legislation to return them was unanimously approved by the lower house National Assembly late on Monday.

The upper house had unanimously passed the measure in January.

President Emmanuel Macron has made it a political promise to return the cultural items, and has gone further than his predecessors in admitting past French abuses in Africa.

Speaking on a visit to the Burkina Faso capital Ouagadougou shortly after taking office in 2017, Macron vowed that France would never again interfere in its former colonies and promised to facilitate the return of African cultural heritage within five years.

Designed to streamline the process, Monday's bill specifically targets property acquired between 1815 and 1972.

Former colonial powers in Europe have slowly been moving to send back some artworks obtained during their imperial conquests -- but France is hindered by its current legislation, which requires every item in the national collection to be voted on individually.

France has been flooded with restitution demands, including from Algeria, Mali and Benin.