Gaza Cultural Heritage Brought to Light in Geneva

This photograph shows a mosaic pavement (Byzantine period, 579 AD) collected in 1997 from the site of a vanished Byzantine church in Deir al-Balah in the Gaza Strip, displayed during an exhibition on the protection of cultural property in case of conflict entitled "Heritage in Peril", at the Art and History Museum in Geneva on October 3, 2024. (AFP)
This photograph shows a mosaic pavement (Byzantine period, 579 AD) collected in 1997 from the site of a vanished Byzantine church in Deir al-Balah in the Gaza Strip, displayed during an exhibition on the protection of cultural property in case of conflict entitled "Heritage in Peril", at the Art and History Museum in Geneva on October 3, 2024. (AFP)
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Gaza Cultural Heritage Brought to Light in Geneva

This photograph shows a mosaic pavement (Byzantine period, 579 AD) collected in 1997 from the site of a vanished Byzantine church in Deir al-Balah in the Gaza Strip, displayed during an exhibition on the protection of cultural property in case of conflict entitled "Heritage in Peril", at the Art and History Museum in Geneva on October 3, 2024. (AFP)
This photograph shows a mosaic pavement (Byzantine period, 579 AD) collected in 1997 from the site of a vanished Byzantine church in Deir al-Balah in the Gaza Strip, displayed during an exhibition on the protection of cultural property in case of conflict entitled "Heritage in Peril", at the Art and History Museum in Geneva on October 3, 2024. (AFP)

Archaeological treasures from the Gaza Strip are going on display in Geneva, with the Swiss city protecting the heritage of a territory devastated by a year of war.

Amphoras, statuettes, vases, oil lamps and figurines are among the 44 objects unearthed in Gaza going on show in the "Patrimony in Peril" exhibition at the Museum of Art and History (MAH).

"It's a part of Gaza's soul. Its identity, even," Beatrice Blandin, the exhibition's curator, told AFP. "Heritage is really the history of this strip of land, the history of the people who live there."

The artifacts are from a collection of more than 530 objects that have been stored in crates in a secure warehouse in Geneva since 2007, unable to return to Gaza.

The exhibition, which runs from Saturday until February 9, also includes artifacts from Sudan, Syria and Libya.

It was staged to mark the 70th anniversary of the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict.

The exhibition looks at the responsibility of museums in saving such property from damage, looting and conflict, reminding visitors that deliberately destroying heritage is a war crime.

- Cultural damage in Gaza -

"The forces of obscurantism understand that cultural property is what is at stake for civilization, because they have never stopped wanting to destroy this heritage, as in Mosul," said Geneva city councilor Alfonso Gomez -- a reference to the northern Iraqi city captured by the ISIS group in 2014.

MAH director Marc-Olivier Wahler told AFP: "Unfortunately, in the event of conflict, many aggressors attack cultural heritage because it is obviously erasing the identity of a people, erasing its history."

Thankfully, "there are museums, rules and conventions that protect this heritage".

Since Israel's offensive in Gaza began following the October 7, 2023 attack by Hamas, cultural sites in the Palestinian territory have paid a heavy price, says the United Nations' cultural organization.

UNESCO has verified damage to 69 sites: 10 religious sites, 43 buildings of historical and/or artistic interest, two depositories of movable cultural property, six monuments, one museum and seven archaeological sites.

- Stuck in Swiss warehouse -

At a time when Palestinian cultural heritage is "the victim of unprecedented destruction, the patrimonial value of the Gazan objects held in Geneva seems greater than ever", said the MAH.

Some of the objects belonged to the Palestinian Authority. The rest belonged to the Palestinian entrepreneur Jawdat Khoudary, but he later gave ownership of them to the PA in 2018.

These artifacts, evoking daily, civil and religious life from the Bronze Age to the Ottoman era, arrived in Geneva in 2006 to be shown at the "Gaza at the Crossroads of Civilizations" exhibition, inaugurated by Palestinian President Mahmud Abbas.

They had been meant to form the foundation of an archaeological museum to be built in Gaza.

Instead, they were stuck in Geneva for 17 years, the conditions for their safe return having never been met.

- Saved by circumstances -

"At the time when the objects were due to leave, Hamas took over the Gaza Strip and there were geopolitical tensions between Palestine and Israel," said Blandin.

This "coincidence of circumstances," she said, ultimately saved the artifacts: the rest of Khoudary's private collection, which remained in Gaza, has been "totally destroyed" since October 7 last year.

Following a new cooperation agreement signed last September between the Palestinian Authority and Geneva, the Swiss city has committed to looking after the artifacts for as long as necessary.

The MAH also served as a refuge, in 1939 when the Spanish Republicans evacuated by train the greatest treasures from the Museo del Prado in Madrid and several other major collections.

And last year, Geneva hosted an exhibition of Ukrainian works of art.

According to the Swiss Museums Association, Switzerland, along with counterparts in other countries, has also been able to help more than 200 museums in Ukraine preserve their collections after Russia's full-scale invasion in February 2022.



Syria's Aleppo Set for Revival Despite War Scars to its Heritage

During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP
During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP
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Syria's Aleppo Set for Revival Despite War Scars to its Heritage

During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP
During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP

The historic Baron Hotel in Syria's Aleppo is dilapidated and damaged by years of war but still standing and ready for a revival, much like the city itself.

Aleppo's old city, designated a UNESCO World Heritage site, was ravaged by the conflict that erupted after a government crackdown on protests in 2011.

Between 2012 and 2016, it became a battleground between Syria's military and opposition factions.

The army of now-ousted president Bashar al-Assad shelled opposition fighters from the ground and struck them from the air, supported by Russian firepower.
Opposition groups, meanwhile, used mortars and artisanal rockets, as the fighting turned ancient streets into sniper alleys.

During the four years of fighting before the government recaptured Aleppo following a devastating siege, the city was virtually emptied.

Now, after Assad's fall following a lightning opposition offensive led by Hayat Tahrir al-Sham, residents are looking forward to reconstruction.

"Unfortunately, more than 60 percent of the edifices in the old city, monuments of the old city of Aleppo, were devastated to ground zero," said Georges Edleby, a tour guide in the city for 35 years.

"Hopefully there will be a day that we see them again restored."

The ancient souks where Aleppo's famed olive oil soap is piled up in stacks for sale has been reduced in many places to little more than rubble.

- 'Hope for a better life' -

Aleppo's medieval citadel, however, remains relatively intact.

Opposition fighters, one with a rose slipped into the barrel of his gun, stood guard outside the ancient ramparts, which Syria's army turned into a stronghold during the war.

Most of the damage in the citadel was caused by a 2023 earthquake, locals say.

Below in the old city, a few alleys of the souk -- once the largest in the world with 4,000 stalls -- have reopened after being restored, including with Saudi financial aid.

Jamal Habbal, 66, has spent all his life under the stone vaults of the old city and reopened his macrame and rope shop there a year ago.

"We have so many memories here. It was a big market that was vibrant and lively. Girls used to come to buy items for their trousseaus. They could find everything," he told AFP.

"And then suddenly, the crisis," he said, reluctant to even say the word war.

"We had to leave. I returned in 2018, but it's still difficult," he added, speaking in a dark and largely deserted alley.

Fadel Fadel has also reopened his shop offering souvenirs, soap and mother-of-pearl inlaid boxes.

"It was completely destroyed here," said the 51-year-old.

He is hoping to see Aleppo returned to its status as a "center of commerce, industry and tourism."

"We hope for a better life."

- Museum ready to reopen -

Outside, dusty streets wind between ruins that await reconstruction and revival.

The Baron Hotel once welcomed Agatha Christie, Egyptian president Gamal Abdel Nasser and France's Charles de Gaulle.

Visitors flocked to see the somewhat faded glory of its rooms, as well as its terrace and the unpaid bar bill belonging to one Lawrence of Arabia.

But now, several broken windows adorned with shutters hanging from a single hinge offer a view into a deserted building covered in dust.

The hotel's future is uncertain.

Its last owner, Armen Mazloumian, has passed away. He told AFP back in 2014 that he felt the hotel's glory days were behind it and it would "never be what it once was again".

Nearby, however, the National Museum of Aleppo is readying to reopen. Its courtyard was hit in shelling but its building and collection were spared.

Director Ahmed Othman said the museum "took lessons from the experience of our neighbours," including institutions in Iraq and Lebanon.

"We took the necessary measures to protect our collections," he said.

"The statues that were too heavy to move were encased in concrete and the smaller pieces were moved to safe places."

Treasures that trace nine millennia of history and the birth of writing in nearby Mesopotamia have been preserved unharmed as a result.

"We did many things in order to protect the museum as a whole," said Othman