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Saudi Culture Minister Lauds Cabinet for Naming 2025 the 'Year of Handicrafts'

The Ministry of Culture logo
The Ministry of Culture logo
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Saudi Culture Minister Lauds Cabinet for Naming 2025 the 'Year of Handicrafts'

The Ministry of Culture logo
The Ministry of Culture logo

Minister of Culture Prince Badr bin Abdullah bin Farhan has commended the Cabinet's decision to declare 2025 the "Year of Handicrafts,” acknowledging the significant cultural value handicrafts have had in Saudi culture for many years.

The move also highlights the creativity that sets the unique handicraft industry apart and showcases the talent of Saudi craftsmen to the global community.

Prince Badr expressed gratitude to Custodian of the Two Holy Mosques King Salman bin Abdulaziz Al Saud and Prince Mohammed bin Salman bin Abdulaziz Al Saud, Crown Prince and Prime Minister, for their unwavering support for culture and arts.

Their patronage, he said, has elevated Saudi culture, solidified its roots and unique elements, and enabled the world to see the best of it.

"At the Ministry of Culture, we are working to instill pride in our national identity and all its associated cultural elements, whether tangible or intangible. This is one of the objectives of the National Culture Strategy, under Saudi Vision 2030, which has prioritized national identity and Saudi culture as ambitious goals," said Prince Badr.

He stressed that the "Year of Handicrafts" initiative will help celebrate this essential component of highly significant cultural and artistic value that is the cornerstone of national identity.

"Saudi handicrafts reflect the creativity of Saudi society, encompasses textiles, handicrafts, and artistic creations that have been passed down from generation to generation. These include pottery, clothing, beadwork, copper products, sewing, dyeing, blacksmithing, gold and jewelry making,” he added.

During the "Year of Handicrafts,” the Ministry of Culture will work to increase the visibility of Saudi handicrafts both at home and abroad, and enable Saudi artisans to display their creations at events and activities in the Kingdom and the world over.

The initiative also aims to increase the contribution of Saudi handicrafts to the local economy and to raise awareness about their cultural, historical, civilizational, and economic significance.

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Culture

Source: Head of France's Versailles Palace to Take over Louvre

(FILES) President of Chateau de Versailles Christophe Leribault arrives at the Elysee Palace, in Paris on February 27, 2024. (Photo by Ludovic MARIN / AFP)
(FILES) President of Chateau de Versailles Christophe Leribault arrives at the Elysee Palace, in Paris on February 27, 2024. (Photo by Ludovic MARIN / AFP)
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Source: Head of France's Versailles Palace to Take over Louvre

(FILES) President of Chateau de Versailles Christophe Leribault arrives at the Elysee Palace, in Paris on February 27, 2024. (Photo by Ludovic MARIN / AFP)
(FILES) President of Chateau de Versailles Christophe Leribault arrives at the Elysee Palace, in Paris on February 27, 2024. (Photo by Ludovic MARIN / AFP)

The president of France's Palace of Versailles is expected to take over as head of the Louvre following the resignation of Laurence des Cars after a $100-million robbery at the museum last year, an informed source told AFP on Wednesday.

The appointment of Christophe Leribault is expected to be announced at a cabinet meeting later Wednesday, the source said, adding that he would be tasked with "securing" and "modernizing" the world's most-visited museum.

Leribault, 62, is an art historian and museum director specializing in 18th century art. He has led major Paris institutions, including the Petit Palais, and the Musee d'Orsay.

In 2024, he was appointed president of the Palace of Versailles, one of the most visited tourist sites.

On Tuesday, des Cars sent her resignation to President Emmanuel Macron, which was accepted, following a string of scandals including the brazen theft of French crown jewels valued at $100 million in October.

Des Cars was appointed as director of the Louvre Museum in 2021. She had been under rising pressure since the October robbery, which is currently the subject of an inquiry.

Four suspects are in police custody, including the two suspected thieves, but the eight of the stolen items have not been found.

The Louvre, a former royal palace and home to some of the world's most iconic pieces of art, including Leonardo Da Vinci's "Mona Lisa", receives around nine million visitors a year.

Since the theft the museum has taken several emergency measures.

Separately, Annick Lemoine, who heads the Petit Palais, will take over as director of the Musee d'Orsay, according to the official journal published on Wednesday.

Culture

One Million Works Catalogued in Art UK Database

Osborne Henry Mavor’s “Let Eric Remember” from Aberdeen Art Gallery. (Aberdeen archives, gallery & museums/Art UK)
Osborne Henry Mavor’s “Let Eric Remember” from Aberdeen Art Gallery. (Aberdeen archives, gallery & museums/Art UK)
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One Million Works Catalogued in Art UK Database

Osborne Henry Mavor’s “Let Eric Remember” from Aberdeen Art Gallery. (Aberdeen archives, gallery & museums/Art UK)
Osborne Henry Mavor’s “Let Eric Remember” from Aberdeen Art Gallery. (Aberdeen archives, gallery & museums/Art UK)

From a bronze Rodin sculpture of Eve outside a Nando’s in Harlow to more than 6,000 artworks by JMW Turner, to a crumpled-up piece of A4 paper owned by Manchester Art Gallery, the UK’s public art collection is a wonderful and varied thing.

It is huge, as demonstrated by the charity Art UK, which has announced it has reached a million artworks on its database and appointed a new chair who said: “We’ve only scratched the surface,” according to The Guardian.

Ben Terrett, a former director of design for the UK government, has been announced as the new chair of a charity that is celebrating its 10th anniversary.

Art UK began with a mission to digitally catalogue the UK’s paintings. Over the years that has been expanded to include drawings, watercolors, ceramics, sculptures, stained glass, banners, architectural drawings and street murals.

It is a huge, encyclopedic, fun resource, which lends itself to going down any number of rabbit holes. Type in the word “mosquito”, for example, and you discover 53 listings, from large technical drawings of actual mosquitoes, to paintings of de Havilland Mosquito planes from the second world war, to a sculpture in a North Yorkshire forest celebrating the Women’s Timber Corps – lumberjills – who felled and sawed the wood used to make the planes.

Or search Martin Creed, the artist who won the Turner prize for a work where the lights in a room go on and off, and you find 24 of his works in public collections, including his crumpled-up ball of paper in Manchester.

The database is an incredible resource that should be so much better known, Terrett said. “It’s a great thing,” he said. “It is one of those ideas that you’re really glad it exists because if it didn’t, you’d think somebody should do that.

“One of my jobs as chair is to help raise that profile, because probably not enough people hear about it. It’s digitizing all the public artworks in the UK and there’s a really obvious side to that, which is the Tate and places like that,” he added.

“But there’s loads of other places like hospitals and council buildings ... places like that are public and have incredible artworks in them that people don’t get to see or don’t know exist,” he noted.

The database, Terrett said, shines light on just how many artworks are never seen because they are in storage.

Terrett, who was made a CBE by the king last week, led the design team that launched gov.uk and is the CEO and co-founder of the consultancy Public Digital.

He said his childhood experiences had fed his passion for widening access to the arts and design.

“I grew up in a small village in Wiltshire,” he said. “There weren’t museums, there weren’t art galleries and getting access to that kind of stuff was really difficult. I went to a comprehensive school with a great art teacher and a great art department, but you very much had to push yourself to find out more about this stuff.”

He believes it is even harder for children today: “Creative education in state schools has been decimated.”

There is also evidence that interacting with the database encourages people to visit galleries in person.

Recent additions to the database, which helped it towards the million figure, include a 1951 stencil by Henri Matisse at the University of Lancaster; a Gwen John flower painting at National Museum Cardiff; a Venice canal painting by Mary Hagarty at the Victoria Art Gallery in Bath; and a portrait titled “Reverie” by David Foggie at the University of Dundee.

The board of Art UK said it was looking forward to Terrett’s fresh thinking and insights to help it “reach new audiences, embrace new technologies and creative opportunities, build its income base, its international profile and its following.”

Terrett said he remained convinced the internet was a force for good. “It’s hard to believe that these days. It’s hard to hold on to that belief. But it still is. I think in the world it’s still a net positive. And this is just a really nice example of where the internet really is doing good,” he added.

Culture

Louvre Museum’s Director Resigns in Wake of Jewels Heist in Paris

Laurence des Cars, director of Le Louvre museum, poses before a hearing at the Culture commission of the Senate, three days after historic jewels were stolen in a daring daylight heist, Oct. 22, 2025 in Paris. (AP)
Laurence des Cars, director of Le Louvre museum, poses before a hearing at the Culture commission of the Senate, three days after historic jewels were stolen in a daring daylight heist, Oct. 22, 2025 in Paris. (AP)
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Louvre Museum’s Director Resigns in Wake of Jewels Heist in Paris

Laurence des Cars, director of Le Louvre museum, poses before a hearing at the Culture commission of the Senate, three days after historic jewels were stolen in a daring daylight heist, Oct. 22, 2025 in Paris. (AP)
Laurence des Cars, director of Le Louvre museum, poses before a hearing at the Culture commission of the Senate, three days after historic jewels were stolen in a daring daylight heist, Oct. 22, 2025 in Paris. (AP)

The director of the Louvre Museum who had been under fire since the stunning and embarrassing heist of the French Crown jewels in October has stepped down from the position, French President Emmanuel Macron ’s office said Tuesday.

The office said in a statement that Macron accepted the resignation of Laurence des Cars, and that he praised the move as “an act of responsibility at a time when the world’s largest museum needs calm and a strong new impetus to carry out major projects involving security upgrades, modernization” and other initiatives.

Thieves took less than eight minutes in October to steal 88 million euros ($102 million) worth of crown jewels in a weekend heist at the world’s most visited museum, shocking the world.

Des Cars was named director of the Louvre, one of the museum world's most prestigious posts, in 2021.

She had offered to resign on the day of the robbery but was refused by the culture minister.

“I saw a tragic, brutal, violent reality for the Louvre, and as the person in charge, after all the hard work done by the teams that day — it felt right to offer my resignation,” she said in November.

Macron thanked des Cars for “her work and commitment” and said he wanted to give her a new mission focused on cooperation among major museums, the statement said.

It didn't say if she accepted.