A Pastry Brought to Mexico by British Miners Is Still Popular after 200 Years

 A basket of Mexican pastes sit on a patron's table before they are eaten for lunch at the 16th International Paste Festival in Mineral del Monte, Mexico, Saturday, Oct. 12, 2024. (AP)
A basket of Mexican pastes sit on a patron's table before they are eaten for lunch at the 16th International Paste Festival in Mineral del Monte, Mexico, Saturday, Oct. 12, 2024. (AP)
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A Pastry Brought to Mexico by British Miners Is Still Popular after 200 Years

 A basket of Mexican pastes sit on a patron's table before they are eaten for lunch at the 16th International Paste Festival in Mineral del Monte, Mexico, Saturday, Oct. 12, 2024. (AP)
A basket of Mexican pastes sit on a patron's table before they are eaten for lunch at the 16th International Paste Festival in Mineral del Monte, Mexico, Saturday, Oct. 12, 2024. (AP)

Isabel Arriaga Lozano carefully fills a small pastry with a savory mix of meat, potatoes and chili pepper. She is crafting a "paste" (pronounced PAH-stay), a beloved Mexican snack with a rich history.

Originating in the mining town of Real del Monte, in the Mexican central state of Hidalgo, the "paste" was introduced by British miners in the 1820s and has since become a local culinary tradition. Each year, food enthusiasts converge on Real del Monte to celebrate the International Paste Festival, honoring its delicious heritage.

Pastes are popular across Mexico, with fillings ranging from spicy Mexican mole to sweeter concoctions like pineapple or blueberry with cheese.

And although many are unaware of their surprising origin, a graveyard at the top of a cobbled hill holds the clue: around 700 graves sit covered in moss and lichen with distinctly English names. These are the graves of the hundreds of miners who traveled to Mexico in 1824 to work in Real del Monte, extracting silver, copper, zinc, gold and mercury.

The miners came from Cornwall, a region on the southwest of England which had a similar strong mining community in the 19th century. They brought with them this iconic snack, known in England as a "Cornish pasty."

Cornish pasties date from the 13th century, when they were the food of nobility and the upper crust. By the 19th century, they became popular with working class Cornish families. A simple shortcrust pastry case was filled with cheap cuts of meat alongside potatoes, rutabaga and onion. The pastry was then crimped at the side, sealing the ingredients and giving the eater something to hold onto.

The crimped side would serve as a sort of handle, meaning that the miners could hold onto their lunch without getting the rest of the pasty dirtied with mud and grime from working in the mines.

Arriaga said she has made pastes for 30 years. She married into a paste-making family and took over the business when her husband passed away. Pastes, she said, have become a crucial part of life in the "magical town" of Real del Monte. "I think around 50% of us here make a living from this," she said, highlighting a very special ingredient that goes into every snack. "It’s, above all, the love we put into every paste that makes it a good product."

She said pastes have persisted thanks to the "mexicanization" of the ingredients. Compared to Cornish pasties, she said, "in Mexico (...) we always look for that spicy flavor ... we add pepper, we add parsley."

Pastes are such an iconic snack in Real del Monte that they have their own museum.

"The paste arrived in the year 1824, with the English miners from Cornwall who came to Real del Monte to start working in the mines," said Epifanio Garcés Torres, director of the town's Paste Museum. "The first Englishwoman to bake (one) here in Real del Monte was Mary Jenkins in 1824."

Visitors at this year's paste festival tried an array of treats. Where pastes in the UK have adopted fillings such as "full English breakfast" or "lamb and mint," the Mexican influence on the pastry here is clear: Frijoles (beans); spiced mole sauce or Mexican style tuna — with the obligatory chili pepper — are on the menu.

"They’re delicious," said one festival goer.

The festival featured colorful banners and signs displaying the Mexican, British and Cornish flags, highlighting a unique connection between Mexico and Britain that goes back 200 years — and linking the towns of Real del Monte and Cornwall, which sit more than 5,300 miles (8,530 kilometers) apart.



Olympic Visitors to Milan Get a Rare Chance to Glimpse Restoration of a Long-Hidden Leonardo Gem

Marina Vece works on restoring the Sala delle Asse, part of the newly created Leonardo da Vinci itineraries inside Milan's Sforza Castle, Italy, Tuesday, Jan. 20, 2026. (AP)
Marina Vece works on restoring the Sala delle Asse, part of the newly created Leonardo da Vinci itineraries inside Milan's Sforza Castle, Italy, Tuesday, Jan. 20, 2026. (AP)
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Olympic Visitors to Milan Get a Rare Chance to Glimpse Restoration of a Long-Hidden Leonardo Gem

Marina Vece works on restoring the Sala delle Asse, part of the newly created Leonardo da Vinci itineraries inside Milan's Sforza Castle, Italy, Tuesday, Jan. 20, 2026. (AP)
Marina Vece works on restoring the Sala delle Asse, part of the newly created Leonardo da Vinci itineraries inside Milan's Sforza Castle, Italy, Tuesday, Jan. 20, 2026. (AP)

In honor of the Milan Cortina Olympics, Milan cultural officials are for a brief time only allowing visitors access to a long-hidden wall and ceiling painting by Leonardo da Vinci while restoration work is underway.

The vast painting of a pergola covered with intertwined flowering branches inside Milan’s Sforza Castle is concealed behind a six-meter (nearly 20-foot) towering scaffolding in the Sala delle Asse. Letters establish that Leonardo started the work, but it's one he left unfinished.

“In 1498, he had to flee because the French arrived in Milan, and after that date it was covered over, hidden,” said Luca Tosi, heritage curator at Milan’s landmark Sforza Castle, which is in the same Sempione Park where the Olympic flame will burn during the Feb. 6-22 Winter Games.

In another sign of Leonardo's impact on Milan, the Olympic cauldron itself is inspired by the Renaissance genius' geometric studies, officials announced this week.

Under the French, the castle became a military barracks and the painting, which covers the ceiling and part of the wall, was covered with plaster. The work was only rediscovered early last century, when restorers removed the plaster and filled in color to match Leonardo’s work.

“As a result, Leonardo scholars no longer recognized them as a true Leonardo, but rather as a repainted Leonardo, somewhat a fake, to use a popular term,” Tosi added.

Visitors will be able to climb up the scaffolding and view the restorers at work during a brief window from Feb. 7-March 14, after which it will be closed to the public again for another 18 months to complete the work.

Restorers are using Japanese rice paper with demineralized water to remove salts that have seeped into the walls, gradually cleaning the surface of the painting.

“The hardest part is that Leonardo’s painting is very delicate, there are some liftings, there are more fragile parts and therefore the work must be done centimeter by centimeter, with the utmost attention and care,” Tosi said.

The painting is a study of leaves and plant species that provides yet more evidence of Leonardo’s infamous scientific inquiry, said Tomasso Sacchi, Milan’s top culture official.

“It’s a thrill to know another Leonardo and to experience this extraordinary dedication to various forms of knowledge by this fundamental figure in our history,” Sacchi said.


Italy Uncovers Basilica Designed by Vitruvius, the 'Father of Architecture'

A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
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Italy Uncovers Basilica Designed by Vitruvius, the 'Father of Architecture'

A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)

Italian officials on Monday hailed the discovery of a more than 2,000-year-old public building attributed to Vitruvius, the ancient Roman architect and engineer known as the "father of architecture."

"It is a sensational finding ... something that our grandchildren will be talking about," Italian Culture Minister Alessandro Giuli told a press conference.

Vitruvius, who lived in the ‌1st century BC, ‌is celebrated for having written "De architectura," ‌or ⁠The Ten ‌Books on Architecture, the oldest surviving treatise on the subject.

His teachings on the classical proportions of buildings have inspired artists over centuries, including Leonardo da Vinci, whose famous drawing of the human body is known as the "Vitruvian Man."

Archaeologists believe they have found ⁠the remains of an ancient basilica, or public building, in the central ‌Italian city of Fano northeast of ‍Rome, that was created ‍by Vitruvius.

"I feel like this is the discovery ‍of the century, because scientists and researchers have been searching for this basilica for over 500 years," said the Mayor of Fano Luca Serfilippi.

"We have absolute match" between what was discovered and the descriptions given by Vitruvius in his books, regional archaeological superintendent Andrea Pessina told reporters.

The basilica had a rectangular layout, with 10 columns on the long side, and four on the short ones, Pessina said.

During excavation, when traces of four columns emerged, archaeologists used Vitruvius' descriptions to calculate where the top right column should be. When they started digging, they found it immediately, Pessina said.

"The are few certainties in archaeology ... but we were impressed by the precision" of the match, he added.

Further digging will determine whether more of the ‌basilica lies underground and if the site can be shown to the public, the superintendent said.


French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
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French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)

Footage of the spectacular robbery at the Louvre Museum has been broadcast for the first time on French television, showing the brazen jewel thieves breaking into display cases.

The images, filmed by surveillance cameras, were shown by the TF1 and public France Televisions channels on Sunday evening, three months after the hugely embarrassing break-in in October.

They show the two burglars, one wearing a black balaclava and a yellow high-visibility jacket, the other dressed in black with a motorcycle helmet, as they force their way into the Apollo Gallery.

After breaking in through a reinforced window with a high-powered disk cutters, they begin slicing into display cases under the eyes of several staff members who do not intervene.

Managers at the Louvre have stressed that staff are not trained to confront thieves and are asked to prioritize the evacuation of visitors.

During the roughly four minutes that the two men were inside the gallery, one staff member can be seen holding a bollard used to orient visitor through the gallery, according to France Televisions.

The images form a key part of the ongoing criminal investigation into the October 19 heist.

Details of the footage have been reported in French newspapers, including Le Parisien.

Four suspects are in police custody, including the two suspected thieves, but the eight stolen items of French crown jewels worth an estimated $102 million have not been found.

The security failures highlighted by the break-in on a Sunday morning in broad daylight have lead to major pressure on director Laurence des Cars, who has apologized.

Metal bars have since been installed over the windows of the Apollo Gallery.