Model Makers in Madagascar Are Bringing History’s Long-Lost Ships Back to Life

 Visitors attend an exhibition of model ships made by the Madagascar company Le Village and on display at the Homo Faber 2024 show in Venice, Italy, Friday, Sept. 13, 2024.(AP)
Visitors attend an exhibition of model ships made by the Madagascar company Le Village and on display at the Homo Faber 2024 show in Venice, Italy, Friday, Sept. 13, 2024.(AP)
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Model Makers in Madagascar Are Bringing History’s Long-Lost Ships Back to Life

 Visitors attend an exhibition of model ships made by the Madagascar company Le Village and on display at the Homo Faber 2024 show in Venice, Italy, Friday, Sept. 13, 2024.(AP)
Visitors attend an exhibition of model ships made by the Madagascar company Le Village and on display at the Homo Faber 2024 show in Venice, Italy, Friday, Sept. 13, 2024.(AP)

A French trading ship that sank in the 17th century with treasure onboard is being brought back to life in a workshop in Madagascar with every stroke of Rafah Ralahy's small wood sander.

Ralahy, eyes sparkling behind his glasses, has learned in 30 years as a craftsman at the Le Village model ship making company that recreating history in miniature form can't be rushed. It'll take time to get the shape of the hull just right on this model, to get it just as it was on the 1,000-ton original.

The ship in question was called the Soleil d’Orient — the Eastern Sun — and it was one of the best in the French East India company. It sank in 1681 while carrying ambassadors and treasure sent by the King of Siam (now Thailand) to King Louis XIV of France. Anyone wanting an exact wooden replica from Le Village, albeit a few feet long, can get it for just over $2,500. That excludes the shipping costs.

“My job is to be as faithful as possible to the plan,” said 50-year-old Ralahy, referring to copies of the ships’ original building plans that Le Village acquires from maritime museums or other sources. “At each stage we check so that the model we create is identical to the ship designed centuries ago.”

Le Village has been making models of history's most famous vessels since 1993 and sending them to collectors across the world, some of them eminent. Prince Albert of Monaco has several models displayed in his palace, said Le Village co-owner Grégory Postel. The Spanish royal family also own Le Village creations. Pope Francis was gifted a model by Madagascar President Andry Rajoelina.

Those royal customers are looking for a model ship “that resembles what their ancestors knew,” said Postel, championing the company's attention to historic detail. Some of the high-end models sell for a princely sum of $10,000. Collectors with as much passion but less means can find something for around $150.

Le Village has dozens of ships available for order, from celebrated to infamous to ill-fated. Some recently were shown at an exhibition in Venice, Italy, including one of the company’s showpieces, the British ship HMS Bounty that is renowned for a mutiny by its disgruntled crew. A model of perhaps the most famous ship ever, the Titanic, is of course available.

Le Village's staff of more than two dozen model makers work in nine dusty workshops on the outskirts of the Madagascar capital of Antananarivo. Like Ralahy, many of them have been here for more than 20 years, crafting a reputation for an unusual company.

Madagascar has hardly any shipbuilding tradition despite being the world's fourth largest island. So, Le Village's own story is one of endeavor.

It was started by Frenchman Hervé Scrive, who arrived in Madagascar off the east coast of Africa with a passion. He sold it after 20 years to a family, but it hit choppy waters during the COVID-19 pandemic as Madagascar — already struggling with high levels of poverty — sank into a deep economic recession.

Postel, his wife and another French couple bought it last year with the aim of bringing it out of financial trouble and, hopefully, expanding. Postel said they want to start a woodworking school to spread the craft on the island and create opportunities for others. They'd also like to build a maritime museum of their own.

Ralahy, a house painter as a young man before finding another use for his nimble hands, sands the rough wood that will become the outer hull of the Soleil d’Orient model he’s started. Weeks of intricate work lie ahead for the team of crafters and some models take more than 1,000 hours of work. But the miniature sails will be hoisted on a new Soleil d’Orient nearly 350 years after tragedy befell the original and she sank with no survivors, sending her treasure to the ocean bottom.

Each model passes through the different workshops and through the hands of different specialists. Husbands and wives work together at Le Village, as do other members of the same families. It's a tight-knit team.

In another room, four women who craft and attach the tiny ropes, sails and other finishing touches, are working with a sense of urgency on one model. This one is nearing completion and has already been paid for.

“It’s a race,” said Alexandria Mandimbiherimamisoa as she gets mini flags ready to add to the ship. “We have to send the boat to its buyer in a week."

Her husband, Tovo-Hery Andrianarivo, also works at Le Village, his fingernails blackened from a misplaced hammer blow or two over the years, an occupational hazard. He spoke of their collective pride when they see how far some of their models have traveled.

Andrianarivo once watched a documentary on the recreation of a life-size version of the Hermione, an 18th-century frigate that carried French General Lafayette to the American War of Independence. It was rebuilt and launched again in 2014 to much fanfare.

“Behind the museum curator who was speaking, there was our model,” Andrianarivo said. "The feeling I felt that day was incredible."



China's LandSpace Hopes to Complete Rocket Recovery in Mid-2026

Zhuque-3 rocket by China’s private rocket firm LandSpace, takes off from the Jiuquan Satellite Launch Center, China, December 3, 2025, in this screengrab taken from handout drone footage provided by LandSpace. LandSpace/Handout via REUTERS
Zhuque-3 rocket by China’s private rocket firm LandSpace, takes off from the Jiuquan Satellite Launch Center, China, December 3, 2025, in this screengrab taken from handout drone footage provided by LandSpace. LandSpace/Handout via REUTERS
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China's LandSpace Hopes to Complete Rocket Recovery in Mid-2026

Zhuque-3 rocket by China’s private rocket firm LandSpace, takes off from the Jiuquan Satellite Launch Center, China, December 3, 2025, in this screengrab taken from handout drone footage provided by LandSpace. LandSpace/Handout via REUTERS
Zhuque-3 rocket by China’s private rocket firm LandSpace, takes off from the Jiuquan Satellite Launch Center, China, December 3, 2025, in this screengrab taken from handout drone footage provided by LandSpace. LandSpace/Handout via REUTERS

Chinese rocket developer LandSpace plans to successfully recover a reusable booster in mid-2026, a company executive said in an interview, underscoring the Beijing-based firm's ambition to become China's answer to SpaceX.

The ability to return, recover, and reuse a rocket's engine-packed first stage, or booster, after launch is crucial to reducing costs and making it easier for countries to send satellites into orbit, and to turn space exploration into a commercially viable business similar to civil aviation, Reuters reported.

Earlier this month, privately-owned LandSpace ‌became the first ‌Chinese entity to conduct a full reusable rocket ‌test, when ⁠Zhuque-3 ​blasted off ‌from a remote area in northwest China for its maiden flight, drawing comparisons to US aerospace giant SpaceX.

SECOND ATTEMPT PLANNED

While LandSpace failed to complete the crucial final step of landing and recovering the rocket's engine-packed booster, it hopes to clear this challenge in mid-2026 with a second test flight, Zhuque-3 deputy chief designer Dong Kai told Chinese podcast Tech Early Know in an interview published on Tuesday.

"If the second flight's recovery (stage) succeeds, we ⁠plan that on the fourth flight we will use a reused first stage to launch," Dong said.

So far, ‌the only company that has mastered reusable rocket technology is ‍SpaceX, founded by the world's richest ‍person Elon Musk. SpaceX's Falcon 9 launches around 150 times a year, or roughly ‍three times per week, with its booster reused dozens of times if necessary.

Musk said in October that LandSpace's Zhuque-3 design could allow it to beat the Falcon 9, but went on to state that the Chinese challenger's launch cadence would take more than five years to ​reach that of SpaceX's workhorse model, at which point the US firm would have transitioned to its heavier, new-generation model Starship and "doing over ⁠100 times the annual payload to orbit of Falcon".

INITIAL PUBLIC OFFERING

LandSpace's Dong said that, while the company was already building an engine for a future Starship-like model, he was not optimistic that in five years Falcon 9's work rate could be surpassed, noting that all rocket models in China combined this year totalled only around 100 launches.

"It's very difficult for a single company to reach that kind of frequency. It requires the support of an entire ecosystem," Dong said, adding that LandSpace had 10 launches planned next year for all its models.

Other executives have previously said that the financial cost of a high-frequency testing and launch regimen was crucial to SpaceX's success, and that LandSpace's only ‌hope of amassing enough funds to sustain a similar programme would be by tapping China's capital markets, pointing to plans for an initial public offering next year.


Jazan Festival 2026 Kicks Off Thursday with Grand Parade

his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
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Jazan Festival 2026 Kicks Off Thursday with Grand Parade

his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA

The Jazan Festival 2026 will launch on Thursday in a carnival anticipated by thousands of visitors from within the region and beyond.

The festival will open with a grand celebratory parade starting at 3:45 p.m. along the Jazan city waterfront, signaling the start of an entertainment and cultural season that will extend for several months, according to SPA.

This year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity, from its towering green mountains and golden beaches to its picturesque islands, alongside the authenticity of its rich heritage, complemented by modern touches in entertainment programs designed to meet the aspirations of all age groups.

Performing arts inspired by local folklore will add an authentic dimension, while moving installations will flow in harmonious rhythm.

Completing the visual spectacle, integrated light and sound shows will create an enchanting atmosphere before the festivities conclude with a dazzling fireworks display lighting up the Jazan sky in vibrant colors.


UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
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UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA

The United Nations Educational, Scientific and Cultural Organization (UNESCO) Chair in Translating Cultures at the King Faisal Center for Research and Islamic Studies (KFCRIS), with support from the Literature, Publishing, and Translation Commission, organized a training course and a series of specialized lectures on the translation and safeguarding of intangible cultural heritage, SPA reported.

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application, opening space for in-depth discussion of the challenges of translating intangible heritage as a living, evolving form of culture closely tied to its cultural, social, and performative contexts.

The course and lectures adopted a comprehensive approach that views translation as a cultural tool for preserving oral memory and building bridges between local specificity and the global sphere.

This approach was reflected through applied models, field experiences, and contemporary conceptual frameworks.