Gaza Heritage and Destruction on Display in Paris

This photograph shows antiques on display during the installation of the archaeological heritage exhibition "Treasures saved from Gaza - 5000 years of history" (Tresors sauves de Gaza - 5000 ans d'histoire) at the Institut du Monde Arabe, in Paris, on March 31, 2025. (Photo by JULIEN DE ROSA / AFP)
This photograph shows antiques on display during the installation of the archaeological heritage exhibition "Treasures saved from Gaza - 5000 years of history" (Tresors sauves de Gaza - 5000 ans d'histoire) at the Institut du Monde Arabe, in Paris, on March 31, 2025. (Photo by JULIEN DE ROSA / AFP)
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Gaza Heritage and Destruction on Display in Paris

This photograph shows antiques on display during the installation of the archaeological heritage exhibition "Treasures saved from Gaza - 5000 years of history" (Tresors sauves de Gaza - 5000 ans d'histoire) at the Institut du Monde Arabe, in Paris, on March 31, 2025. (Photo by JULIEN DE ROSA / AFP)
This photograph shows antiques on display during the installation of the archaeological heritage exhibition "Treasures saved from Gaza - 5000 years of history" (Tresors sauves de Gaza - 5000 ans d'histoire) at the Institut du Monde Arabe, in Paris, on March 31, 2025. (Photo by JULIEN DE ROSA / AFP)

A new exhibition opening in Paris on Friday showcases archaeological artifacts from Gaza, once a major commercial crossroads between Asia and Africa, whose heritage has been ravaged by Israel's ongoing onslaught.

Around a hundred artifacts, including a 4,000-year-old bowl, a sixth-century mosaic from a Byzantine church and a Greek-inspired statue of Aphrodite, are on display at the Institut du Monde Arabe.

The rich and mixed collection speaks to Gaza's past as a cultural melting pot, but the show's creators also wanted to highlight the contemporary destruction caused by the war, sparked by Hamas's attack on Israel in October 2023, AFP reported.

"The priority is obviously human lives, not heritage," said Elodie Bouffard, curator of the exhibition, which is titled "Saved Treasures of Gaza: 5,000 Years of History".

"But we also wanted to show that, for millennia, Gaza was the endpoint of caravan routes, a port that minted its own currency, and a city that thrived at the meeting point of water and sand," she told AFP.

One section of the exhibition documents the extent of recent destruction.

Using satellite image, the UN's cultural agency UNESCO has already identified damage to 94 heritage sites in Gaza, including the 13th-century Pasha's Palace.

Bouffard said the damage to the known sites as well as treasures potentially hidden in unexplored Palestinian land "depends on the bomb tonnage and their impact on the surface and underground".

"For now, it´s impossible to assess."

The attacks by Hamas militants on Israel in 2023 left 1,218 dead. In retaliation, Israeli operations have killed more than 50,000 Palestinians and devastated the densely populated territory.

The story behind "Gaza´s Treasures" is inseparable from the ongoing wars in the Middle East.

At the end of 2024, the Institut du Monde Arabe was finalising an exhibition on artifacts from the archaeological site of Byblos in Lebanon, but Israeli bombings on Beirut made the project impossible.

"It came to a sudden halt, but we couldn´t allow ourselves to be discouraged," said Bouffard.

The idea of an exhibition on Gaza´s heritage emerged.

"We had just four and a half months to put it together. That had never been done before," she explained.

Given the impossibility of transporting artifacts out of Gaza, the Institut turned to 529 pieces stored in crates in a specialized Geneva art warehouse since 2006. The works belong to the Palestinian Authority, which administers the West Bank.

The Oslo Accords of 1993, signed by the Palestine Liberation Organization and Israel, helped secure some of Gaza's treasures.

In 1995, Gaza´s Department of Antiquities was established, which oversaw the first archaeological digs in collaboration with the French Biblical and Archaeological School of Jerusalem (EBAF).

Over the years, excavations uncovered the remains of the Monastery of Saint Hilarion, the ancient Greek port of Anthedon, and a Roman necropolis - traces of civilizations spanning from the Bronze Age to Ottoman influences in the late 19th century.

"Between Egypt, Mesopotamian powers, and the Hasmoneans, Gaza has been a constant target of conquest and destruction throughout history," Bouffard noted.

In the 4th century BC, Greek leader Alexander the Great besieged the city for two months, leaving behind massacres and devastation.

Excavations in Gaza came to a standstill when Hamas took power in 2007 and Israel imposed a blockade.

Land pressure and rampant building in one of the world's most densely populated areas has also complicated archaeological work.

And after a year and a half of war, resuming excavations seems like an ever-more distant prospect.

The exhibition runs until November 2, 2025.



Jazan Festival 2026 Kicks Off Thursday with Grand Parade

his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
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Jazan Festival 2026 Kicks Off Thursday with Grand Parade

his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA

The Jazan Festival 2026 will launch on Thursday in a carnival anticipated by thousands of visitors from within the region and beyond.

The festival will open with a grand celebratory parade starting at 3:45 p.m. along the Jazan city waterfront, signaling the start of an entertainment and cultural season that will extend for several months, according to SPA.

This year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity, from its towering green mountains and golden beaches to its picturesque islands, alongside the authenticity of its rich heritage, complemented by modern touches in entertainment programs designed to meet the aspirations of all age groups.

Performing arts inspired by local folklore will add an authentic dimension, while moving installations will flow in harmonious rhythm.

Completing the visual spectacle, integrated light and sound shows will create an enchanting atmosphere before the festivities conclude with a dazzling fireworks display lighting up the Jazan sky in vibrant colors.


UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
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UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA

The United Nations Educational, Scientific and Cultural Organization (UNESCO) Chair in Translating Cultures at the King Faisal Center for Research and Islamic Studies (KFCRIS), with support from the Literature, Publishing, and Translation Commission, organized a training course and a series of specialized lectures on the translation and safeguarding of intangible cultural heritage, SPA reported.

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application, opening space for in-depth discussion of the challenges of translating intangible heritage as a living, evolving form of culture closely tied to its cultural, social, and performative contexts.

The course and lectures adopted a comprehensive approach that views translation as a cultural tool for preserving oral memory and building bridges between local specificity and the global sphere.

This approach was reflected through applied models, field experiences, and contemporary conceptual frameworks.


Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
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Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.

A boat belonging to an Egyptian pharaoh is being assembled in full view at the Grand Egyptian Museum’s exhibition hall.

Staff began piecing together the cedarwood boat, one of two that were found that belong to King Khufu, Tuesday morning as dozens of visitors watched.

The assembly of the 42-meter (137-foot) -long vessel, which sits next to its already-assembled twin that has been on display, is expected to take around four years, according to Issa Zeidan, head of restoration at the Grand Egyptian Museum. It contains 1,650 wooden pieces.

King Khufu ruled ancient Egypt more than 4,500 years ago and built the Great Pyramid of Giza.

“You’re witnessing today one of the most important restoration projects in the 21st century,” said Tourism and Antiquities Minister Sherif Fathy, who attended the event.

The $1 billion museum, also known as GEM, was touted as the world’s largest when it was lavishly inaugurated last month. It's home to nearly 50,000 artifacts, including the collection of treasures from the tomb of the famed King Tutankhamun, which was discovered in 1922. The museum, located near the pyramids at the edge of Cairo, is expected to boost Egypt’s tourism revenues and help bolster its economy.

The boat was one of two discovered in 1954, opposite the southern side of the Great Pyramid. The excavation of its wooden parts began in 2014, according to the museum’s website.

The exact purpose of the boats remains unclear, but experts believe they were either used to transport King Khufu’s body during his funeral or were meant to be used for his afterlife journey with the sun god Ra, according to the museum.