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Louvre Abu Dhabi Reveals Jury Panel, Shortlisted Artists for Art Here 2024 and Richard Mille Art Prize

The Louvre museum in Abu Dhabi. Reuters
The Louvre museum in Abu Dhabi. Reuters
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Louvre Abu Dhabi Reveals Jury Panel, Shortlisted Artists for Art Here 2024 and Richard Mille Art Prize

The Louvre museum in Abu Dhabi. Reuters
The Louvre museum in Abu Dhabi. Reuters

Louvre Abu Dhabi and Swiss watchmaking brand Richard Mille have announced the jury and shortlisted artists for the fourth edition of the much-anticipated annual exhibition and competition, Art Here 2024 and the Richard Mille Art Prize, Emirates News Agency (WAM) reported Thursday.

The jury for this year’s edition, now expanded to include North Africa alongside the GCC, comprises distinguished members from diverse backgrounds in the cultural world, each bringing a unique perspective to the selection process, WAM said.

Returning to the jury are Sheikh Zayed bin Sultan bin Khalifa Al Nahyan, Adviser to the Ministry of Foreign Affairs (MoFA), Founder and Chairman of the satellite art platform ‘UAE Unlimited’, a prominent patron and collector of the arts and a board member of the British Museum and Centre Pompidou for the acquisition of Middle Eastern Art, in addition to Guilhem André, Scientific Curatorial and Collection Management Director at Louvre Abu Dhabi, a seasoned museum professional, and art historian.

New jury members include Simon Njami, independent curator, lecturer, art critic and novelist; Nujoom Alghanem, a renowned Emirati poet, artist and multi-award-winning film director; and Maya Allison, Founding Director of the Art Gallery and Chief Curator at New York University Abu Dhabi.

This year, Louvre Abu Dhabi and guest curator, Simon Njami, invited artists to respond to the theme Awakenings. The shortlisted artists are tasked with translating the concept of openness into visual forms. Openness signifies beginnings where possibilities are available at any given moment and implies the choices and decisions that lead to the direction one chooses to follow. The shortlisted artists will produce sculptures or audiovisual installations that address questions of today and the near future. Produced artworks will be showcased at the museum from September 20 to December 15.

Director of Louvre Abu Dhabi Manuel Rabaté said the collaboration with Richard Mille for the fourth year “enables the museum to continuously innovate and present new, creative themes, such as Awakenings, inviting artists to engage in and translate the concept of openness into visual forms.”

“Notably, for the first time, our open call extended to North Africa, underscoring our dedication to expanding to new geographies, and we are happy to produce and display the artworks of five shortlisted artists. This initiative reaffirms our commitment to enriching the region’s cultural ecosystem and our mission to narrate stories from diverse cultures around the globe.”

This year's edition has attracted submissions from a wide array of talent residing across the UAE, GCC, North Africa, and beyond. Works by five exceptional artists from the UAE, Tunisia and Egypt, have been shortlisted from 230 total submissions to be featured in the 2024 Art Here exhibition, each bringing unique perspectives and artistic practices. These artists' works will be showcased at Louvre Abu Dhabi from September 20, each competing for the prestigious Richard Mille Art Prize and its accompanying $60,000 cash award, WAM said.

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Culture

In Senegal, the Bastion of the Region’s Francophonie, French Is Giving Way to Local Languages

A man sits outside a stationary store with French signs in Dakar, Senegal, Thursday, Oct. 3, 2024. (AP)
A man sits outside a stationary store with French signs in Dakar, Senegal, Thursday, Oct. 3, 2024. (AP)
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In Senegal, the Bastion of the Region’s Francophonie, French Is Giving Way to Local Languages

A man sits outside a stationary store with French signs in Dakar, Senegal, Thursday, Oct. 3, 2024. (AP)
A man sits outside a stationary store with French signs in Dakar, Senegal, Thursday, Oct. 3, 2024. (AP)

For decades Senegal, a former French colony in West Africa, has been touted as the bastion of the French language in the region. Leopold Sedar Senghor, the country’s first president and a poet, is considered one of the founding fathers of the concept of Francophonie, a global alliance of French-speaking countries.

But many say a shift is underway. While French remains the country’s official language, inscribed into its constitution, its influence is waning. It is giving way to Wolof, the most widely spoken local language — and not just on the street, where the latter has always been dominant, but in the halls of power: government offices, university corridors and mainstream media.

As the French president hosts the annual Francophonie summit north of Paris, Senegal’s president is not attending in person. He sent the foreign minister as his representative instead.

“Wolof is on the rise because Senegalese people want to be seen,” said Adjaratou Sall, professor of Linguistics at the Cheikh Anta Diop University in Dakar, who began researching the Wolof language in 1998. “They want to detach themselves from the colonial heritage and reclaim their own cultural identity.”

There are 25 languages in Senegal. Six of them have the status of national languages, but Wolof is largely dominant. Out of the population of 17 million people, over 12 million speak Wolof, compared to around 4 million French speakers.

But like in most former colonies, French has traditionally been the language of Senegalese political and cultural elites. The vast majority of schools across the country and all universities are French speaking. All official documents are issued in French. With the education rate in Senegal at around 60%, this excludes a large part of the population.

President Bassirou Diomaye Faye, the youngest elected leader in Africa, was voted in six months ago on an anti-establishment platform, and his rise reflected the frustration of the Senegalese youth with the traditional, elderly political class. He has made a point in making all of his official speeches in both languages, French and Wolof, and pledged to give local languages the primary role in schools, with French introduced later.

The shift comes as most West African nations are rethinking their relationship with France, which is losing its clout in the region. In some cases, like in Burkina Faso and Mali, which are ruled by military juntas, the divorce with the French language has been abrupt: They dropped French as the official language and banned many French-speaking media outlets.

The decline of French in Senegal has been more subtle. But to a careful observer, the signs are everywhere: More and more billboards are either bilingual, or in Wolof. Although all university courses are still conducted in French, Sall said that professors and students speak Wolof to each other in the corridors, which would have been unthinkable when she started working. Some Senegalese writers are publishing their books in Wolof, and not in French.

“Surely, the nationalism which began to take root with the new government is playing a role,” said Fall. “But another important factor has been the revolution in the media, which started with Sud FM.”

Sud FM, the first private radio station in Senegal, started broadcasting programs in Wolof in 1994. The morning news program in Wolof now has over 2 million listeners, said its director, Baye Oumar Gueye.

“We replied to a real need: providing information to the population, who does not speak French,” Gueye said in an interview in his office. “They can now participate in the exchange of information.”

He added: “The use of the French language is decreasing. When you want to reclaim your sovereignty, the first thing is to have your own language.”

El Hadj Aip Ndiaye, who has been driving a taxi in Dakar for the past 45 years, said he remembers well the launch of Sud FM. “Everyone listened to it,” he recalled.

Ndiaye, who did not go to school and speaks a very limited French, said he listens to the radio everyday from 5 a.m. until midnight, as he drives across the dusty roads of Dakar in his yellow, rickety taxi.

“Before, all the news on the radio was in French,” he said. “I could not understand it. But with news in Wolof, you can understand what they are saying. You understand the world better, and you can take part in the conversation.”

“People are now proud to speak Wolof,” he said. “Before, when you spoke Wolof, you were judged as a peasant. But now, even our president speaks Wolof a lot, so people are not afraid to speak it.”

But even the biggest proponents of Wolof do not want a revolution. Fall, the linguistics professor, said she dreamed of university courses being held in Wolof, and children being taught in their local language, whether it would be Wolof, Serrer or Peul.

“We will get there, but it's a process,” she said. “And we need French as well. It is the language of openness, which allows us to communicate with others in the region.”