Dubai Culture Concludes 'Emirati Creatives in Venice Program'

As part of this initiative, ten Emirati artists participated in a cultural journey exploring the diverse artistic practices displayed at the Venice Biennale - Photo by WAM
As part of this initiative, ten Emirati artists participated in a cultural journey exploring the diverse artistic practices displayed at the Venice Biennale - Photo by WAM
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Dubai Culture Concludes 'Emirati Creatives in Venice Program'

As part of this initiative, ten Emirati artists participated in a cultural journey exploring the diverse artistic practices displayed at the Venice Biennale - Photo by WAM
As part of this initiative, ten Emirati artists participated in a cultural journey exploring the diverse artistic practices displayed at the Venice Biennale - Photo by WAM

Dubai Culture has successfully concluded its ‘Emirati Creatives in Venice Program,’ aimed at showcasing Emirati talent on the global stage and promoting engagement with prominent art practices at the 60th International Art Exhibition at the Venice Biennale, themed 'Foreigners Everywhere'.

Supported by the Sikka Platform, the program reflects Dubai Culture’s commitment to creating opportunities for local talent to flourish and connect with the international arts community, state news agency WAM reported.

As part of this initiative, ten Emirati artists — Anood Al Khoori, Duha Al Hallami, Elham Karimi, Fatima Abdulrahman, Fatma Al Mheiri, Hend Al Murid, Maryam AlHemeiri, Mezna Suwaidan, Nawal Ahmad, and Sara Al Khayyal — participated in a cultural journey exploring the diverse artistic practices displayed at the Venice Biennale. They visited the UAE Pavilion at Arsenale’s Sale d’Armi, where they experienced Abdulla Al Saadi’s exhibit, ‘Sites of Memory, Sites of Amnesia’, a portrayal of his 40-year creative journey through his travels and explorations of the UAE’s natural heritage and landscapes.

The artists further explored Venice’s rich cultural landscape, visiting landmarks such as the Doge’s Palace, renowned for its Venetian Gothic architecture; the Rubelli Foundation, focused on textile arts; the Fondazione Giorgio Cini, dedicated to glass arts; and the ‘Vatican Chapels Pavilion of the Holy See’ within the Venice Biennale, showcasing unique glass installations. This journey offered insights into the interplay between art and environment, encouraging the artists to reflect on their creative approaches. During their time in Venice, the artists met with design experts and university representatives to discuss contemporary trends in art and design. They also met with artist Fabrizio Plessi, who highlighted the role of storytelling and the integration of technology in art. They participated in an interactive workshop by Fernando Masone on combining traditional and modern art techniques.



Chopin Waltz Unearthed after 200 Years

The birthplace of the Polish composer Frederic Chopin, May 7, 2010 in Wola, near Warsaw. (AFP)
The birthplace of the Polish composer Frederic Chopin, May 7, 2010 in Wola, near Warsaw. (AFP)
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Chopin Waltz Unearthed after 200 Years

The birthplace of the Polish composer Frederic Chopin, May 7, 2010 in Wola, near Warsaw. (AFP)
The birthplace of the Polish composer Frederic Chopin, May 7, 2010 in Wola, near Warsaw. (AFP)

An unknown waltz by Chopin, written nearly 200 years ago, has been discovered in the vault of the Morgan Library and Museum in New York.

The score, on a card bearing Frederic Chopin's hand-written name, was found by a curator in the spring, the New York Times reported Sunday.

"I thought, 'What's going on here? What could this be?' I didn't recognize the music," curator Robinson McClellan told the paper.

He was at first unsure that the piece was actually Chopin's after photographing the score and playing it on a keyboard at home.

He conferred with an academic at the University of Pennsylvania who is an expert on Chopin, before the Morgan concluded the find was genuine after testing the ink and paper.

The penmanship was also found to match Chopin's, including the reproduction of a stylized bass clef symbol as well as doodling characteristic of the composer.

"We have total confidence in our conclusion," McClellan said.

The museum believes that the music is from between 1830 and 1835, when Chopin was in his early 20s.

The tune features a stark opening and was described by pianist Lang Lang as containing "dramatic darkness turning into a positive thing."

Chopin, who wrote mostly piano solos, died aged 39 in France in 1849.