Street Art Pops Up Throughout Paris

French street artist Marko93 sprays paint on a piece of artwork, during the 2024 Summer Olympics, Sunday, July 28, 2024, in Paris, France. (AP Photo/Yasin Dar)
French street artist Marko93 sprays paint on a piece of artwork, during the 2024 Summer Olympics, Sunday, July 28, 2024, in Paris, France. (AP Photo/Yasin Dar)
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Street Art Pops Up Throughout Paris

French street artist Marko93 sprays paint on a piece of artwork, during the 2024 Summer Olympics, Sunday, July 28, 2024, in Paris, France. (AP Photo/Yasin Dar)
French street artist Marko93 sprays paint on a piece of artwork, during the 2024 Summer Olympics, Sunday, July 28, 2024, in Paris, France. (AP Photo/Yasin Dar)

Paris is getting a colorful splash of Olympic creative spirit with nearly 30 vibrant street art pieces that have popped up on bustling metro station walls, a large billboard at the airport and in front of city hall.
One shows a drawing of French fencer Ysaora Thibus in action. Another has canoers paddling down the Seine River. Some others include people enjoying themselves in a busy district. The original art was spread throughout Paris and other nearby host cities around the Olympic and Paralympic sites.
“During this time of the Olympics, it’s a lot of energy and people coming from all over the world,” said New York native JonOne, who has lived in Paris for the past three decades and is viewed in the street art world as a graffiti pioneer. He's one of six renowned street artists from four continents whose work is currently on display at train stations, airports, taxis, digital screens and billboards.
The artists were selected through a campaign spearheaded by Visa to help support small businesses. They hail from France (Marko 93 and Olivia De Bona), Brazil (Alex Senna), Australia (Vexta) and the United States (Swoon).
“Why not use street art?” said JonOne, 60, whose artwork can be found in several places in Paris including the Palais Royal–Musee du Louvre station. It took two months with five collaborators to finish the blue, white and red abstract expressionist-style graffiti, which covers 250 square meters (300 square yards) of the wall at the busy station.
“It projects a lot of energies and youth culture,” he said. “It’s a good moment to show our artwork.”
The campaign was designed as an open-air exhibition curated by Nicolas Laugero Lasserre, an expert in urban art. The 28 pieces of original artwork will remain on display until Sept. 8.
“Just like high-level athletes, artists share values of tolerance, open-mindedness, questioning and self-surpassing,” said Lasserre, who has organized over 50 exhibitions with public and private institutions, including an exhibition at the Paris City Hall. “Associating art and sport is one of the cornerstones of Olympism.”
Each creation highlights the spirit of the neighborhoods — such as Saint-Denis, Montmartre and Rue Montorgueil — capturing the vibrancy of cafes, bookstores and shops that have become an essential fabric of Paris and the wider Ile-de-France region. They can also be found at the airports of Lille, Lyon and Marseille, hosts of some Olympic events.
“We asked the artists to show us their version of Paris in the most authentic way,” said Juan Arturo Herrera, a business administrator and marketing executive at Visa International. Last month, he carried the Olympic flame over a 200-meter course in eastern France.
“Street art is the most accessible of arts,” he said. “It's universal. We've seen it for decades now in cities. It has made its way through museums and we wanted to bring it back out. We see this as the biggest exhibition of open-air art in the public space.”
De Bona, a Parisian, feels proud to bring her artwork to her hometown, family and visitors from around the world.
“It was so moving,” she said. “I see how the art makes my city so beautiful. It's a privilege to represent France for all these people who are coming to Paris from all over the world.”
De Bona, 39, remembered when street art and graffiti were not widely accepted by the masses. But now, she's witnessed a positive shift in the perception and within the industry, which was once male-dominated.
“People need pictures in the streets,” she said. “It needs to be welcoming the arts. We are the bridge between people who don't think it fits in the museum. We bring art to the people. This is our way to express ourselves and exist.”
Marko 93 said his passion for street art kept him pushing through the words of skeptics. At a young age, he was intrigued by watching the evolution of graffiti during the 1980s hip-hop era in New York, which he called the “promised land” of graffiti.
“It's all about perseverance,” said the 51-year-old during his live performance, painting a fencer along the Seine. “Art is also about perseverance. This passion pushes us to move forward and beyond our limits.”
One day, JonOne would like to see arts reintroduced as competition at the Olympics.
Art competitions first came into fruition at the 1912 Olympics in Stockholm, with medals awarded in five categories: architecture, literature, music, painting and sculpture. The International Olympic Committee ended the competitions in the 1948 Games, and an attempt to bring it back was denied four years later.
“Artists are like athletes, too,” JonOne said. “I respect athletes in basketball and runners. Art is not really a sport, but it should be included in the Olympics. Just surviving as an artist is an Olympic sport.”



Los Angeles Artists, Collectors Reel from Wildfires

An aerial view of the fire damage caused by the Palisades Fire is shown in the Pacific Palisades, California, US January 22, 2025. REUTERS/Mike Blake
An aerial view of the fire damage caused by the Palisades Fire is shown in the Pacific Palisades, California, US January 22, 2025. REUTERS/Mike Blake
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Los Angeles Artists, Collectors Reel from Wildfires

An aerial view of the fire damage caused by the Palisades Fire is shown in the Pacific Palisades, California, US January 22, 2025. REUTERS/Mike Blake
An aerial view of the fire damage caused by the Palisades Fire is shown in the Pacific Palisades, California, US January 22, 2025. REUTERS/Mike Blake

As the Los Angeles area begins the formidable task of rebuilding after the most destructive wildfires in its history, the city's artists and art collectors are mourning what could amount to billions of dollars in irreplaceable art that went up in flames.
The wildfires have altogether destroyed more than 13,000 structures, with many among those located in the affluent Palisades neighborhood -- home to many priceless art collections -- and the town of Altadena, which was home to a flourishing artist community.
Some of those art collectors likely lost many of their acquisitions as the fires burned out of control for weeks, while local artists have watched as their studios and homes burned, destroying their work and jeopardizing their livelihoods.
"There's part of me that's numb or in shock," said Brad Eberhard, an artist who ran Altadena's Alto Beta gallery, which also housed his own studio. Both burned down in the Eaton Fire. "Every half hour I remember another thing gone."
Alto Beta, a 550-square-foot (51-sq-meter) space in an Altadena shopping center, hosted exhibits focused on artists who had not had a showing in Los Angeles in the past three years.
Eberhard lost between 50 and 70 of his own sculptures as well as about two dozen pieces of art from his friends and colleagues.
When he returned to visit the gallery, "all I recognized was an aluminum door frame," he said.
Just days before the gallery burned down, Alto Beta had opened a show called "Quiver" exhibiting paintings from Mary Anna Pomonis, a Los Angeles-based artist. Pomonis described the work in the show as female-centered paintings rooted in devotional imagery.
"It felt like it was an appropriately dramatic response to work that I felt dealt on that scale of an epic narrative," Reuters quoted her as saying.
Many in the Los Angeles area have heard the fates of their homes but have been unable to return to see what's left, as tens of thousands of Angelenos remain under evacuation orders.
Kim McCarty, a watercolor painter and owner of the Michael's Santa Monica restaurant with her husband, lost her home to the Palisades fire. Like many, she has not been able to return to assess the damage in person.
Through their restaurant, which opened in 1979, the McCartys became acquainted with local artists and housed many pieces in their Malibu home from friends such as Roger Herman, a German-born artist who teaches at the University of California, Los Angeles, and Pippa Garner, an American artist who died in Los Angeles in December.
"(I'm) sad to lose that all because it's such a loving thing," said McCarty, who added she was not able to salvage any of her own artwork before she was forced to evacuate.
Experts have estimated that the LA wildfires could be the most expensive disaster in US history. AccuWeather has estimated at least $250 billion in losses due to the fires, although that figure could still change.
It is too early to estimate much of the losses that are art-related, but there were perhaps "billions" of dollars worth of fine art in properties in affected areas, said Christopher Wise, vice president at Risk Strategies, an insurance broker and risk management consultancy.
"If you take a look at the size of the areas that are under threat or have burned, the scale of it really is staggering," he said.
Still, Wise cautioned that the amount of losses remains unclear, as many collectors have yet to return to their homes.
Despite the uncertainty created by the wildfires, the organizers of Frieze Los Angeles made the decision last week to go ahead with the international art fair, scheduled for late February.
Frieze, which also holds annual fairs in London, New York and Seoul, has presented the Los Angeles edition since 2019, elevating the city's status as an art capital. The fair attracts galleries and collectors from around the world, especially those from the US West Coast.
"Since the fair's founding six years ago, Frieze has been proud to support and be part of this vibrant community," said a Frieze spokesperson. "The challenges the city is currently facing only strengthen our commitment to work alongside the community to rebuild and recover together."
Frieze Los Angeles, in conjunction with several smaller art fairs, aims to send a message to the local art community by going forward despite the fires, said Marc Selwyn, the owner of Marc Selwyn Fine Art in Los Angeles.
"I think it's important that people know that LA is open for business and art is something that can be a boost for people in these kinds of times," the gallery owner said. The world-famous Getty Museum, which survived the fires, led several major art organizations in standing up a $12 million LA Arts Community Fire Relief Fund, which is set to provide emergency relief to artists and others who work in the arts.
If there is a silver lining to be found in the disaster it may lie in how the Los Angeles artistic community has pulled together to help one another, said Eberhard. He has already been able to find homes in other galleries for most of the shows that Alto Beta was set to exhibit this year.
"I didn't know that the artist community was this caring. I really didn't, because artists are notoriously, and accurately, independent, self-reliant, like little islands," he said.