Stonehenge’s ‘Altar Stone’ Originally Came from Scotland, Not Wales, New Research Shows

The world heritage site of Stonehenge is seen in Wiltshire, England on Dec. 17, 2013. (AP)
The world heritage site of Stonehenge is seen in Wiltshire, England on Dec. 17, 2013. (AP)
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Stonehenge’s ‘Altar Stone’ Originally Came from Scotland, Not Wales, New Research Shows

The world heritage site of Stonehenge is seen in Wiltshire, England on Dec. 17, 2013. (AP)
The world heritage site of Stonehenge is seen in Wiltshire, England on Dec. 17, 2013. (AP)

The ancient ritual meaning of Stonehenge is still a mystery, but researchers are one step closer to understanding how the famous stone circle was created.

The unique stone lying flat at the center of the monument was brought to the site in southern England from near the tip of northeast Scotland, researchers reported Wednesday in the journal Nature. It’s not clear whether the 16-foot (5-meter) stone was carried by boat or through land — a journey of more than 460 miles (740 kilometers).

“It’s a surprise that it’s come from so far away,” said University of Exeter archaeologist Susan Greaney, who was not involved in the study.

For more than a hundred years, scientists believed that Stonehenge’s central sandstone slab — long called the “altar stone” — came from much closer Wales. But a study last year by some of the same researchers showed that the stone didn’t match the geology of Wales’ sandstone formations. The actual source of the stone remained unknown until now.

For the study, the team was not permitted to chip away rocks at the site, but instead analyzed minerals in bits of rock that had been collected in previous digs, some dating back to the 1840s. They found a match in the sandstone formations of Orcadian Basin in northeast Scotland, a region that includes parts of the tip of the Scottish peninsula as well as the Orkney Islands.

“That geological ‘fingerprint’ isn’t repeated in any other area of sediment in the UK,” said Aberystwyth University geologist Nick Pearce, a study co-author.

Greaney said the difficult logistics of moving the stone such a long distance show a high level of coordination and cultural connection between these two regions of ancient Britain.

Stonehenge was constructed around 5,000 years ago, with stones forming different circles brought to the site at different times. The placement of stones allows for the sun to rise through a stone “window” during summer solstice. The ancient purpose of the altar stone — which lies flat at the heart of Stonehenge, now beneath other rocks — remains a mystery.

“Stonehenge isn’t a settlement site, but a place of ceremony or ritual,” said Heather Sebire, senior curator at English Heritage, who was not involved in the study. She said that past archaeological excavations had not uncovered evidence of feasting or daily living at the site.

Previous research has shown cultural connections — such as similarities in pottery styles — between the area around Stonehenge and Scotland’s Orkney Islands. Other stones at Stonehenge came from western Wales.

While Britain is dotted with other Neolithic stone circles, “the thing that’s unique about Stonehenge is the distance from which the stones have been sourced,” said Aberystwyth University’s Richard Bevins, a study co-author.



Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
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Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP

Kosovo's oldest cinema has been dark and silent for years as the famous theater slowly disintegrates under a leaky roof.

Signs warn passers-by in the historic city of Prizren that parts of the Lumbardhi's crumbling facade could fall while it waits for its long-promised refurbishment.

"The city deserves to have the cinema renovated and preserved. Only junkies gathering there benefit from it now," nextdoor neighbor butcher Arsim Futko, 62, told AFP.

For seven years, it waited for a European Union-funded revamp, only for the money to be suddenly withdrawn with little explanation.

Now it awaits similar repairs promised by the national government that has since been paralyzed by inconclusive elections in February.

And it is anyone's guess whether the new government that will come out of Sunday's snap election will keep the promise.

'Collateral damage'

Cinema director Ares Shporta said the cinema has become "collateral damage" in a broader geopolitical game after the EU hit his country with sanctions in 2023.

The delayed repairs "affected our morale, it affected our lives, it affected the trust of the community in us," Shporta said.

Brussels slapped Kosovo with sanctions over heightened tensions between the government and the ethnic Serb minority that live in parts of the country as Pristina pushed to exert more control over areas still tightly linked to Belgrade.

Cultural institutions have been among the hardest-hit sectors, as international funding dried up and local decisions were stalled by the parliamentary crisis.

According to an analysis by the Kosovo think tank, the GAP Institute for Advanced Studies, sanctions have resulted in around 613 million euros ($719 million) being suspended or paused, with the cultural sector taking a hit of 15-million-euro hit.

'Ground zero'

With political stalemate threatening to drag on into another year, there are warnings that further funding from abroad could also be in jeopardy.

Since February's election when outgoing premier Albin Kurti topped the polls but failed to win a majority, his caretaker government has been deadlocked with opposition lawmakers.

Months of delays, spent mostly without a parliament, meant little legislative work could be done.

Ahead of the snap election on Sunday, the government said that more than 200 million euros ($235 million) will be lost forever due to a failure to ratify international agreements.

Once the top beneficiary of the EU Growth Plan in the Balkans, Europe's youngest country now trails most of its neighburs, the NGO Group for Legal and Political Studies' executive director Njomza Arifi told AFP.

"While some of the countries in the region have already received the second tranches, Kosovo still remains at ground zero."

Although there have been some enthusiastic signs of easing a half of EU sanctions by January, Kurti's continued push against Serbian institutions and influence in the country's north continues to draw criticism from both Washington and Brussels.

'On the edge'

Across the river from the Lumbardhi, the funding cuts have also been felt at Dokufest, a documentary and short film festival that draws people to the region.

"The festival has had to make staff cuts. Unfortunately, there is a risk of further cuts if things don't change," Dokufest artistic director Veton Nurkollari said.

"Fortunately, we don't depend on just one source because we could end up in a situation where, when the tap is turned off, everything is turned off."

He said that many in the cultural sector were desperate for the upcoming government to get the sanctions lifted by ratification of the agreements that would allow EU funds to flow again.

"Kosovo is the only one left on the edge and without these funds."


Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa
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Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

The Saudi Ministry of Culture concluded the project to survey, document, and archive intangible cultural heritage in Al-Ahsa Governorate by holding a workshop in the governorate, attended by stakeholders and relevant entities, as part of the ministry’s efforts to preserve national cultural heritage and strengthen Saudi cultural identity, reported the Saudi Press Agency on Thursday.

The project included a field survey covering various cities and villages across Al-Ahsa, during which diverse elements of intangible cultural heritage were identified and documented. These included oral traditions, performing arts, skills associated with traditional cultural crafts, social practices, and knowledge related to nature and the local environment.

The work was carried out in cooperation with concerned entities, specialized experts, and local practitioners.

The workshop reviewed the project’s final outcomes and presented reports on documentation and digital archiving activities.

It discussed mechanisms to ensure the sustainability of these efforts and the transmission of this cultural legacy to future generations, contributing to greater community awareness of the value and importance of intangible cultural heritage.


Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA
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Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA

Hail Region pavilion at the Ministry of Interior’s Security Oasis exhibition, part of the 10th King Abdulaziz Camel Festival in Al-Sayahid, features heritage artifacts that reflect the region's renowned hospitality.

The display includes ancient trays and copperware from nearly seventy years ago.

According to SPA, these traditional food preparation and serving vessels have garnered significant interest from visitors. They document daily life in old Hail and its deep-rooted social traditions, particularly in gatherings and special occasions.

The pavilion aims to connect visitors to Hail's history and social legacy, fostering appreciation for national heritage and ensuring cultural preservation for future generations.