Jewels Stolen in Germany’s Green Vault Heist Back on Display

The jewelry piece "Aigrette for the hair in the shape of a sun" by August Gotthelf Globig (C) shows a missing piece during the presentation of recovered jewels from a burglary at the Historic Green Vault (Gruenes Gewoelbe) in Dresden, Germany, 13 August 2024. (EPA)
The jewelry piece "Aigrette for the hair in the shape of a sun" by August Gotthelf Globig (C) shows a missing piece during the presentation of recovered jewels from a burglary at the Historic Green Vault (Gruenes Gewoelbe) in Dresden, Germany, 13 August 2024. (EPA)
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Jewels Stolen in Germany’s Green Vault Heist Back on Display

The jewelry piece "Aigrette for the hair in the shape of a sun" by August Gotthelf Globig (C) shows a missing piece during the presentation of recovered jewels from a burglary at the Historic Green Vault (Gruenes Gewoelbe) in Dresden, Germany, 13 August 2024. (EPA)
The jewelry piece "Aigrette for the hair in the shape of a sun" by August Gotthelf Globig (C) shows a missing piece during the presentation of recovered jewels from a burglary at the Historic Green Vault (Gruenes Gewoelbe) in Dresden, Germany, 13 August 2024. (EPA)

Nearly five years after millions of euros' worth of jewellery was stolen in a museum heist in eastern Germany, visitors can once again admire nearly all of the precious pieces in person.

In November 2019, thieves stole pieces that contained more than 4,300 diamonds with an estimated value of over 113 million euros ($124 million), from the Gruenes Gewoelbe (Green Vault) museum in Dresden, in the eastern German state of Saxony.

Police have said most of the jewels stolen from the museum, which houses one of Europe's greatest art collections, have been recovered. Pieces still missing include an epaulette on which a precious stone known as the Dresden White Diamond was mounted.

Starting this week, the jewellery pieces will be back on display in their original spots - albeit in the same condition in which they were recovered in December 2022 as they are part of ongoing legal proceedings and still considered court property.

"There are certain things that perhaps absolute experts can see; we with the naked eye can actually barely see the damage," said Marion Ackermann, Dresden State Museums director general.

"And this damage is mainly due to the fact that they were either broken out during the crime ... or improperly stored by the perpetrators after the crime," Ackermann added.

Five men, all members of the same family, were sentenced to several years behind bars in May 2023 for their involvement.

The heist was a bitter lesson about security at the museum, which before had been considered one of the safest buildings in Europe, said Saxony premier Michael Kretschmer.

"We were shocked that it was actually possible, but we have drawn the necessary conclusions," he said on Tuesday.

The stolen Dresden collection was assembled in the 18th century by Augustus the Strong, Elector of Saxony and later King of Poland, who commissioned ever more brilliant jewellery as part of his rivalry with France's King Louis XIV.

The treasures survived Allied bombing raids in World War Two, only to be carted off as war booty by the Soviet Union.

They were returned to Dresden, the historic capital of the state of Saxony, in 1958.



Saudi Culture Ministry, NeLC Introduce Culture and Arts Training Pathways Initiative

Saudi Culture Ministry, NeLC Introduce Culture and Arts Training Pathways Initiative
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Saudi Culture Ministry, NeLC Introduce Culture and Arts Training Pathways Initiative

Saudi Culture Ministry, NeLC Introduce Culture and Arts Training Pathways Initiative

The Saudi Ministry of Culture, in collaboration with the National eLearning Center (NeLC), has introduced a new training pathways initiative in culture and arts, aligning with the cultural development strategy.

According to SPA, the initiative offers a range of training options across various cultural and artistic domains and fosters a culture of continuous learning and growth, inspiring national talent in the cultural field.
Enthusiasts and professionals can enrol in courses to refine their skills and contribute effectively to the cultural sector.
As part of these training pathways, the ministry provides fully funded training opportunities and the chance for participants to receive training from renowned global institutions.
The initiative encompasses 30 paths with nearly 150 training programs covering areas such as culinary arts, theatre, libraries, film, fashion, heritage, visual arts, literature, publishing, and translation. Training durations vary depending on the specific cultural focus.