Chopin Waltz Unearthed after 200 Years

The birthplace of the Polish composer Frederic Chopin, May 7, 2010 in Wola, near Warsaw. (AFP)
The birthplace of the Polish composer Frederic Chopin, May 7, 2010 in Wola, near Warsaw. (AFP)
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Chopin Waltz Unearthed after 200 Years

The birthplace of the Polish composer Frederic Chopin, May 7, 2010 in Wola, near Warsaw. (AFP)
The birthplace of the Polish composer Frederic Chopin, May 7, 2010 in Wola, near Warsaw. (AFP)

An unknown waltz by Chopin, written nearly 200 years ago, has been discovered in the vault of the Morgan Library and Museum in New York.

The score, on a card bearing Frederic Chopin's hand-written name, was found by a curator in the spring, the New York Times reported Sunday.

"I thought, 'What's going on here? What could this be?' I didn't recognize the music," curator Robinson McClellan told the paper.

He was at first unsure that the piece was actually Chopin's after photographing the score and playing it on a keyboard at home.

He conferred with an academic at the University of Pennsylvania who is an expert on Chopin, before the Morgan concluded the find was genuine after testing the ink and paper.

The penmanship was also found to match Chopin's, including the reproduction of a stylized bass clef symbol as well as doodling characteristic of the composer.

"We have total confidence in our conclusion," McClellan said.

The museum believes that the music is from between 1830 and 1835, when Chopin was in his early 20s.

The tune features a stark opening and was described by pianist Lang Lang as containing "dramatic darkness turning into a positive thing."

Chopin, who wrote mostly piano solos, died aged 39 in France in 1849.



Benin Leans into Painful Past to Attract Tourists

 A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)
A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)
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Benin Leans into Painful Past to Attract Tourists

 A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)
A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)

Tourists crowded beneath the Door of No Return, an arch built by the beach at Ouidah in southern Benin in memory of those crammed onto slave ships bound for the New World.

Benin, which holds a presidential election on Sunday, has in recent years leaned into its painful past to encourage tourism.

Once a key departure point in the transatlantic slave trade, the coastal town of Ouidah lies at the heart of the push to reclaim the country's history, culture and heritage.

Standing nearly 17 meters (56 feet) tall on the seafront, the Door of No Return has been fully restored, now a must-see landmark for visitors.

Its ochre-and-gold facade is carved with figures of chained slaves, frozen mid-stride towards the ocean.

Nearby, a life-size replica of L'Aurore -- one of the last three-masted ships to leave Ouidah for Cuba around 1860 -- is set to open soon as an immersive museum of the slave trade.

"It reminds us of where we come from. It's important to develop tourism around our history because it's very rich, little known, and we want to showcase it," said Arsene Ahounou, an engineer from the commercial capital Cotonou visiting for the day.

"For us natives, understanding our history matters," he added.

Pausing for selfies with friends visiting from Nigeria, Onyinye Anumba said that seeing the site with her own eyes was "awesome".

"As an African, I've read many things about this place... so just being here makes me proud about what Africa has," she said.

- 'Demystify Vodun' -

Elsewhere, tourists explored the 13th-century Python Temple to learn about Voodoo culture -- the popular animist religion rooted in Ouidah.

As many posed for photos with snakes draped around their shoulders, guides explained the reptile's spiritual significance in Voodoo (Vodun in the local Fon language) beliefs.

Having worked in Beninese tourism for more than 35 years, Modeste Zinsou, the temple's head guide, said the sector had evolved.

"This isn't mass tourism, it's cultural tourism. The sacred element remains. We're reconstructing our own history, in which we completely demystify Vodun and the cliches around it," he said.

Benin is the birthplace of Voodoo, which now has its own international festival, the Vodun Days.

The three days of dancing, mask parades and traditional ceremonies have become a major tourist attraction.

This year it drew around two million visitors, most of them Beninese.

"The government has worked to encourage domestic tourism, meaning Beninese people going out and reclaiming their identity," added Zinsou.

- 'Our Eiffel Tower' -

To boost tourism, Benin has launched major infrastructure projects, including road and hotel renovations.

A Club Med resort is planned for 2027 and visa procedures have been eased for many nationalities.

"We're not a country with mineral wealth, so we had to identify where our wealth lies," said Alain Godonou, an adviser to the president on heritage and museums.

"History shows that Benin is a land of great cultures and traditions, and a witness to a pivotal moment in human history -- the slave trade," he said.

Godonou hopes tourism will account for 10 to 15 percent of GDP within a decade, up from about six percent today.

Sunday's election in the west African country is to replace the architect of this tourism drive, outgoing president Patrice Talon, who is stepping down after two five-year terms.

The frontrunner to succeed him, Romuald Wadagni, the finance minister from the ruling party, has pledged to carry the projects forward.

Since 2024, Benin has allowed anyone with an African ancestor who was enslaved and shipped to the Americas to acquire Beninese nationality.

"It was important for Benin to do justice to this diaspora by granting the nationality that should have been theirs," Godonou said.

In the heart of Cotonou, the country's largest city, the Amazon Monument is now a major attraction.

The towering 30-meter metal statue depicts a warrior of the Dahomey kingdom, rifle at her side and dagger in hand.

On Easter Monday, a public holiday, crowds of Beninese visitors strolled through the plaza, snapping pictures of the statue.

"It's a source of pride! We don't have the money to go on holiday in France or elsewhere," said vendor Geraldine Sedami Yagbo.

"This statue is our Eiffel Tower."


Hira Cultural District Hosts Symposium on Arabic Language and Identity

The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)
The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)
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Hira Cultural District Hosts Symposium on Arabic Language and Identity

The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)
The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)

The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café, where scholars, writers, and language enthusiasts gathered to discuss the importance of the Arabic language. the Saudi Press Agency reported.

The event highlighted Arabic not only as a means of communication, but as a fundamental pillar of cultural identity and a vital source of knowledge, deeply connected to history, heritage, and intellectual traditions.

Discussions highlighted the necessity of preserving linguistic integrity against contemporary challenges and the responsibility of cultural institutions in promoting standard Arabic.

Participants emphasized that language remains a fundamental element in building national identity and consolidating cultural values.

This symposium is part of a broader series of initiatives by the Hira Cultural District to enrich Makkah’s cultural and intellectual landscape.


Saudi Ministry Launches ‘Cultural Experiences’ Program to Promote Local Arts and Heritage

Riyadh, Saudi Arabia (Reuters)
Riyadh, Saudi Arabia (Reuters)
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Saudi Ministry Launches ‘Cultural Experiences’ Program to Promote Local Arts and Heritage

Riyadh, Saudi Arabia (Reuters)
Riyadh, Saudi Arabia (Reuters)

The Saudi Ministry of Culture unveiled the “Cultural Experiences” program to raise awareness of local culture and arts through interactive public experiences.

The initiative targets all segments of society and offers activities that enable participants to explore Saudi heritage and traditional arts in engaging ways, the Saudi Press Agency said on Thursday.

In its first phase, the program will feature two main trails.

The first, “Cooking Experiences,” will be held in April at the Hotel and Tourism Management Institute (HTMi Saudi Arabia) in Riyadh, Al-Baha, and Jazan.

It showcases Saudi cuisine through hands-on sessions where participants learn to prepare traditional dishes under the guidance of professional chefs.

Participants will explore the stories, ingredients, and cultural significance of these dishes, strengthening their connection to local culinary heritage.

The second trail focuses on handicraft experiences. It highlights traditional crafts through interactive workshops led by skilled artisans.

Participants will learn various handicraft techniques and create artistic pieces, promoting appreciation of crafts, and their role in preserving cultural identity.

The program will be rolled out in multiple phases. Experiences will be announced through the ministry’s official platforms and the hosting platform “Webook,” where participants can view schedules and register.

Registered participants will receive confirmation messages with details of the experience, including location, timing, and attendance requirements.