Greece is Buoyed by Turkish Official's Comments about Parthenon Sculptures Taken by Britain

The antiquities, also known as the Elgin Marbles, were removed in the early 19th century by Lord Elgin - The AP
The antiquities, also known as the Elgin Marbles, were removed in the early 19th century by Lord Elgin - The AP
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Greece is Buoyed by Turkish Official's Comments about Parthenon Sculptures Taken by Britain

The antiquities, also known as the Elgin Marbles, were removed in the early 19th century by Lord Elgin - The AP
The antiquities, also known as the Elgin Marbles, were removed in the early 19th century by Lord Elgin - The AP

One of the world’s most intractable cultural disputes is back in the spotlight after a Turkish official cast doubt on the existence of proof long cited by Britain that it had legally acquired the Parthenon Marbles, 2,500-year-old sculptures taken from the Acropolis in Athens.

Greece's culture minister said the comments made at a UNESCO meeting in Paris last week on the return of cultural property bolster Greece's argument that the sculptures were illegally removed from the Parthenon temple on the Acropolis and should be returned.

The antiquities, also known as the Elgin Marbles, were removed in the early 19th century by Lord Elgin, Britain's ambassador to the Ottoman Empire which ruled Greece at the time, and are housed in the British Museum in London. Greece has long campaigned for their return.

The museum maintains Elgin removed the sculptures legally after Ottoman authorities granted him an imperial edict, or “firman,” allowing him do so.

But Zeynep Boz, the head of the Turkish Culture Ministry’s anti-smuggling committee, said at a meeting of UNESCO's Intergovernmental Committee for Promoting the Return of Cultural Property in Paris that no such document has been found.

As the successor to the Ottoman Empire, "Türkiye is the country that would have the archived document pertaining to things that were sold legally at that time,” Boz told The Associated Press Wednesday. “Historians have for years searched the Ottoman archives and have not been able to find a ‘firman’ proving that the sale was legal, as it is being claimed.”

Boz added she felt obliged to intervene during the UNESCO meeting after a British participant said in his speech that the Elgin Marbles were bought legally during the Ottoman era.

“To have remained silent would have amounted to acknowledging the British claim,” she said. “I had to say: ‘We are not aware of such a document’.”

The only known existing document referring to the imperial edict is an Italian translation.

However, Boz said it has “no signature, no stamp, no tughra (official seal of the sultan). Nothing to make it official. The document it allegedly refers to is nowhere to be found.”

While ties between Greece and Türkiye are often strained and the two countries are at odds over a wide series of issues, including territorial claims, both seek the return of cultural artifacts removed from their territories and currently housed in museums around the world.

Greek Culture Minister Lina Mendoni said the comments bolstered Greece’s argument that Elgin illegally removed the sculptures.

“There never was an Ottoman ‘firman’ granting Elgin the permission to treat the Parthenon Sculptures with the brutality with which he did,” Mendoni said Tuesday. “Türkiye's representative (at the UNESCO meeting) confirmed what the Greek side has been arguing for years. That there was no ‘firman’.”

Mendoni said Greece remained “open to dialogue” and would continue its efforts for the return of the sculptures, which have a place set aside for them in the Acropolis Museum in Athens.

While the British Museum is banned by law from permanently returning the sculptures, its leaders have held talks in the recent past with Greek officials about a possible compromise that could see the sculptures displayed in both Athens and London.

Those efforts suffered a setback last November, when a diplomatic spat erupted over the marbles and British Prime Minister Rishi Sunak abruptly canceled a planned meeting with his Greek counterpart, Kyriakos Mitsotakis.

Asked about Boz's comments, the British Museum referred to a statement it gave to the UNESCO meeting reiterating its desire for a “Parthenon partnership” to resolve the dispute, and said it had nothing more to add.

“The British Museum recognizes the strong desire of Greece for the Parthenon Sculptures in London to be returned to Athens,” the statement said. “This is a question with a very long history, and we understand and respect the strong feelings that this debate commands."

It said it was “keen to develop a new relationship with Greece — a ‘Parthenon partnership’ — and to explore the possibility of innovative ways of working (with our Greek friends) in the hope that understanding of the Parthenon Sculptures deepens and continues to inspire people across the world.”



Has a Waltz Written by Composer Frederic Chopin Been Discovered in an NYC Museum?

A previously unknown musical manuscript, possibly by Frederic Chopin, rests in a display case after it was discovered at The Morgan Library & Museum, Wednesday, Nov. 13, 2024, in New York. (AP)
A previously unknown musical manuscript, possibly by Frederic Chopin, rests in a display case after it was discovered at The Morgan Library & Museum, Wednesday, Nov. 13, 2024, in New York. (AP)
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Has a Waltz Written by Composer Frederic Chopin Been Discovered in an NYC Museum?

A previously unknown musical manuscript, possibly by Frederic Chopin, rests in a display case after it was discovered at The Morgan Library & Museum, Wednesday, Nov. 13, 2024, in New York. (AP)
A previously unknown musical manuscript, possibly by Frederic Chopin, rests in a display case after it was discovered at The Morgan Library & Museum, Wednesday, Nov. 13, 2024, in New York. (AP)

The brooding waltz was carefully composed on a sheet of music roughly the size of an index card. The brief, moody number also bore an intriguing name, written at the top in cursive: “Chopin.”

A previously unknown work of music penned by the European master Frederic Chopin appears to have been found at the Morgan Library & Museum in Manhattan.

The untitled and unsigned piece is on display this month at the opulently appointed institution, which had once been the private library of financier J. P. Morgan.

Robinson McClellan, the museum curator who uncovered the manuscript, said it's the first new work associated with the Romantic era composer to be discovered in nearly a century.

But McClellan concedes that it may never be known whether it is an original Chopin work or merely one written in his hand.

The piece, set in the key of A minor, stands out for its “very stormy, brooding opening section” before transitioning to a melancholy melody more characteristic of Chopin, McClellan explained.

“This is his style. This is his essence,” he said during a recent visit to the museum. “It really feels like him.”

McClellan said he came across the work in May as he was going through a collection from the late Arthur Satz, a former president of the New York School of Interior Design. Satz had acquired it from A. Sherrill Whiton Jr., an avid autograph collector who had been director of the school.

McClellan then worked with experts to verify its authenticity.

The paper was found to be consistent with what Chopin favored for manuscripts, and the ink matched a kind typical in the early 19th century when Chopin lived, according to the museum. But a handwriting analysis determined the name “Chopin” written at the top of the sheet was penned by someone else.

Born in Poland, Chopin was considered a musical genius from an early age. He lived in Warsaw and Vienna before settling in Paris, where he died in 1849 at the age of 39, likely of tuberculosis.

He’s buried among a pantheon of artists at the city’s famed Père Lachaise Cemetery, but his heart, pickled in a jar of alcohol, is housed in a church in Warsaw, in keeping with his deathbed wish for the organ to return to his homeland.

Artur Szklener, director of the Fryderyk Chopin Institute in Warsaw, the Polish capital city where the composer grew up, agreed that the document is consistent with the kinds of ink and paper Chopin used during his early years in Paris.

Musically, the piece evokes the “brilliant style” that made Chopin a luminary in his time, but it also has features unusual for his compositions, Szklener said.

“First of all, it is not a complete work, but rather a certain musical gesture, a theme laced with rather simple piano tricks alluding to a virtuoso style,” Szklener explained in a lengthy statement released after the document was revealed last month.

He and other experts conjecture the piece could have been a work in progress. It may have also been a copy of another's work, or even co-written with someone else, perhaps a student for a musical exercise.

Jeffrey Kallberg, a University of Pennsylvania music professor and Chopin expert who helped authenticate the document, called the piece a “little gem” that Chopin likely intended as a gift for a friend or wealthy acquaintance.

“Many of the pieces that he gave as gifts were short – kind of like ‘appetizers’ to a full-blown work,” Kallberg said in an email. “And we don’t know for sure whether he intended the piece to see the light of day because he often wrote out the same waltz more than once as a gift.”

David Ludwig, dean of music at The Juilliard School, a performing arts conservatory in Manhattan, agreed the piece has many of the hallmarks of the composer’s style.

“It has the Chopin character of something very lyrical and it has a little bit of darkness as well,” said Ludwig, who was not involved in authenticating the document.

But Ludwig noted that, if it's authentic, the tightly composed score would be one of Chopin’s shortest known pieces. The waltz clocks in at under a minute long when played on piano, as many of Chopin’s works were intended.

“In terms of the authenticity of it, in a way it doesn’t matter because it sparks our imaginations,” Ludwig said. “A discovery like this highlights the fact that classical music is very much a living art form.”

The Chopin reveal comes after the Leipzig Municipal Libraries in Germany announced in September that it had uncovered a previously unknown piece likely composed by a young Wolfgang Amadeus Mozart in its collections.