In Senegal, the Bastion of the Region’s Francophonie, French Is Giving Way to Local Languages

A man sits outside a stationary store with French signs in Dakar, Senegal, Thursday, Oct. 3, 2024. (AP)
A man sits outside a stationary store with French signs in Dakar, Senegal, Thursday, Oct. 3, 2024. (AP)
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In Senegal, the Bastion of the Region’s Francophonie, French Is Giving Way to Local Languages

A man sits outside a stationary store with French signs in Dakar, Senegal, Thursday, Oct. 3, 2024. (AP)
A man sits outside a stationary store with French signs in Dakar, Senegal, Thursday, Oct. 3, 2024. (AP)

For decades Senegal, a former French colony in West Africa, has been touted as the bastion of the French language in the region. Leopold Sedar Senghor, the country’s first president and a poet, is considered one of the founding fathers of the concept of Francophonie, a global alliance of French-speaking countries.

But many say a shift is underway. While French remains the country’s official language, inscribed into its constitution, its influence is waning. It is giving way to Wolof, the most widely spoken local language — and not just on the street, where the latter has always been dominant, but in the halls of power: government offices, university corridors and mainstream media.

As the French president hosts the annual Francophonie summit north of Paris, Senegal’s president is not attending in person. He sent the foreign minister as his representative instead.

“Wolof is on the rise because Senegalese people want to be seen,” said Adjaratou Sall, professor of Linguistics at the Cheikh Anta Diop University in Dakar, who began researching the Wolof language in 1998. “They want to detach themselves from the colonial heritage and reclaim their own cultural identity.”

There are 25 languages in Senegal. Six of them have the status of national languages, but Wolof is largely dominant. Out of the population of 17 million people, over 12 million speak Wolof, compared to around 4 million French speakers.

But like in most former colonies, French has traditionally been the language of Senegalese political and cultural elites. The vast majority of schools across the country and all universities are French speaking. All official documents are issued in French. With the education rate in Senegal at around 60%, this excludes a large part of the population.

President Bassirou Diomaye Faye, the youngest elected leader in Africa, was voted in six months ago on an anti-establishment platform, and his rise reflected the frustration of the Senegalese youth with the traditional, elderly political class. He has made a point in making all of his official speeches in both languages, French and Wolof, and pledged to give local languages the primary role in schools, with French introduced later.

The shift comes as most West African nations are rethinking their relationship with France, which is losing its clout in the region. In some cases, like in Burkina Faso and Mali, which are ruled by military juntas, the divorce with the French language has been abrupt: They dropped French as the official language and banned many French-speaking media outlets.

The decline of French in Senegal has been more subtle. But to a careful observer, the signs are everywhere: More and more billboards are either bilingual, or in Wolof. Although all university courses are still conducted in French, Sall said that professors and students speak Wolof to each other in the corridors, which would have been unthinkable when she started working. Some Senegalese writers are publishing their books in Wolof, and not in French.

“Surely, the nationalism which began to take root with the new government is playing a role,” said Fall. “But another important factor has been the revolution in the media, which started with Sud FM.”

Sud FM, the first private radio station in Senegal, started broadcasting programs in Wolof in 1994. The morning news program in Wolof now has over 2 million listeners, said its director, Baye Oumar Gueye.

“We replied to a real need: providing information to the population, who does not speak French,” Gueye said in an interview in his office. “They can now participate in the exchange of information.”

He added: “The use of the French language is decreasing. When you want to reclaim your sovereignty, the first thing is to have your own language.”

El Hadj Aip Ndiaye, who has been driving a taxi in Dakar for the past 45 years, said he remembers well the launch of Sud FM. “Everyone listened to it,” he recalled.

Ndiaye, who did not go to school and speaks a very limited French, said he listens to the radio everyday from 5 a.m. until midnight, as he drives across the dusty roads of Dakar in his yellow, rickety taxi.

“Before, all the news on the radio was in French,” he said. “I could not understand it. But with news in Wolof, you can understand what they are saying. You understand the world better, and you can take part in the conversation.”

“People are now proud to speak Wolof,” he said. “Before, when you spoke Wolof, you were judged as a peasant. But now, even our president speaks Wolof a lot, so people are not afraid to speak it.”

But even the biggest proponents of Wolof do not want a revolution. Fall, the linguistics professor, said she dreamed of university courses being held in Wolof, and children being taught in their local language, whether it would be Wolof, Serrer or Peul.

“We will get there, but it's a process,” she said. “And we need French as well. It is the language of openness, which allows us to communicate with others in the region.”



Picasso’s ‘Guernica’ at Heart of Battle in Spain Over Location

A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)
A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)
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Picasso’s ‘Guernica’ at Heart of Battle in Spain Over Location

A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)
A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)

Pablo Picasso's anti-war masterpiece "Guernica" is swept up in a conflict in Spain, where Basque leaders want the government in Madrid to move the painting to their region, whose 1937 bombing inspired it.

The mural-sized painting has been on display since 1992 at the Reina Sofia museum in the Spanish capital, and repeated requests for it to be moved to Spain's Basque Country have been refused.

The latest demand was made by the head of the regional Basque government, Imanol Pradales, during talks with Socialist Prime Minister Pedro Sanchez.

The Basque government wants the painting to be hung in the Guggenheim Museum in Bilbao to commemorate the 90th anniversary of the April 26, 1937, bombing, in which forces from Nazi Germany and Fascist Italy razed the town of Guernica to help General Francisco Franco in the Spanish Civil War.

Bringing the painting to Bilbao from October until June would be a form of "reparation and historical memory", the Basque government said.

Sanchez -- whose minority government depends on the support of two Basque parties in parliament to pass laws -- did not reject the proposal outright, instead referring it to the culture ministry.

The ministry asked the Reina Sofia museum for a technical report on the viability of the request, which once again "strongly advised" against moving the painting.

The report said the painting is too fragile to travel, citing risks of damage from vibration or movement.

Picasso's black-and-white masterpiece is the highlight of the Reina Sofia museum, which welcomed around 1.6 million visitors last year.

The outspoken head of the regional government of Madrid, Isabel Diaz Ayuso of the conservative Popular Party (PP), weighed in on Monday, calling the request to move the painting "provincial".

"It makes no sense for everything to be returned to its origin. In that case we should send all of Picasso's works to Malaga," she said, a reference to the southern Spanish city where Picasso was born.

- Return from New York -

Asked about the controversy on Tuesday, Spain's central government spokeswoman Elma Saiz said the government relies on the advice of "professionals", referring to the museum report, and "never resorts to insults".

Painted in 1937 in the aftermath of the bombing, "Guernica" debuted in Paris at the World's Fair, then was placed in the care of the Museum of Modern Art in New York.

When Franco's forces overthrew the Spanish republic, Picasso stipulated that the painting should not return to Spain until democracy had been restored.

The work was moved to Spain in 1981, six years after Franco's death.

It was first displayed at the Prado museum, then moved to the Reina Sofia in 1992.

Picasso, who died in 1973, never lived to see the painting on exhibit in Spain.

In 1995, Spanish authorities refused to lend it to the Pompidou Center in Paris, citing the damage the work could suffer during its transport.


Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact
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Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

The Cultural Development Fund has announced its results for the first quarter of 2026, demonstrating significant growth in financial performance and developmental impact. This underscores the fund's role as a key financial enabler and center of excellence in developing a sustainable cultural sector, enhancing Saudi culture as a vital economic and social pillar, SPA reported.

Since its inception, the fund has provided over SAR770 million in financial support to 165 cultural projects across various sub-sectors and regions of the Kingdom. It has also benefited more than 1,630 creative individuals and entrepreneurs through developmental services aimed at building entrepreneurial capabilities.

The fund achieved a 30% increase in financial returns compared to the same period in 2025, contributing an estimated SAR4.1 billion to GDP and creating over 12,540 job opportunities.

Additionally, it has stimulated private sector involvement with approximately SAR1.1 billion in contributions, reflecting growing confidence in developing the cultural sector.

These figures highlight the fund's essential role in empowering the private sector and fostering innovative financial solutions that promote growth and enhance the quality of life, aligned with Saudi Vision 2030.


Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
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Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA

Historic Jeddah participated in the Umrah and Ziyarah Forum to highlight its historical role as a key gateway for pilgrims to Makkah, while introducing visitors to its cultural status and the ongoing development projects that reinforce its status as a heritage destination, SPA reported.

The pavilion introduced visitors to the "Historic Hajj Trail" supported by the Ministry of Hajj and Umrah, designed as a sequential narrative that retraces the pilgrim’s journey from arriving at Bab Al-Bunt Port, now the Red Sea Museum, to Makkah Gate, passing through prominent historical sites that reflect Jeddah’s role in serving pilgrims.

The pavilion highlighted the distinctive architectural features of Historic Jeddah and its long-standing role as a major port for pilgrims since the 7th century CE and also featured interactive content showcasing the area’s cultural and social fabric.

This participation forms part of the "Revitalization of Historic Jeddah" project, led by the Ministry of Culture, within the framework of the National Culture Strategy and Saudi Vision 2030.