US Vows More Returns of Looted Antiquities as Italy Celebrates Latest Haul of 600 Artifacts 

A view of some of the works of art that have been repatriated from the United States of America by the Carabinieri for the Protection of Cultural Heritage (TPC) on display at the Central Institute for Restoration in Rome, Italy, 28 May 2024. (EPA)
A view of some of the works of art that have been repatriated from the United States of America by the Carabinieri for the Protection of Cultural Heritage (TPC) on display at the Central Institute for Restoration in Rome, Italy, 28 May 2024. (EPA)
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US Vows More Returns of Looted Antiquities as Italy Celebrates Latest Haul of 600 Artifacts 

A view of some of the works of art that have been repatriated from the United States of America by the Carabinieri for the Protection of Cultural Heritage (TPC) on display at the Central Institute for Restoration in Rome, Italy, 28 May 2024. (EPA)
A view of some of the works of art that have been repatriated from the United States of America by the Carabinieri for the Protection of Cultural Heritage (TPC) on display at the Central Institute for Restoration in Rome, Italy, 28 May 2024. (EPA)

Italy on Tuesday celebrated the return of around 600 antiquities from the US, including ancient bronze statues, gold coins, mosaics and manuscripts valued at 60 million euros ($65 million), that were looted years ago, sold to US museums, galleries and collectors and recovered as a result of criminal investigations.

US Ambassador Jack Markell, Matthew Bogdanos, the head of the antiquities trafficking unit of the New York district attorney's office, and members of the US Homeland Security Investigations department were on hand for the presentation alongside the leadership of Italy’s Culture Ministry and Carabinieri art squad.

It was the latest presentation of the fruits of Italy’s decades-old effort to recover antiquities that were looted or stolen from its territory by “tombaroli” tomb raiders, sold to antiquities dealers who often forged or fudged provenance records to resell the loot to high-end buyers, auction houses and museums.

Markell said that Washington was committed to returning the stolen loot “to where it belongs” as a sign of respect for Italy and its cultural and artistic heritage.

“We know that safeguarding this history requires care and vigilance, and this is why we do what we do,” he said, adding that the US was keeping a close eye on the latest target for art traffickers: Ukraine.

Not included in the latest haul from the US was the “Victorious Youth” ancient Greek bronze statue, the object of a decades-long court battle between Italy and the Malibu, California-based Getty Museum. The prized statue recently made headlines anew when the European Court of Human Rights strongly backed Italy's right to seize it, reaffirming that it had been illegally exported from Italy.

Bogdanos and Homeland Security officials declined to comment on whether or when the “Victorious Youth” might be returned, saying it's part of an ongoing investigation.

Among the most valuable artifacts on display Tuesday was a fourth-century Naxos silver coin depicting god of wine Dionysius that was looted from an illicit excavation site in Sicily before 2013 and smuggled to the United Kingdom. Bogdanos said the coin, which was being offered for sale for $500,000, was found in New York last year as part of an investigation into a noted British coin dealer.

He said that other items were returned from New York’s Metropolitan Museum of Art and some of the well-known New York philanthropists who donated artifacts to its collections that turned out to have been stolen.

The returned artifacts, ranging from the ninth century B.C. to the second century, also included a life-sized bronze figure, as well as bronze heads and multiple Etruscan vases. Other items, including oil paintings from the 16th and 19th centuries, had been stolen from Italian museums, religious institutions and private homes in well-documented thefts, the carabinieri said.

Bogdanos, who forged an alliance with the Italian carabinieri art squad as they tried to recover Iraq’s stolen antiquities after the US invasion, said that Washington doesn’t distinguish between items taken during illicit excavations or those stolen in thefts: it all amounts to looting.

“Looting is local,” Bogdanos said. Locals “know when the security guards come on, they know when they come off. They know when the security guards are guarding particular sites and not others. They know when there are scientific, proper, approved archeological excavations, and then they know when those archaeological excavations close for example, for the winter or for lack of funding.”

Given that, he said, there will always be looting.

“Our job is to minimize it, increase the risk to those who would engage in this traffic, convict them and where appropriate, sentence them,” Bogdanos said.



Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
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Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP

Kosovo's oldest cinema has been dark and silent for years as the famous theater slowly disintegrates under a leaky roof.

Signs warn passers-by in the historic city of Prizren that parts of the Lumbardhi's crumbling facade could fall while it waits for its long-promised refurbishment.

"The city deserves to have the cinema renovated and preserved. Only junkies gathering there benefit from it now," nextdoor neighbor butcher Arsim Futko, 62, told AFP.

For seven years, it waited for a European Union-funded revamp, only for the money to be suddenly withdrawn with little explanation.

Now it awaits similar repairs promised by the national government that has since been paralyzed by inconclusive elections in February.

And it is anyone's guess whether the new government that will come out of Sunday's snap election will keep the promise.

'Collateral damage'

Cinema director Ares Shporta said the cinema has become "collateral damage" in a broader geopolitical game after the EU hit his country with sanctions in 2023.

The delayed repairs "affected our morale, it affected our lives, it affected the trust of the community in us," Shporta said.

Brussels slapped Kosovo with sanctions over heightened tensions between the government and the ethnic Serb minority that live in parts of the country as Pristina pushed to exert more control over areas still tightly linked to Belgrade.

Cultural institutions have been among the hardest-hit sectors, as international funding dried up and local decisions were stalled by the parliamentary crisis.

According to an analysis by the Kosovo think tank, the GAP Institute for Advanced Studies, sanctions have resulted in around 613 million euros ($719 million) being suspended or paused, with the cultural sector taking a hit of 15-million-euro hit.

'Ground zero'

With political stalemate threatening to drag on into another year, there are warnings that further funding from abroad could also be in jeopardy.

Since February's election when outgoing premier Albin Kurti topped the polls but failed to win a majority, his caretaker government has been deadlocked with opposition lawmakers.

Months of delays, spent mostly without a parliament, meant little legislative work could be done.

Ahead of the snap election on Sunday, the government said that more than 200 million euros ($235 million) will be lost forever due to a failure to ratify international agreements.

Once the top beneficiary of the EU Growth Plan in the Balkans, Europe's youngest country now trails most of its neighburs, the NGO Group for Legal and Political Studies' executive director Njomza Arifi told AFP.

"While some of the countries in the region have already received the second tranches, Kosovo still remains at ground zero."

Although there have been some enthusiastic signs of easing a half of EU sanctions by January, Kurti's continued push against Serbian institutions and influence in the country's north continues to draw criticism from both Washington and Brussels.

'On the edge'

Across the river from the Lumbardhi, the funding cuts have also been felt at Dokufest, a documentary and short film festival that draws people to the region.

"The festival has had to make staff cuts. Unfortunately, there is a risk of further cuts if things don't change," Dokufest artistic director Veton Nurkollari said.

"Fortunately, we don't depend on just one source because we could end up in a situation where, when the tap is turned off, everything is turned off."

He said that many in the cultural sector were desperate for the upcoming government to get the sanctions lifted by ratification of the agreements that would allow EU funds to flow again.

"Kosovo is the only one left on the edge and without these funds."


Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa
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Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

The Saudi Ministry of Culture concluded the project to survey, document, and archive intangible cultural heritage in Al-Ahsa Governorate by holding a workshop in the governorate, attended by stakeholders and relevant entities, as part of the ministry’s efforts to preserve national cultural heritage and strengthen Saudi cultural identity, reported the Saudi Press Agency on Thursday.

The project included a field survey covering various cities and villages across Al-Ahsa, during which diverse elements of intangible cultural heritage were identified and documented. These included oral traditions, performing arts, skills associated with traditional cultural crafts, social practices, and knowledge related to nature and the local environment.

The work was carried out in cooperation with concerned entities, specialized experts, and local practitioners.

The workshop reviewed the project’s final outcomes and presented reports on documentation and digital archiving activities.

It discussed mechanisms to ensure the sustainability of these efforts and the transmission of this cultural legacy to future generations, contributing to greater community awareness of the value and importance of intangible cultural heritage.


Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA
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Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA

Hail Region pavilion at the Ministry of Interior’s Security Oasis exhibition, part of the 10th King Abdulaziz Camel Festival in Al-Sayahid, features heritage artifacts that reflect the region's renowned hospitality.

The display includes ancient trays and copperware from nearly seventy years ago.

According to SPA, these traditional food preparation and serving vessels have garnered significant interest from visitors. They document daily life in old Hail and its deep-rooted social traditions, particularly in gatherings and special occasions.

The pavilion aims to connect visitors to Hail's history and social legacy, fostering appreciation for national heritage and ensuring cultural preservation for future generations.