Abu Dhabi Art Announces Artists, curator Selected for 'Beyond Emerging Artists' Program

Co-Founder of GALLERIA CONTINUA Lorenzo Fiaschi. WAM
Co-Founder of GALLERIA CONTINUA Lorenzo Fiaschi. WAM
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Abu Dhabi Art Announces Artists, curator Selected for 'Beyond Emerging Artists' Program

Co-Founder of GALLERIA CONTINUA Lorenzo Fiaschi. WAM
Co-Founder of GALLERIA CONTINUA Lorenzo Fiaschi. WAM

Abu Dhabi Art has announced details around its Beyond: Emerging Artists program, which commissions new work by up-and-coming UAE-based artists each year, Emirates News Agency (WAM) reported.

Beyond: Emerging Artists 2024 will be curated by Lorenzo Fiaschi, Co-Founder of GALLERIA CONTINUA, who has selected the artists Fatma Al Ali, Dina Nazmi Khorchid and Simrin Mehra Agarwal to produce commissioned works to be exhibited at Abu Dhabi Art this year, WAM said.

The works will be on exhibition at Manarat Al Saadiyat on November 20-24, after which the exhibition will travel internationally to a new location.

"As we embark on this new journey with Abu Dhabi Art's Beyond Emerging Artists program, we are excited to contribute to the region’s vibrant contemporary art scene,” said Fiaschi.

“Celebrating 18 years of collaboration with Abu Dhabi Art, GALLERIA CONTINUA is eager to witness and support the dynamic evolution of the art world. We are committed to embracing diversity, which enriches our collective artistic experience. We look forward to guiding the selected artists—Dina Nazmi Khorchid, Simrin Mehra Agarwal, and Fatma Al Ali—and helping them develop exceptional projects of international caliber that showcase the creativity and potential of today’s artistic landscape,” he added.

The three selected artists were chosen from over 100 proposals reviewed by the Abu Dhabi Art organizing committee and GALLERIA CONTINUA, and in consultation with Friends of Abu Dhabi Art, a group of individuals who are actively committed to supporting art and culture in the emirate and who support the Beyond Emerging Artists program each year, WAM said.

Abu Dhabi Art Director Dyala Nusseibeh said: “During the selection process we were struck by how analytical and thoughtful each of the chosen proposals were, across diverse practices, unpicking issues that ranged from conflict and war to our relationship with the environment and the impact of colonialism on indigenous plant life in the Gulf. Together the commissioned artists navigate utopian or dystopian imagined landscapes, in often playful, often piercing ways, creating the space for new histories of the region to emerge.”



Greek Potter Keeps Ancient Ways Alive, Wins UNESCO Recognition

A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
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Greek Potter Keeps Ancient Ways Alive, Wins UNESCO Recognition

A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)
A drone view of ready handmade pieces in Kouvdis’ family pottery workshop in Agios Stefanos village, near Mandamados on the Greek island of Lesbos, Greece, September 23, 2024. (Reuters)

In his seaside workshop on the Greek island of Lesbos, Nikos Kouvdis uses ancient techniques to create pottery pieces that have recently been honored with inclusion in UNESCO's National Inventory of Intangible Cultural Heritage.

Kouvdis, 70, and his family have kept an old technique alive near the once humming pottery hub of Mandamados, just as the slow and careful methods of the past have been largely eclipsed by factory machines.

Their pottery is among the last in the Mediterranean to be produced from clay in local soil, using a traditional kiln with olive pits as fuel, with the pieces painted with natural lime.

"It's an honor for me," Kouvdis said with regard to the UNESCO recognition of his work.

He said a mechanized press can work at 10 times the speed of an individual potter. "There’s no continuity. There’s no space for (our) method to continue."

Still, he continues to produce individual pots on an outcrop of land overlooking the Aegean Sea.

"Above all, it’s a passion - trying to create something that fulfils you," he said.