Britain Funding Sudanese Activists to Hide Sudan’s National Treasures

Smoke billows during air strikes in central Khartoum as the Sudanese army attacks positions held by the paramilitary Rapid Support Forces (RSF) throughout the Sudanese capital on October 12, 2024. (Photo by AFP)
Smoke billows during air strikes in central Khartoum as the Sudanese army attacks positions held by the paramilitary Rapid Support Forces (RSF) throughout the Sudanese capital on October 12, 2024. (Photo by AFP)
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Britain Funding Sudanese Activists to Hide Sudan’s National Treasures

Smoke billows during air strikes in central Khartoum as the Sudanese army attacks positions held by the paramilitary Rapid Support Forces (RSF) throughout the Sudanese capital on October 12, 2024. (Photo by AFP)
Smoke billows during air strikes in central Khartoum as the Sudanese army attacks positions held by the paramilitary Rapid Support Forces (RSF) throughout the Sudanese capital on October 12, 2024. (Photo by AFP)

The British Council is using a £1.8 million ($2.3 million) grant to help prevent the pillaging of Sudan’s national museums during its ongoing civil war, Britain’s The Telegraph reported.

The grant from the tax-payer-funded body had been dedicated to conserving several heritage sites in Sudan before the war broke out, but has since been diverted to help civilian efforts to prevent the pillaging of national museums and historic sites, it said.

Museums across Sudan have been raided since the start of the civil war in 2023, and artifacts looted from significant sites have been sold on the illegal art market.

Museums linked to ancient cities and pyramids have had their artifacts relocated and hidden during the war, which has cost at least 20,000 lives, the newspaper said.

The move follows the looting and damaging of major museums in the country, including sites linked to British colonial expeditions in Sudan, which had received funding from the UK prior to the conflict.

“Our priority is the safety of our project teams and participants and we carefully monitor this, but we’re flexible where we can be to allow projects to continue their heritage protection activities where it’s feasible and safe to do so,” The Telegraph quoted Stephanie Grant, the director of the British Council in Sudan, as saying.

“Cultural heritage faces serious threats in times of conflict and it’s vital that there are global efforts to defend culture in crisis,” she said.

The British Council had been funding projects in Sudan prior to conflict breaking out in April 2023, with £997,000 provided to sites including the Khalifa Museum in the capital, Khartoum, which had ties to British imperial history.

This had been the home of the Khalifa, who succeeded the Islamic leader Muhammad Ahmad, known as the Mahdi, who defeated British forces at the Battle of Shaykan and in the Siege of Khartoum, an action which cost General Charles George Gordon his life in 1885.

A project titled Safeguarding Sudan’s Living Heritage was allocated £1.8 million to help preserve and document Sudanese customs. It used the Ethnographic Museum in Khartoum, which was also to be upgraded as part of the project, as its base.

The Khalifa House was looted along with the Sudan National Museum, the Natural History Museum was burnt out, and the Darfur Museum was destroyed, with experts on the ground estimating that tens of thousands of artefacts had been stolen.

A report by Sudan’s National Corporation of Antiquities and Museums has revealed that artifacts linked to the ancient kingdom of Kush, and displays linked to British general Gordon, have been ransacked during the war.

British Council staff are no longer on the ground in Sudan, but funding from its Living Heritage fund is being provided to Sudanese experts and local communities who have relocated and hidden remaining museum artefacts in order to preserve their cultural heritage, The Telegraph said.

The work has so far helped safeguard stores from museums linked to the ancient sites of Kerma and Jebel Barkal, the Port Sudan Museum on the coast, and the UNESCO site at Meroe, home to 2,300-year-old pyramids.

Despite the ongoing war, there are also ongoing projects to build and protect community museums including at El Obeid, another site linked to a battle in the Mahdist War that drew Britain into Sudan in the 19th century.

Amani Bashir, the director of the Sheikan Museum in El Obeid, said that “tangible and intangible cultural heritage in Sudan” remains of “the utmost importance to communities” amid the ongoing conflict.

She added: “All societies are proud of their heritage and it serves as the identity and brand or sign that distinguishes each group from others.

“The other is therefore working hard to preserve it, continue it, and own it for current and future generations.”



Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.


ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
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ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA

The Arab League of Educational, Cultural and Scientific Organization (ALECSO) congratulated Saudi Arabia on the opening of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy in Madinah on December 22, 2025.

In a statement, ALECSO called the center a significant addition to the Arab and Islamic cultural landscape, noting its role in preserving Arabic calligraphy and enhancing its global presence, SPA reported.

This achievement reflects the Kingdom's commitment to culture and heritage, aligning with Saudi Vision 2030’s objectives of fostering cultural creativity and reinforcing Arabic identity.

ALECSO emphasized that such institutions serve as global bridges for cultural exchange and ensure the relevance of traditional arts through dedicated research and training facilities.