Britain Funding Sudanese Activists to Hide Sudan’s National Treasures

Smoke billows during air strikes in central Khartoum as the Sudanese army attacks positions held by the paramilitary Rapid Support Forces (RSF) throughout the Sudanese capital on October 12, 2024. (Photo by AFP)
Smoke billows during air strikes in central Khartoum as the Sudanese army attacks positions held by the paramilitary Rapid Support Forces (RSF) throughout the Sudanese capital on October 12, 2024. (Photo by AFP)
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Britain Funding Sudanese Activists to Hide Sudan’s National Treasures

Smoke billows during air strikes in central Khartoum as the Sudanese army attacks positions held by the paramilitary Rapid Support Forces (RSF) throughout the Sudanese capital on October 12, 2024. (Photo by AFP)
Smoke billows during air strikes in central Khartoum as the Sudanese army attacks positions held by the paramilitary Rapid Support Forces (RSF) throughout the Sudanese capital on October 12, 2024. (Photo by AFP)

The British Council is using a £1.8 million ($2.3 million) grant to help prevent the pillaging of Sudan’s national museums during its ongoing civil war, Britain’s The Telegraph reported.

The grant from the tax-payer-funded body had been dedicated to conserving several heritage sites in Sudan before the war broke out, but has since been diverted to help civilian efforts to prevent the pillaging of national museums and historic sites, it said.

Museums across Sudan have been raided since the start of the civil war in 2023, and artifacts looted from significant sites have been sold on the illegal art market.

Museums linked to ancient cities and pyramids have had their artifacts relocated and hidden during the war, which has cost at least 20,000 lives, the newspaper said.

The move follows the looting and damaging of major museums in the country, including sites linked to British colonial expeditions in Sudan, which had received funding from the UK prior to the conflict.

“Our priority is the safety of our project teams and participants and we carefully monitor this, but we’re flexible where we can be to allow projects to continue their heritage protection activities where it’s feasible and safe to do so,” The Telegraph quoted Stephanie Grant, the director of the British Council in Sudan, as saying.

“Cultural heritage faces serious threats in times of conflict and it’s vital that there are global efforts to defend culture in crisis,” she said.

The British Council had been funding projects in Sudan prior to conflict breaking out in April 2023, with £997,000 provided to sites including the Khalifa Museum in the capital, Khartoum, which had ties to British imperial history.

This had been the home of the Khalifa, who succeeded the Islamic leader Muhammad Ahmad, known as the Mahdi, who defeated British forces at the Battle of Shaykan and in the Siege of Khartoum, an action which cost General Charles George Gordon his life in 1885.

A project titled Safeguarding Sudan’s Living Heritage was allocated £1.8 million to help preserve and document Sudanese customs. It used the Ethnographic Museum in Khartoum, which was also to be upgraded as part of the project, as its base.

The Khalifa House was looted along with the Sudan National Museum, the Natural History Museum was burnt out, and the Darfur Museum was destroyed, with experts on the ground estimating that tens of thousands of artefacts had been stolen.

A report by Sudan’s National Corporation of Antiquities and Museums has revealed that artifacts linked to the ancient kingdom of Kush, and displays linked to British general Gordon, have been ransacked during the war.

British Council staff are no longer on the ground in Sudan, but funding from its Living Heritage fund is being provided to Sudanese experts and local communities who have relocated and hidden remaining museum artefacts in order to preserve their cultural heritage, The Telegraph said.

The work has so far helped safeguard stores from museums linked to the ancient sites of Kerma and Jebel Barkal, the Port Sudan Museum on the coast, and the UNESCO site at Meroe, home to 2,300-year-old pyramids.

Despite the ongoing war, there are also ongoing projects to build and protect community museums including at El Obeid, another site linked to a battle in the Mahdist War that drew Britain into Sudan in the 19th century.

Amani Bashir, the director of the Sheikan Museum in El Obeid, said that “tangible and intangible cultural heritage in Sudan” remains of “the utmost importance to communities” amid the ongoing conflict.

She added: “All societies are proud of their heritage and it serves as the identity and brand or sign that distinguishes each group from others.

“The other is therefore working hard to preserve it, continue it, and own it for current and future generations.”



Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
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Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)

As Iran faces increasing tensions with the West and turmoil at home, a new exhibition at the Tehran Museum of Contemporary Art is displaying Western artwork including pieces not seen by the public in at least a decade.
The unveiling of the exhibition “Eye to Eye” has drawn numerous women, their hair uncovered, to the underground galleries of the museum in Tehran's Laleh Park. Their presence, while unacknowledged by authorities, shows the way life has changed inside Iran just in the last few years even as the country's theocracy presses forward with enriching uranium to near-weapons grade levels and launching attacks on Israel during the ongoing Mideast wars, The Associated Press said.
“The first feeling that came to me, and I told my parents, was that I can’t believe I’m seeing these works, which have always been kept far from our eyes,” said Aida Zarrin, a young woman at the museum.
“If such events are held here and we can see artworks like the rest of the world, it’s enough. They are really precious.”
The government of Iran’s Western-backed shah, Mohammad Reza Pahlavi, and his wife, the former Empress Farah Pahlavi, built the museum and acquired the vast collection in the late 1970s, when oil boomed and Western economies stagnated. Upon opening, it showed sensational works by Pablo Picasso, Mark Rothko, Claude Monet, Jackson Pollock and other heavyweights, enhancing Iran’s cultural standing on the world stage.
But just two years later, in 1979, Shiite clerics ousted the shah and packed away the art in the museum’s vault. Some paintings — cubist, surrealist, impressionist and even pop art — sat untouched for decades to avoid offending Islamic values and the appearance of catering to Western sensibilities. Nearly everything is believed still to be there, though an Andy Warhol print of the empress was slashed during the revolution.
Today, the collection is likely worth billions of dollars. Even with Iran now cash-strapped under Western sanctions, officials with the museum have been able to advocate for keeping the collection, though there have been occasional trades in the past for items from Persian history. Those sanctions may increase under the next administration of US President-elect Donald Trump.
As Iranian politics have thawed, re-frozen and thawed again, the collection resurfaces along with those changes.
Among the over 120 works being shown are ones from Picasso, Andy Warhol and Francis Bacon, along with celebrated Iranian artists. One of the Warhols, “Jacqueline Kennedy II,” is a silkscreen double image of the former US first lady in mourning after the 1963 assassination of her husband, President John Kennedy. Another Warhol portrait of Rolling Stones frontman Mick Jagger also garnered attention from the cellphone photo snappers.
“A lot of these works are important works in the history of art, and that’s why this show distinguishes itself from others,” said Jamal Arabzadeh, the exhibition's curator. ”A lot of people with less exposure to art have discovered the museum for the first time. ... We are seeing a part of the community that are discovering art and the museum and see the potential of this place, and this is something to be proud of.”
The presence of Western art comes as Iran's government has long fought against items like Barbie dolls and depictions of cartoon characters from “The Simpsons.” Such Western influences have been deemed un-Islamic in the past and have been seen as part of a “soft” cultural war against Iran.
With a ticket costing the equivalent of 14 US cents, the exhibition offers a rare government-sanctioned event not involving the country's politics or Shiite religion.
Among the visitors were many women defying the country's mandatory headscarf, or hijab, law. Crackdowns over the hijab have slowed down after Iran's presidential election in July that elected reformist President Masoud Pezeshkian, though individual cases of arrest continue to draw anger.
And for many, the cost of tickets to travel abroad given Iran's collapsing rial currency keep foreign museums out of reach.
“This is very attractive for art enthusiasts because not everyone can go and see museums abroad. It’s extremely exciting to see the works here,” said a woman who only gave her last name, Dolatshahi. “I had no idea I could see works by van Gogh and Picasso here.”