As Gaza War Rages, Palestinian Culture Stifled in Israel

A woman holds a key symbolizing the homes left by Palestinians in 1948, during a rally along the border east of Khan Yunis in the southern Gaza Strip on May 1, 2023 marking the 75th anniversary of the Nakba. (AFP)
A woman holds a key symbolizing the homes left by Palestinians in 1948, during a rally along the border east of Khan Yunis in the southern Gaza Strip on May 1, 2023 marking the 75th anniversary of the Nakba. (AFP)
TT

As Gaza War Rages, Palestinian Culture Stifled in Israel

A woman holds a key symbolizing the homes left by Palestinians in 1948, during a rally along the border east of Khan Yunis in the southern Gaza Strip on May 1, 2023 marking the 75th anniversary of the Nakba. (AFP)
A woman holds a key symbolizing the homes left by Palestinians in 1948, during a rally along the border east of Khan Yunis in the southern Gaza Strip on May 1, 2023 marking the 75th anniversary of the Nakba. (AFP)

Comedian Ayman Nahas said he has kept a "low profile" since October 7, fearing reprisals as an Arab artist in Israel while the country wages war in the Gaza Strip.

He is one of many Arab artists in Israel or annexed east Jerusalem who describe facing increasing hostility and harassment, and fearing looming funding cuts or arrests.

"You never know where your place is and that is not the right atmosphere to perform," said Nahas, who is also the artistic director at the Arabic-language Sard theater in Haifa, in Israel's north.

His theater depends on government subsidies "like 99 percent of cultural spaces" in Israel, he said, AFP reported.

But he fears the money could be cut, as happened in 2015 to Al-Midan, another theater in the mixed Arab-Jewish city of Haifa, after it put on a play inspired by the story of a prisoner jailed by Israel over an attack on troops.

One 25-year-old performer, who asked to use the pseudonym Elias to avoid a backlash, said he has put acting aside and became a swimming pool attendant because he was fed up with only getting stereotyped roles.

Other Arab actors say that since the war, they can no longer find work in Israel.

Elias has finally found a role in Berlin.

"I have had to go into exile to practice my art," he told AFP in a Tel Aviv cafe.

"I don't wear my 'Free Palestine' bracelet anymore and I take care about what I put on social media. I have friends who have been visited by the police."

Non-profit group Mossawa has documented an increase in human rights violations against Israel's Arab minority since October, including arrests, discrimination at work and harassment at schools, as well as curbs on the right to protest.

Singer Dalal Abu Amneh, who is also a neuroscientist, was detained for 48 hours for a social media post after Hamas's October 7 attack that said "the only victor is God".

Abu Amneh later said she had been harassed in her Jewish-majority hometown of Afula in northern Israel. Her lawyer said she had received hundreds of "death threats".

About 20 percent of Israel's 9.5 million inhabitants are Arab, and many of them identify as Palestinian.

They say they are frequently the targets of discrimination by the Jewish majority, and those complaints have grown through more than nine months of war between Israel and Palestinian militants in Gaza.

Huda Imam, who promotes Palestinian cultural sites in Jerusalem, said that "a cultural silence has taken hold since October 7".

"There has been a shock, an inability to produce out of fear and respect" for the war's victims, she added.

"There was a Palestinian cultural life before the war, especially in east Jerusalem," Imam said, referring to the sector Israel captured in 1967 and later annexed in a move never recognised by most of the international community.

"Now people don't go out."

And it is primarily exiles "who give a voice to Palestine", said Imam, highlighting the rapper Saint Levant who played at the Coachella music festival in the United States in April, and the European-based singer and flute player Nai Barghouti.

Palestinians still express themselves through their "living heritage, like drinking coffee or dancing dabkeh," a traditional dance, said artist Hani Amra.

Some artists wondered about the relevance of their work now.

"You turn on the television and you see the war live. The reality is more powerful than any artistic work," Amer Khalil, the director of east Jerusalem's Al-Hakawati, also known as the Palestinian National Theater.

The theater, founded in 1984, "has been closed more than 200 times in 40 years" and is again in the crosshairs of Israeli authorities, said Khalil.

"Running a theatre is always difficult, but after October 7 things became even more complicated," he said, adding that Al-Hakawati was preparing a play about that day.

"It is a game, like censorship, it comes and goes."



Saudi Culture Ministry, King's Foundation Sign Cooperation Agreement to Participate in Year of Handicrafts 2025

The signing ceremony was held in the presence of Saudi Minister of Culture Prince Bader bin Abdullah bin Farhan. SPA
The signing ceremony was held in the presence of Saudi Minister of Culture Prince Bader bin Abdullah bin Farhan. SPA
TT

Saudi Culture Ministry, King's Foundation Sign Cooperation Agreement to Participate in Year of Handicrafts 2025

The signing ceremony was held in the presence of Saudi Minister of Culture Prince Bader bin Abdullah bin Farhan. SPA
The signing ceremony was held in the presence of Saudi Minister of Culture Prince Bader bin Abdullah bin Farhan. SPA

The Saudi Ministry of Culture has signed a cooperation agreement with The King's Foundation to participate in the Year of Handicrafts 2025 initiative through the Foundation's School of Traditional Arts.

The signing ceremony, which was held in the presence of Saudi Minister of Culture Prince Bader bin Abdullah bin Farhan, took place on Wednesday on the sidelines of the Saudi International Handicrafts Week Exhibition (Banan), held at the Roshan Front in Riyadh.

The ministry was represented at the signing ceremony by Deputy Minister of Culture Hamed bin Mohammed Fayez, while the foundation was represented by the director of the King Charles School of Traditional Arts at The King's Foundation, Dr. Khaled Omar Azzam.

The agreement aims to revive and promote handicrafts in the Kingdom in 2025 through collaboration to prepare and implement training programs in the field of crafts in several Saudi regions. A key component of the agreement entails launching the "Regeneration of the Crafts of Saudi Arabia" program, which commences in early January 2025.
The School of Traditional Arts at The King's Foundation will develop a customized program and execute training initiatives focused on design and crafts, primarily to regenerate and renew Saudi craft traditions across different regions of the Kingdom.
The King's Foundation is a charitable, educational institution established in 1986 by Britain’s King Charles, formerly the Prince of Wales.
It aims to teach and demonstrate the principles of urban design and traditional architecture, highlighting the importance of prioritizing the people and communities at the center of the design process.
The Foundation's School of Traditional Arts places significant emphasis on traditional arts and skills through graduate programs and training courses in the creative artistic practice of these arts.
The agreement constitutes a strategic implementation of the Ministry of Culture's commitment to fostering international cultural exchange, which represents a core objective within the comprehensive National Culture Strategy under the framework of Saudi Vision 2030.
Through this agreement, the ministry seeks to support the Year of the Handicrafts 2025 activities by implementing targeted training and development programs in design and craftsmanship for Saudi artisans. This initiative falls under the ministry's broader efforts to enhance craft production across the Kingdom.